Paris, Texas — Wim Wenders (Full Film)

American Boy: A Profile of Steven Prince — Martin Scorsese (Full Documentary)

 

Orson Welles’ Sketchbook: Critics

Two Fun Stanley Kubrick Coloring Pages

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(Via/about).

Tale of Tales — Yuriy Norshteyn

Orson Welles and Peter O’Toole on Hamlet

Dr. Strangelove Poster — Tomi Ungerer

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Carravaggio, A Documentary by Robert Hughes

The Magician — Ingmar Bergman

Elevator Outtake from The Master

(A review of the film).

Cocteau et le Sphinx — Lucien Clergue

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“The greatest masterpiece in literature is only a dictionary out of order” — Jean Cocteau

Studies for Spellbound — Salvador Dali

(See the full film…)

Spellbound — Alfred Hitchcock (Full Film)

A Midsummer Night’s Dream (1935)

“Snow White and the Seven Dwarfs” — Anne Sexton

“Snow White and the Seven Dwarfs” by Anne Sexton

No matter what life you lead
the virgin is a lovely number:
cheeks as fragile as cigarette paper,
arms and legs made of Limoges,
lips like Vin Du Rhône,
rolling her china-blue doll eyes
open and shut.
Open to say,
Good Day Mama,
and shut for the thrust
of the unicorn.
She is unsoiled.
She is as white as a bonefish.

Once there was a lovely virgin
called Snow White.
Say she was thirteen.
Her stepmother,
a beauty in her own right,
though eaten, of course, by age,
would hear of no beauty surpassing her own.
Beauty is a simple passion,
but, oh my friends, in the end
you will dance the fire dance in iron shoes.
The stepmother had a mirror to which she referred-
something like the weather forecast-
a mirror that proclaimed
the one beauty of the land.
She would ask,
Looking glass upon the wall,
who is fairest of us all?
And the mirror would reply,
You are the fairest of us all.
Pride pumped in her like poison. Continue reading ““Snow White and the Seven Dwarfs” — Anne Sexton”

RIP James Gandolfini

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RIP James Gandolfini, 1961-2013

RIP to James Gandolfini, who brought sensitivity and depth to the roles he played. I don’t think The Sopranos could have existed without him. He made me laugh and cry so often in that role, never more than at the end of The Sopranos, where I experienced what I could only describe as catharsis.

The Orson Welles Story (BBC Documentary)