Paul Kirchner’s Awaiting the Collapse (Book acquired, 2 Nov. 2017)

Awaiting the Collapse collects some of the finest and most surreal comix from Paul Kirchner, from the 1970s up through this decade. The book is big and bold and gorgeous. Here’s the back cover:

Awaiting the Collapse is new in hardback from Tanibis Editions, the same good people who brought us hardback editions of The Bus (which I reviewed here), and The Bus 2 (which I reviewed here). A large portion of Collapse features Kirchner’s surreal western Dope Rider strips, which have been hard to find on the internet. It also collects the covers that Kirchner did for Screw magazine, as well as dozens of other one-offs and vignettes, comix in different modes, moods, and manners.

The collection ends with a nice long essay (including numerous photographs, strips, and illustrations) by Kirchner called “Sex, Drugs & Public Transportation: My Strange Trip Through Comics.” I haven’t gotten to it yet because I’m trying to restrain myself from gobbling the collection up all at once.

Here’s Tanibis’s blurb:

This third collaboration between French publishing house Tanibis and comic book artist Paul Kirchner is a collection of the artist’s works, most of them initially published in counter-culture magazines in the 1970s and the 1980s and some dating from his return to comics in the 2010s.

Roughly a third of the stories star Dope Rider, the pot-smoking skeleton whose psychedelic adventures take him through colorful vistas equally reminiscent of Sergio Leone’s spaghetti western films and of the surrealistic paintings of René Magritte and Salvador Dalí. These stories were originally drawn for the marijuana-themed magazine High Times but were also for Kirchner an excuse to create his very own brand of visual poetry.

An other third of the book is a miscellaneous collection of comics whose stories range from the loony (the sextraterrestrial invasion of Earth in “They Came from Uranus”) to the satirical (“Critical mass of cool”) and the outright subversive (if you ever wondered what games toys play at night, read “Dolls at Midnight”).

This book also features a broad selection of the covers Kirchner made for the pornographic tabloid Screw in the 1970s.

Awaiting the Collapse finally contains a previously unpublished essay by Paul Kirchner about his career and his influences, which helps put in perspective the works published in this book.

I promise I’ll have a review of Awaiting the Collapse up soon; for now, let me just underline my enthusiasm—it’s weird and wonderful and gorgeous stuff.

Paul Kirchner’s The Bus…and The Bus 2 (Books acquired, 10.03.2015)

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Paul Kirchner’s The Bus is excellent. We know this, yes? Editions Tanibis sent me their copy of the surreal, philosophical strip’s first run. I’ve enjoyed going back through it again (bingeing, to be honest)—Tanibis’s volume is beautiful, crisp, and far more complete than the Imgur album that was such a hit this year.
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Tanibis also sent along The Bus 2, which publishes late this month, and I’ll have a full review then (some time after Halloween), but for now, a teaser:

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The Bus, Paul Kirchner’s marvelous and surreal comic strip trip

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For the past year, I’ve run a strip from Paul Kirchner’s cult classic The Bus each Sunday. The strips come from an album posted at Imgur full of high quality scans. I posted the last scan last week.

The Bus originally ran in Heavy Metal from 1979-1985; Kirchner’s done a few  over 40 new strips over the past few years, as he notes in a recent memoir-piece at The Boston GlobeThe new strips will be collected in The Bus 2 from Editions Tanibis. Editions Tanibis also has collected the original run of The Bus in an edition that’s more complete than the Imgur page.

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I’ve enjoyed posting the strips tremendously. I first saw a few strips at an image forum I frequent, and quickly found the Imgur album. Posting one each Sunday was my way of, well, not bingeing on them.

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The Bus is a profound strange wonderful trip. Kirchner’s visions often evoke Escher’s paradoxes, and the best of his strips make us attend closely to what we’d otherwise dismiss. The Bus is subtle and sly, occasionally (very occasionally) dark, but also, I would argue, sensitive—there’s something deeply endearing about the strip’s central human protagonist, an often passive (even hapless) passenger, a kind of late-20th century Everyman. Continue reading “The Bus, Paul Kirchner’s marvelous and surreal comic strip trip”

The Bus — Paul Kirchner

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The Bus — Paul Kirchner

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The Bus — Paul Kirchner

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The Bus — Paul Kirchner

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The Bus — Paul Kirchner

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The Bus — Paul Kirchner

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The Bus — Paul Kirchner

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The Bus — Paul Kirchner

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The Bus — Paul Kirchner

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The Bus — Paul Kirchner

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The Bus — Paul Kirchner

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The Bus — Paul Kirchner

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The Bus — Paul Kirchner

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The Bus — Paul Kirchner

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