Conrad/Hughes (Books acquired, 2 Aug. 2020)

So my son finished Douglas Adams’ A Hitchhiker’s Guide to the Galaxy on Tuesday night, giving me a nice excuse to swing by the used bookstore on Wednesday to pick up the next two entries in the series, The Restaurant at the End of The Universe and Life, the Universe and Everything. I managed to find the same editions I read when I was his age. I gave my copies to one of my students some time in the early 2000s, back when I was teaching high school.

I found the Adams books almost immediately and had an hour to kill, so I strolled around, aiming not to buy anything. I’d been to the shop not a week before and picked up John Brunner’s 600+ page novel Last Stand on Zanzibar—but I thought I’d look for some interesting covers and maybe share them on twitter. And I did:

In the end though, I couldn’t pass up two books. First, I found a pristine first-edition Signet paperback of Joseph Conrad’s second novel An Outcast of the Islands with a striking Milton Glaser cover:

Then I came across a hardback first edition of Langston Hughes’ second novel Tambourines to Glory. At thirty bucks, it ate up the rest of my store credit, but it’s in excellent condition with no damage to the jacket and foxing only on the front flyleaf. It’s an old library book, but was fortunately spared any ugly WITHDRAWN stamps and appears never to have had a pocket in the back. Indeed, I’m not sure if the book was ever even read by anyone. Besides a few stamps identifying the library it once belonged to, the only mark in the book is on the front flyleaf:

Lincolnville is an historic black neighborhood founded by ex-enslaved people in the late 1860s. Famously, St. Augustine (and the “St. Augustine movement”) was a key location in the Civil Rights movement, and protests in the summer of 1964 when demonstrators jumped into the “whites-only” pool at the Monson Motor Lodge. Journalists captured racist motel owner James Brock pouring muriatic acid into the pool during the swim-in. A day after the world saw these images, the Senate passed the Civil Rights Act.

I wonder whose handwriting that is?

 

Arnold Roth’s original illustrations for Thomas Pynchon’s 1964 short story “The Secret Integration” (and a link to the full text of the story)

ar 2

Thomas Pynchon’s short story “The Secret Integration” was first published in a December issue of The Saturday Evening Post, and later published again as part of Pynchon’s first and only short story collection, Slow Learner.

In a 2018 article published at The Yale Review, Terry Reilly suggested that by publishing “The Secret Integration” in The Saturday Evening Post,

…Pynchon uses the form of an apparently simple, entertaining adolescent boys’ story to engage and then to manipulate the Post readers; to invoke various features of the publication history of The Saturday Evening Post while simultaneously calling attention to the magazine’s limited scope and conservative bias concerning issues of civil rights and racial integration in 1964.

ar 3

Pynchon’s story was accompanied by three illustrations by the cartoonist Arnold Roth, including a header, a small illustration, and this full page illustration below:

ar

The first page of the story:

“The Secret Integration”

by

Thomas Pynchon


OUTSIDE it was raining, the first rain of October, end of haying season and of the fall’s brilliance, purity of light, a certain soundness to weather that had brought New Yorkers flooding up through the Berkshires not too many weekends ago to see the trees changing in that sun. Today, by contrast, it was Saturday and raining, a lousy combination. Inside at the moment was Tim Santora, waiting for ten o’clock and wondering how he was going to get out past his mother. Grover wanted to see him at ten this morning, so he had to go. He sat curled in an old washing machine that lay on its side in a back room of the house; he listened to rain going down a drainpipe and looked at a wart that was on his finger. The wart had been there for two weeks and wasn’t going to go away. The other day his mother had taken him over to Doctor Slothrop, who painted some red stuff on it, turned out the lights and said, “Now, when I switch on my magic purple lamp, watch what happens to the wart.” It wasn’t a very magic-looking lamp, but when the doctor turned it on, the wart glowed a bright green. “Ah, good,” said Doctor Slothrop. “Green. That means the wart will go away, Tim. It hasn’t got a chance.” But as they were going out, the doctor said to Tim’s mother, in a lowered voice Tim had learned how to listen in on, “Suggestion therapy works about half the time. If this doesn’t clear up now spontaneously, bring him back and we’ll try liquid nitrogen.” Soon as he got home, Tim ran over to ask Grover what “suggestion therapy” meant. He found him down in the cellar, working on another invention. Continue reading “Arnold Roth’s original illustrations for Thomas Pynchon’s 1964 short story “The Secret Integration” (and a link to the full text of the story)”

“Evil” — Langston Hughes

Screenshot 2016-02-01 at 6

“Evil” — Langston Hughes

Screenshot 2016-02-01 at 6

Martin Luther King and The Montgomery Story: The Comic Book

You can read the entire comic here.