Our Lady of the Dry Tree – Petrus Christus

Undine Giving the Ring to Massaniello, Fisherman of Naples — William Turner

The Gift — Man Ray

Some violence is done when I rejoice or grieve at a gift (Ralph Waldo Emerson)

He is a good man, who can receive a gift well. We are either glad or sorry at a gift, and both emotions are unbecoming. Some violence, I think, is done, some degradation borne, when I rejoice or grieve at a gift. I am sorry when my independence is invaded, or when a gift comes from such as do not know my spirit, and so the act is not supported; and if the gift pleases me overmuch, then I should be ashamed that the donor should read my heart, and see that I love his commodity, and not him. The gift, to be true, must be the flowing of the giver unto me, correspondent to my flowing unto him. When the waters are at level, then my goods pass to him, and his to me. All his are mine, all mine his. I say to him, How can you give me this pot of oil, or this flagon of wine, when all your oil and wine is mine, which belief of mine this gift seems to deny? Hence the fitness of beautiful, not useful things for gifts. This giving is flat usurpation, and therefore when the beneficiary is ungrateful, as all beneficiaries hate all Timons,not at all considering the value of the gift, but looking back to the greater store it was taken from, I rather sympathize with the beneficiary, than with the anger of my lord, Timon. For, the expectation of gratitude is mean, and is continually punished by the total insensibility of the obliged person. It is a great happiness to get off without injury and heart-burning, from one who has had the ill luck to be served by you. It is a very onerous business,this of being served, and the debtor naturally wishes to give you a slap. A golden text for these gentlemen is that which I admire in the Buddhist, who never thanks, and who says, “Do not flatter your benefactors.”

From Ralph Waldo Emerson’s essay “Manners.”

Drawled the librarian (Glen Baxter)

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Maid Reading in the Library — Edouard John Mentha

Weasel and Rooster — Kawanabe Kyōsai

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Corner of Studio Sink — Richard Diebenkorn

Illustration from Goethe’s Faust — Harry Clarke

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The House of Nazareth — Francisco de Zurbaran

The Bus — Paul Kirchner

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Self-portrait with Black Background — Helene Schjerfbeck

Young Woman Reading in Bed — Lucien Abrams

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The Wolf — Claude Verlinde

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Jessie with Guitar — Thomas Hart Benton

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