Spring, 1965 by Rene Magritte
What you felt stirring across the land… it was the equinox… green spring equal nights… canyons are opening up, at the bottoms are steaming fumaroles, steaming the tropical life there like greens in a pot, rank, dope-perfume, a hood of smell… human consciousness, that poor cripple, that deformed and doomed thing, is about to be born. This is the World just before men. Too violently pitched alive in constant flow ever to be seen by men directly. They are meant only to look at it dead, in still strata, transputrefied to oil or coal. Alive, it was a threat: it was Titans, was an overpeaking of life so clangorous and mad, such a green corona about Earth’s body that some spoiler had to be brought in before it blew the Creation apart. So we, the crippled keepers, were sent out to multiply, to have dominion. God’s spoilers. Us. Counterrevolutionaries. It is our mission to promote death. The way we kill, the way we die, being unique among the Creatures. It was something we had to work on, historically and personally. To build from scratch up to its present status as reaction, nearly as strong as life, holding down the green uprising. But only nearly as strong.
Only nearly, because of the defection rate. A few keep going over to the Titans every day, in their striving subcreation (how can flesh tumble and flow so, and never be any less beautiful?), into the rests of the folksong Death (empty stone rooms), out, and through, and down under the net, down down to the uprising.
In harsh-edged echo, Titans stir far below. They are all the presences we are not supposed to be seeing—wind gods, hilltop gods, sunset gods—that we train ourselves away from to keep from looking further even though enough of us do, leave Their electric voices behind in the twilight at the edge of the town and move into the constantly parted cloak of our nightwalk till
Suddenly, Pan—leaping—its face too beautiful to bear, beautiful Serpent, its coils in rainbow lashings in the sky—into the sure bones of fright—
Don’t walk home at night through the empty country. Don’t go into the forest when the light is too low, even too late. Don’t go into the forest when the light is too low, even too late in the afternoon—it will get you. Don’t sit by the tree like this, with your cheek against the bark.
From Thomas Pynchon’s Gravity’s Rainbow, pages 720-21.
Spring, 1965 by Rene Magritte
April 30th.–. . . I arose this morning feeling more elastic than I have throughout the winter; for the breathing of the ocean air has wrought a very beneficial effect, . . . What a beautiful, most beautiful afternoon this has been! It was a real happiness to live. If I had been merely a vegetable,–a hawthorn-bush, for instance,–I must have been happy in such an air and sunshine; but, having a mind and a soul, . . . I enjoyed somewhat more than mere vegetable happiness. . . . The footsteps of May can be traced upon the islands in the harbor, and I have been watching the tints of green upon them gradually deepening, till now they are almost as beautiful as they ever can be.
Nathaniel Hawthorne’ journal entry for April 30th, 1840. From Passages from the American Note-Books.
Thursday, April 27th.–I took a walk into the fields, and round our opposite hill, yesterday noon, but made no very remarkable observation. The frogs have begun their concerts, though not as yet with a full choir. I found no violets nor anemones, nor anything in the likeness of a flower, though I looked carefully along the shelter of the stone-walls, and in all spots apparently propitious. I ascended the hill, and had a wide prospect of a swollen river, extending around me in a semicircle of three or four miles, and rendering the view much finer than in summer, had there only been foliage. It seemed like the formation of a new world; for islands were everywhere emerging, and capes extending forth into the flood; and these tracts, which were thus won from the watery empire, were among the greenest in the landscape. The moment the deluge leaves them Nature asserts them to be her property by covering them with verdure; or perhaps the grass had been growing under the water. On the hill-top where I stood, the grass had scarcely begun to sprout; and I observed that even those places which looked greenest in the distance were but scantily grass-covered when I actually reached them. It was hope that painted them so bright.
Last evening we saw a bright light on the river, betokening that a boat’s party were engaged in spearing fish. It looked like a descended star,–like red Mars,–and, as the water was perfectly smooth, its gleam was reflected downward into the depths. It is a very picturesque sight. In the deep quiet of the night I suddenly heard the light and lively note of a bird from a neighboring tree,–a real song, such as those which greet the purple dawn, or mingle with the yellow sunshine. What could the little bird mean by pouring it forth at midnight? Probably the note gushed out from the midst of a dream, in which he fancied himself in Paradise with his mate; and, suddenly awakening, he found he was on a cold, leafless bough, with a New England mist penetrating through his feathers. That was a sad exchange of imagination for reality; but if he found his mate beside him, all was well.
