The Pilgrim — Gwen John

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Feast — Gely Korzhev

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Monoculture Pollination — David Pettibone

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Lush — Eli Gabriel Halpern

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Night and Sleep — Evelyn de Morgan

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Jael and Sisera — Artemisia Gentileschi

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18 And Jael went out to meet Sisera, and said unto him, Turn in, my lord, turn in to me; fear not. And when he had turned in unto her into the tent, she covered him with a mantle.

19 And he said unto her, Give me, I pray thee, a little water to drink; for I am thirsty. And she opened a bottle of milk, and gave him drink, and covered him.

20 Again he said unto her, Stand in the door of the tent, and it shall be, when any man doth come and enquire of thee, and say, Is there any man here? that thou shalt say, No.

21 Then Jael Heber’s wife took a nail of the tent, and took an hammer in her hand, and went softly unto him, and smote the nail into his temples, and fastened it into the ground: for he was fast asleep and weary. So he died.

Judges 4:18-21, KJV

Portrait of Anna Roslund — Gabriele Münter

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Ritual — Robbie Trevino

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American Foulbrood — David Pettibone

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Notes for an Apocalypse — Dorothea Tanning

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Sunday Comics 

From “A Halo of Flies,” The Saga of the Swamp Thing #30, November 1984. Art by Stephen Bissette with guest inks by Alfredo Alcala; coloring by Tatjana Wood.

I’m still really enjoying my re-read of Alan Moore’s run on Swamp Thing. There’s a cinematic quality to the work, evident in its (often-reserved) pacing, its attention to basic concepts like time and place (it’s astounding frankly how many “superhero” comics pay zero attention to basics like scale or the relationships between physical objects), and its framing of panels. I love how the single-page “Swamp Thing” illustration shows up near the end of this particular issue—like a long cold opening in a film or TV show.

In the Woods — Alex Colville

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Cupid the Honey Thief — Albrecht Dürer

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Une Étude De Femme D’après Nature — Marie-Denise Villers

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