The Book Lover — Frantisek Kupka

Summer Evening — Edward Hopper

“The Flash” — Italo Calvino

The Flash

It happened one day, at a crossroads, in the middle of a crowd, people coming and going.
I stopped, blinked: suddently I understood nothing. Nothing, nothing about anything: I did not understand the reasons for things or for people, it was all senseless, absurd. I laughed.
What I found strange at the time was that I had never realized before; that up until then I had accepted everything: traffic lights, cars, posters, uniforms, monuments, things completely detached from any sense of the world, accepted them as if there were some necessity, some chain of cause and effect that bound them together.
Then my laugh died. I blushed, ashamed. I waved to get people’s attention. “Stop a moment!” I shouted, “there is something wrong! Everything is wrong! We are doing the absurdest things. This cannot be the right way. Where can it end?”
People stopped around me, sized me up, curious. I stood there in the middle of them, waving my arms, desparate to explain myself, to have them share the flash of insight that had suddenly enlightened me: and I said nothing. I said nothing because the moment I had raised my arms and opened my mouth, my great revelation had been as it were swallowed up again and the words had come out any old how, on impulse.
“So?” people asked, “what do you mean? Everything is in its place. All is as it should be. Everything is a result of something else. Everything fits in with everything else. We cannot see anything wrong or absurd.”
I stood there, lost, because as I saw it now everything had fallen into place again and everything seemed normal, traffic lights, monuments, uniforms, towerblocks, tramlines, begggards, processions; yet this did not calm me, it tormented me.
“I am sorry,” I said. “Perhaps it was I who was wrong. It seemd that way then. But everything is fine now. I am sorry.” And I made off amid their angry glares.
Yet, even now, every time (and it is often) that I find I do not understand something, then, instincitively, I am filled with the hope that perhaps this will be my moment again, perhaps once again I shall understand nothing, I shall grasp the other knowledge, found and lost in an instant.

“The Flash,” by Italo Calvino. Collected in Numbers in the Dark.

Netherlandish Proverbs — Pieter Bruegel the Elder

Peter Falk Talks About Working with John Cassavetes

Chardenal Dictionary — Max Weber

Aldous Huxley’s Brave New World (Full 1980 BBC Adaptation)

“Sisyphus, Known as the Craftiest of Men” — Roberto Bolaño

 

