Opening Night — John Cassavetes (Full Film)

Drei Männliche Figuren in einem Raum — Erhard Schön

Drei Männliche Figuren in einem Raum -- Erhard Schön

~ca. 1538. (via Monoskop).

Wilder Shores of Love, Bassano in Teverina — Cy Twombly

Radiolaria — Ernst Haeckel

(More/via/about).

The Favorite Poet — Sir Lawrence Alma-Tadema

Before the Morphine — Santiago Rusinol

The Party — Rita Kernn-Larsen

Schoolchildren — Felice Casorati

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Tips for Artists Who Want to Sell — John Baldessari

John Baldessari - EARLY TEXT WORKS

“A picture has no meaning but its beauty, no message but its joy” (Oscar Wilde)

We never know what an artist is going to do.  Of course not.  The artist is not a specialist.  All such divisions as animal painters, landscape painters, painters of Scotch cattle in an English mist, painters of English cattle in a Scotch mist, racehorse painters, bull-terrier painters, all are shallow.  If a man is an artist he can paint everything.

The object of art is to stir the most divine and remote of the chords which make music in our soul; and colour is indeed, of itself a mystical presence on things, and tone a kind of sentinel.

Am I pleading, then, for mere technique?  No.  As long as there are any signs of technique at all, the picture is unfinished.  What is finish?  A picture is finished when all traces of work, and of the means employed to bring about the result, have disappeared.

In the case of handicraftsmen—the weaver, the potter, the smith—on their work are the traces of their hand.  But it is not so with the painter; it is not so with the artist.

Art should have no sentiment about it but its beauty, no technique except what you cannot observe.  One should be able to say of a picture not that it is ‘well painted,’ but that it is ‘not painted.’

What is the difference between absolutely decorative art and a painting?  Decorative art emphasises its material: imaginative art annihilates it.  Tapestry shows its threads as part of its beauty: a picture annihilates its canvas: it shows nothing of it.  Porcelain emphasises its glaze: water-colours reject the paper.

A picture has no meaning but its beauty, no message but its joy.  That is the first truth about art that you must never lose sight of.  A picture is a purely decorative thing.

From Oscar Wilde’s “Lecture to Art Students,” 1883.

Pathetic Peripatetics (Calvin & Hobbes)

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Mischief of One Kind — Maurice Sendak

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Shadows of Forgotten Ancestors — Sergei Parajanov

Death of Babar’s Mother — Jean de Brunhoff

In early drafts for the first Babar book, Jean de Brunhoff opened the story with this episode showing the death of Babar’s mother. In the published book, he began instead with the reassuring image of Babar’s mother rocking him to sleep in a hammock. At this stage in his composition process, Jean had not yet given his protagonist the name “Babar” — he was called simply “Baby Elephant.”

–Via/about/more.

 

The Green Dress — John Singer Sargent

Technocracy — Winsor McCay

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Sixteenth of September — Rene Magritte