To paint a rag-picker (Van Gogh)

Apparently nothing is more simple than to paint a rag-picker, a beggar or any other kind of workman; but there are no subjects which are so difficult to paint as these everyday figures. I do not think there is a single academy where one can learn to draw or paint a man digging or sowing seed, a woman hanging a pot over the fire or doing needlework. But in every city, however insignificant it may be, there is an academy with a whole selection of models for historical, Arabian, and in short, all kinds of figures, which do not exist in the real everyday world of Europe.

From a letter Vincent van Gogh wrote to his brother.

Posted in Art

Interior, John’s Cafe, Sandy, Bedfordshire — Paul Graham

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Water — Charles Sheeler

Snoopy — Moebius

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Three Girls — Egon Schiele

Woman Reading — Dana Levin

Figures (Scene after Goya) — Salvador Dali

Child with Red Hair Reading — Lilla Cabot Perry

Candle Dancers — Emil Nolde

Template for 1965 Forecast — Hugo Gernsback

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Jean Reading — John Bratby

Blyth Services at Night — Paul Graham

Paul Graham. Blyth Services at Night, Blyth, Nottinghamshire

Untitled — Kate Lacour

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Saint Apollonia (De-faced) — Michael Landy

Illustration for Eugene Onegin — Anna and Elena Balbusso

Eugene Onegin by Anna and Elena Balbusso

Girl at the Bedside — Edvard Munch

The Emily Dickinson Fifty-Dollar Bill

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See more American literary icons on American money by Shannon May.

And, by the bye—

In his last novel The Last Novel, David Markson lamented a lack of—

America’s Emily Dickinson dime?

—this preceded by:

Before the Euro, the portrait of Yeats on Ireland’s twenty-pound note.

America’s Whitman twenty-dollar bill, when?

The Melville ten?