AUDIOKLEPT (SPECIAL EDITION)
Not a book, but nonetheless obtained by extra-legal means. Piracy baby!
SubPop is set to drop The Shins’ third album Wincing The Night Away in January of 2007, but the thing leaked like a sieve this weekend. Similarly, Of Montreal’s album Hissing Fauna, Are You The Destroyer?, set for a January release, leaked over the last two weeks. I don’t understand why these labels delay releases so long after the record’s been mastered. It’s almost impossible these days to keep a record from leaking–although Thom Yorke managed to keep his solo record The Eraser from leaking right up until it was released.
On paper, The Shins are the type of band I would love to hate. They write tight pop songs with keen melodies and spare harmonies with frequent nods to classic 60s acts like The Kinks, The Beatles, The Zombies and The Beach Boys (unlike every other indie band made up of four white guys). They are name-dropped in the epitome of bad indie films, Zach Braff’s Garden State (Natalie Portman’s character declares them “life-changing”). They appeared in an episode of The Gilmore Girls as a band playing to a club full of improbably ecstatic springbreakers in Ft. Lauderdale.
Despite all of this, I like them quite a bit. Their songs are catchy in a good way. They certainly aren’t re-inventing the wheel, but if you’re going to listen to an indie rock band, you might as well listen to The Shins. All that said, I like their new album a lot, much better than their last Chutes Too Narrow actually, which I thought was too airy. Wincing evinces some growth in songwriting and arrangements, and on the whole the production is much fuller than the past two albums. Wincing features a more prominent use of atmospheric sounds. Synthesizers are utilized to greater advantage advantage with respect to both melodies and atmosphere, and the band even brings in what I believe to be a small string section one one song. They even play with vocal loops on this record.
I don’t know if this band will ever top their first record Oh, Inverted World, a record that somehow was simultaneously breezy and profound, and produced at least four songs that can never go wrong on a mixtape. I’ve listened to it a few times, but there doesn’t seem to be a “New Slang” or “Know Your Onion” on this album. Wincing however seems to work better as a whole album than The Shins’ previous efforts, and the stronger production and fuller arrangements will probably earn the group a broader fanbase.