
Barry Moser’s illustration for Lynne Reid Banks’s “The Hare and the Black-and-White Witch.” From The Magic Hare, Avon, 1994.

Barry Moser’s illustration for Lynne Reid Banks’s “The Hare and the Black-and-White Witch.” From The Magic Hare, Avon, 1994.

Tipping Point, 2020 by David Lyle (b. 1971)

Woman Reading, 1884 by Susan Macdowell Eakins (

Top Down, 2019 by Jerrell Gibbs (b. 1985)

The Room of Flowers, 1894 by Childe Hassam (1859-1935)

My Father, 1868 by George Adolphus Storey (1834–1919)

Smartphones, 2016 by Chen Danqing (b. 1953)

On the Map, 1937 by William Coldstream (1908-1987)

To Reason with Heathen at Harvest, 2017 by Lynette Yiadom-Boakye (b. 1977)

A Boy Reading, c. 1795 by Ramsay Richard Reinagle (1775–1862)

Tutte, 2009 by Jen Mazza (b. 1972)

Edith Sitwell, 1923–35 by Wyndham Lewis (1882–1957)

Reification #66, 2020 by Dario Maglionico (b. 1986)

Book Club, 2018 by Greg Burak (b. 1986)

Lady on a Sofa, c.1910 by Harold Gilman (1876–1919)
![Canto XX: [no title] 1982 by Tom Phillips born 1937](https://biblioklept.org/wp-content/uploads/2020/04/p07704_10.jpg)
Canto XX, 1982 by Tom Phillips (b. 1937). From the Dante’s Inferno series.

Christian Retreat, 1980 by Eric Fischl (b. 1948)