This is another misty morning, ungenial in aspect, but kinder than it looks; for it paints the hills and valleys with a richer brush than the sunshine could. There is more verdure now than when I looked out of the window an hour ago. The willow-tree opposite my study window is ready to put forth its leaves. There are some objections to willows. It is not a dry and cleanly tree; it impresses me with an association of sliminess; and no trees, I think, are perfectly satisfactory, which have not a firm and hard texture of trunk and branches. But the willow is almost the earliest to put forth its leaves, and the last to scatter them on the ground; and during the whole winter its yellow twigs give it a sunny aspect, which is not without a cheering influence in a proper point of view. Our old house would lose much were this willow to be cut down, with its golden crown over the roof in winter, and its heap of summer verdure. The present Mr. Ripley planted it, fifty years ago, or thereabouts.
Nathaniel Hawthorne’s journal entry for April 27, 1843. From Passages from the American Note-Books.
April 25th. Spring is advancing, sometimes with sunny days, and sometimes, as is the case now, with chill, moist, sullen ones. There is an influence in the season that makes it almost impossible for me to bring my mind down to literary employment; perhaps because several months’ pretty constant work has exhausted that species of energy,–perhaps because in spring it is more natural to labor actively than to think. But my impulse now is to be idle altogether,–to lie in the sun, or wander about and look at the revival of Nature from her death-like slumber, or to be borne down the current of the river in my boat. If I had wings, I would gladly fly; yet would prefer to be wafted along by a breeze, sometimes alighting on a patch of green grass, then gently whirled away to a still sunnier spot. . . . Oh, how blest should I be were there nothing to do! Then I would watch every inch and hair’s-breadth of the progress of the season; and not a leaf should put itself forth, in the vicinity of our old mansion, without my noting it. But now, with the burden of a continual task upon me, I have not freedom of mind to make such observations. I merely see what is going on in a very general way. The snow, which, two or three weeks ago, covered hill and valley, is now diminished to one or two solitary specks in the visible landscape; though doubtless there are still heaps of it in the shady places in the woods. There have been no violent rains to carry it off: it has diminished gradually, inch by inch, and day after day; and I observed, along the roadside, that the green blades of grass had sometimes sprouted on the very edge of the snowdrift the moment that the earth was uncovered.
The pastures and grass-fields have not yet a general effect of green; nor have they that cheerless brown tint which they wear in later autumn, when vegetation has entirely ceased. There is now a suspicion of verdure,–the faint shadow of it,–but not the warm reality. Sometimes, in a happy exposure,–there is one such tract across the river, the carefully cultivated mowing-field, in front of an old red homestead,–such patches of land wear a beautiful and tender green, which no other season will equal; because, let the grass be green as it may hereafter, it will not be so set off by surrounding barrenness. The trees in our orchard, and elsewhere, have as yet no leaves; yet to the most careless eye they appear full of life and vegetable blood. It seems as if, by one magic touch, they might instantaneously put forth all their foliage, and the wind, which now sighs through their naked branches, might all at once find itself impeded by innumerable leaves. This sudden development would be scarcely more wonderful than the gleam of verdure which often brightens, in a moment, as it were, along the slope of a bank or roadside. It is like a gleam of sunlight. Just now it was brown, like the rest of the scenery: look again, and there is an apparition of green grass. The Spring, no doubt, comes onward with fleeter footsteps, because Winter has lingered so long that, at best, she can hardly retrieve half the allotted term of her reign.
The river, this season, has encroached farther on the land than it has been known to do for twenty years past. It has formed along its course a succession of lakes, with a current through the midst. My boat has lain at the bottom of the orchard, in very convenient proximity to the house. It has borne me over stone fences; and, a few days ago, Ellery Channing and I passed through two rails into the great northern road, along which we paddled for some distance. The trees have a singular appearance in the midst of waters. The curtailment of their trunks quite destroys the proportions of the whole tree; and we become conscious of a regularity and propriety in the forms of Nature, by the effect of this abbreviation. The waters are now subsiding, but gradually. Islands become annexed to the mainland, and other islands emerge from the flood, and will soon, likewise, be connected with the continent. We have seen on a small scale the process of the deluge, and can now witness that of the reappearance of the earth.