Then, incomprehensibly, he began to make faces that in some way linked him to the wife of the writer from Mainz, to such a degree that Bubis thought they must be brother and sister and only thus could one fully understand the presence of the writer and his wife at the meal. It was also possible, thought Bubis, that they were lovers, because it was common knowledge that lovers often began to resemble each other, usually in their smiles, their opinions, their points of view, in short, the superficial trappings that all human beings are obliged to bear until their deaths, like the rock of Sisyphus, yes Sisyphus, known as the craftiest of men, son of Aeolus and Enarete, founder of the city of Ephyra, which is the old name for Corinth, a city that the good Sisyphus turned into the staging ground of his happy misdeeds, because with his characteristic nimbleness of body and intellectual inclination to see every turn of fate as a chess problem or a detective story to unravel, and his instinct for laughter and jokes and jests and cracks and quips and gags and pranks and punch lines and spoofs and stories and gibes and taunts and send-ups and satires, he turned to theft, in other words parting all passersby from their belongings, even going so far as to steal from his neighbor Autolycus, also a thief, perhaps with the remote hope that one who steals from a thief is granted one hundred years of forgiveness, and at the same time smitten by his neighbor’s daughter, Anticlea, because Anticlea was very beautiful, a treat, but the girl had an official suitor, she was promised to Laertes, of subsequent fame, which didn’t daunt Sisyphus, who could count on the complicity of the girl’s father, the thief Autolycus, whose admiration for Sisyphus had sprung up like the regard of an objective and honorable artist for another artist of superior gifts, so that even though it could be said that as a man of honor he remained true to his promise to Laertes, he didn’t look unkindly upon the romantic attentions Sisyphus lavished on his daughter or treat them as disrespect or mockery of his future son-in-law, and in the end his daughter married Laertes, or so it’s said, but only after surrendering to Sisyphus one or two or five or seven times, possibly ten or fifteen times, always with the collusion of Autolycus, who wanted his neighbor to plant the seed of a grandchild as clever as Sisyphus, and on one of these occasions Anticlea was left with child and nine months later, now the wife of Laertes, her son would be born, the son of Sisyphus, called Odysseus or Ulysses, who in fact turned out to be just as clever as his father, though Sisyphus never gave him a thought and continued to live his life, a life of excesses and parties and pleasure, during which he married Merope, the dimmest star in the Pleiades precisely because she married a mortal, a miserable mortal, a miserable thief, a miserable gangster in thrall to his excesses, blinded by his excesses, among which not least was the seduction of Tyro, the daughter of Sisyphus’s brother Salmoneus, whom Sisyphus pursued not because he was interested in Tyro, not because Tyro was particularly sexy, but because Sisyphus hated his own brother and wanted to cause him pain, and for this deed, after his death, he was condemned in hell to push a stone to the top of a hill only to watch it roll down to the bottom and then push it back up to the top of the hill and watch it roll again to the bottom, and so on eternally, a bitter punishment out of all proportion to his crimes or sins, the vengeance of Zeus, it’s said, because on a certain occasion Zeus passed through Corinth with a nymph he had kidnapped, and Sisyphus, who was smarter than a whip, seized his chance, and when Asopus, the girl’s father, came by in desperate search of his daughter, Sisyphus offered to give him the name of his daughter’s kidnapper, but only if Asopus made a fountain spring up in the city of Corinth, which shows that Sisyphus wasn’t a bad citizen or perhaps he was thirsty, to which Asopus agreed and the fountain of crystalline waters sprang up and Sisyphus betrayed Zeus, who, in a blind rage, sent him ipso facto to Thanatos, or death, but Sisyphus was too much for Thanatos, and in a masterstroke perfectly in keeping with his craftiness and sense of humor he captured Thanatos and threw him in chains, a feat within reach of very few, truly very few, and for a long time he kept Thanatos in chains and during all that time not a single human being died on the face of the earth, a golden age in which men, though still men, lived free of the anxiety of death, in other words, free of the anxiety of time, because now they had more than enough time, which is perhaps what distinguishes a democracy, spare time, surplus time, time to read and time to think, until Zeus had to intervene personally and Thanatos was freed and then Sisyphus died.

But the faces Junge was making didn’t have anything to do with Sisyphus, thought Bubis.

From “The Part About Archimboldi,” 2666, by Roberto Bolaño.

 

Nude at the Stove — Felix Vallotton

The Egyptian Book — Lucian Freud

List with No Name #1

  1. Bleak House
  2. A Frolic of His Own
  3. Babbitt
  4. Fathers and Sons
  5. The Magic Mountain
  6. Middlemarch
  7. Moll Flanders
  8. The Tin Drum
  9. Life and Fate
  10. R.U.R.
  11. The Dwarf
  12. Zeno’s Conscience

“True Love” — Thomas Bernhard

 

True Love

An Italian who owns a villa in Riva on Lake Garda and can live very comfortably on the interest from the estate his father left him has, according to a report in La Stampa, been living for the last twelve years with a mannequin. The inhabitants of Riva report that on mild evenings they have observed the Italian, who is said to have studied art history, boarding a glass-domed deluxe boat, which is moored not far from his home, with the mannequin to take a ride on the lake. Described years ago as incestuous in a reader’s letter addressed to the newspaper published in Desencano, he had applied to the appropriate civil authorities for permission to marry his mannequin but was refused. The church too had denied him the right to marry his mannequin. In winter he regularly leaves Lake Garda in mid-December and goes with his beloved, whom he met in a Paris shop-window, to Sicily, where he regularly rents a room in the famous Hotel Timeo in Taormina to escape from the cold, which, all assertions to the contrary, gets unbearable on Lake Garda every year after mid-December.

“True Love,” by Thomas Bernhard. From The Voice Imitator.

 

Mouth (Brigitte Bardot’s Lips) — Gerhard Richter

JFK, Gore Vidal, and Tennessee Williams

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RIP Gore Vidal

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RIP Gore Vidal, 1925-2012

A Skull on the Open Book — Vladimir Tatlin

Samson’s Fight with the Lion — Lucas Cranach the Elder