“In Secreit Place This Hyndir Nycht” — William Dunbar

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“Spring” — William Carlos Williams

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“I Would Like My Love To Die” — Samuel Beckett

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“Gubbinal” — Wallace Stevens

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“Nouns” — Tom Clark

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“I Am in Danger—Sir—” — Adrienne Rich

“I Am in Danger—Sir—” by Adrienne Rich

“Half-cracked” to Higginson, living,
afterward famous in garbled versions,
your hoard of dazzling scraps a battlefield,
now your old snood

mothballed at Harvard
and you in your variorum monument
equivocal to the end—
who are you?

you, woman, masculine
in single-mindedness,
for whom the word was more
than a symptom—

a condition of being.
Till the air buzzing with spoiled language
sang in your ears
of Perjury

and in your half-cracked way you chose
silence for entertainment,
chose to have it out at last
on your own premises.

“Company” — Les Murray

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“Two Cures for Love” — Wendy Cope

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“Byzantium” — Malcolm Lowry

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“Oscar Wilde” — Dorothy Parker

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“Asylum Product” — Charles Reznikoff

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“Résumé” — Dorothy Parker

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“To a Poet” — Alexander Pushkin

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“Why Do They Prate?” — Helene Johnson

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“On a Primitive Canoe” — Claude McKay

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“Sonet in Orknay” — William Fowler

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“Sonnet” — Elizabeth Bishop

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