Thomas Browne’s Hydriotaphia, Gide’s Dostoevsky, David Foster Wallace’s AIDS Essay (Books Acquired, 10.25.2012)

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Needing more books like I need another hole in my head, I nevertheless visited my local bookshop (after an impressive three week abstinence period).

No, I haven’t read Thomas Browne’s Urn Burial yet. I’m a sucker for New Directions’ back stock, I just finished Crime & Punishment, and Gide’s book looks cool. Plus it was like a dollar.

I spied the Might Magazine collection—I knew Might as Dave Eggers’s first venture. I picked it up for the (very short) David Foster Wallace essay “Hail the Returning Dragon, Clothed in New Fire”—which, incidentally, doesn’t appear to be is collected in the forthcoming collection Both Flesh and Not under the new not-as-Game of Thronesish title “Back in New Fire.” 

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Study of Monsters — Hieronymous Bosch

Night’s Plutonian Shore — Gustave Dore Illustrates Edgar Allan Poe’s Poem “The Raven”

Gustave Dore’s marvelous illustration’s for Edgar Allan Poe’s poem “The Raven”

 

Edgar Allan Poe on Intuitive Impressions

(From “A Chapter of Suggestions”).

The Diabolical Diagram of Movie Monsters

Read “55 Miles to the Gas Pump,” a Lovely Horrific Short Story by Annie Proulx

“55 Miles to the Gas Pump” is a very short story by Annie Proulx.

Rancher Croom in handmade boots and filthy hat, that walleyed cattleman, stray hairs like the curling fiddle string ends, that warm-handed, quick-foot dancer on splintery boards or down the cellar stairs to a rack of bottles of his own strange beer, yeasty, cloudy, bursting out in garlands of foam, Rancher Croom at night galloping drunk over the dark plain, turning off at a place he knows to arrive at a canyon brink where he dismounts and looks down on tumbled rock, waits, then steps out, parting the air with his last roar, sleeves surging up, windmill arms, jeans riding over boot tops, but before he hits he rises again to the top of the cliff like a cork in a bucket of milk.

Mrs. Croom on the roof with a saw cutting a hole into the attic where she has not been for twelve years thanks to old Croom’s padlocks and warnings, whets to her desire, and the sweat flies as she exchanges the saw for a chisel and hammer until a ragged slab peak is free and she can see inside: just as she thought: the corpses of Mr. Croom’s paramours – she recognizes them from their photographs in the paper: MISSING WOMAN – some desiccated as jerky and much the same color, some moldy from lying beneath roof leaks, and, all of them used hard, covered with tarry handprints, the marks of boot heels, some bright blue with remnants of paint used on the shutters years ago, one wrapped in newspaper nipple to knee.

When you live a long way out you make your own fun.

Woman Reading a Letter — Gabriel Metsu