Last year, I talked to Derek Pyle about his production Waywords and Meansigns, a collaborative music project that recreates James Joyce’s Finnegans Wake in a range of musical genres by all kinds of musicians. In our interview, he revealed that there would be a second volume adaptation of the Wake this winter:
Biblioklept: When do you anticipate the completed project being released?
DP: So we’re actually doing two separate editions of Waywords and Meansigns; both will be unabridged, all 17 chapters. When we first put out the call for musicians, there were so many folks we didn’t want to turn away. So the first edition will debut very soon — 4 May 2015. Then the second edition will debut sometime during the coming winter, with a whole new cast of musicians.
This afternoon, I finally got into Bernard Sumner’s memoir Chapter and Verse: New Order, Joy Division and Me. Actually, I obviously flicked through it when it showed up, looking at the glossy pictures, dabbling here and there (somehow read not one but two anecdotes about Seal (?)), and then reading the book’s first appendix, a transcript of a recording of Sumner’s hypnotizing Ian Curtis (excuse that mangled clause). The book has a U.S. Hardcover release from Thomas Dunne; their blurb:
Founding member and guitarist of Joy Division and the lead singer of New Order, Bernard Sumner has been famous over the years for his reticence. Until now . . .
An integral part of the Manchester, UK, music scene since the late 1970s, his is the definitive version of the events that created two of the most influential bands of all time.
Chapter and Verse includes a vivid and illuminating account of Bernard Sumner’s childhood, the early days of Joy Division, the band’s enormous critical and popular success, and the subsequent tragic death of Ian Curtis. Sumner describes the formation of New Order, takes us behind the scenes at the birth of classics such as “Blue Monday,” and gives his firsthand account of the ecstasy and the agony of the Haçienda days.
Sometimes moving, often hilarious, and occasionally completely out of control, this is a tale populated by some of the most colorful and creative characters in music history, such as Ian Curtis, Tony Wilson, Rob Gretton, and Martin Hannett. Others have told parts of the story, in film and book form. Now, for the first time, Bernard Sumner gives you chapter and verse.