Crows visited us long before the snow was off. They seem mostly to have departed now, or else to have betaken themselves to remote depths of the woods, which they haunt all summer long. Ducks came in great numbers, and many sportsmen went in pursuit of them along the river; but they also have disappeared. Gulls come up from seaward, and soar high overhead, flapping their broad wings in the upper sunshine. They are among the most picturesque birds that I am acquainted with; indeed, quite the most so, because the manner of their flight makes them almost stationary parts of the landscape. The imagination has time to rest upon them; they have not flitted away in a moment. You go up among the clouds, and lay hold of these soaring gulls, and repose with them upon the sustaining atmosphere. The smaller birds, –the birds that build their nests in our trees, and sing for us at morning-red,–I will not describe.. . But I must mention the great companies of blackbirds–more than the famous “four-and-twenty” who were baked in a pie–that congregate on the tops of contiguous trees, and vociferate with all the clamor of a turbulent political meeting. Politics must certainly be the subject of such a tumultuous debate; but still there is a melody in each individual utterance, and a harmony in the general effect. Mr. Thoreau tells me that these noisy assemblages consist of three different species of blackbirds; but I forget the other two. Robins have been long among us, and swallows have more recently arrived.
Nathaniel Hawthorne’s journal entry for April 25, 1843. From Passages from the American Note-Books.
April 19th.–. . . What a beautiful day was yesterday! My spirit rebelled against being confined in my darksome dungeon at the Custom House. It seemed a sin,–a murder of the joyful young day,–a quenching of the sunshine. Nevertheless, there I was kept a prisoner till it was too late to fling myself on a gentle wind, and be blown away into the country. . . . When I shall be again free, I will enjoy all things with the fresh simplicity of a child of five years old. I shall grow young again, made all over anew. I will go forth and stand in a summer shower, and all the worldly dust that has collected on me shall be washed away at once, and my heart will be like a bank of fresh flowers for the weary to rest upon. . . .
6 P.M.–I went out to walk about an hour ago, and found it very pleasant, though there was a somewhat cool wind. I went round and across the Common, and stood on the highest point of it, where I could see miles and miles into the country. Blessed be God for this green tract, and the view which it affords, whereby we poor citizens may be put in mind, sometimes, that all his earth is not composed of blocks of brick houses, and of stone or wooden pavements. Blessed be God for the sky, too, though the smoke of the city may somewhat change its aspect,–but still it is better than if each street were covered over with a roof. There were a good many people walking on the mall,–mechanics apparently, and shopkeepers’ clerks, with their wives; and boys were rolling on the grass, and I would have liked to lie down and roll too.
Flannery O’Connor’s “Now Comes Spring Fever” was originally published on April 25, 1941 in The Peabody Palladium, O’Connor’s high school student newspaper. O’Connor served as the paper’s art director starting in 1940. O’Connor was 16 when she published this comic. Her comics are reprinted in Flannery O’Connor: The Cartoons, Fantagraphics, 2012.
What you felt stirring across the land… it was the equinox… green spring equal nights… canyons are opening up, at the bottoms are steaming fumaroles, steaming the tropical life there like greens in a pot, rank, dope-perfume, a hood of smell… human consciousness, that poor cripple, that deformed and doomed thing, is about to be born. This is the World just before men. Too violently pitched alive in constant flow ever to be seen by men directly. They are meant only to look at it dead, in still strata, transputrefied to oil or coal. Alive, it was a threat: it was Titans, was an overpeaking of life so clangorous and mad, such a green corona about Earth’s body that some spoiler had to be brought in before it blew the Creation apart. So we, the crippled keepers, were sent out to multiply, to have dominion. God’s spoilers. Us. Counterrevolutionaries. It is our mission to promote death. The way we kill, the way we die, being unique among the Creatures. It was something we had to work on, historically and personally. To build from scratch up to its present status as reaction, nearly as strong as life, holding down the green uprising. But only nearly as strong.
Only nearly, because of the defection rate. A few keep going over to the Titans every day, in their striving subcreation (how can flesh tumble and flow so, and never be any less beautiful?), into the rests of the folksong Death (empty stone rooms), out, and through, and down under the net, down down to the uprising.
In harsh-edged echo, Titans stir far below. They are all the presences we are not supposed to be seeing—wind gods, hilltop gods, sunset gods—that we train ourselves away from to keep from looking further even though enough of us do, leave Their electric voices behind in the twilight at the edge of the town and move into the constantly parted cloak of our nightwalk till
Suddenly, Pan—leaping—its face too beautiful to bear, beautiful Serpent, its coils in rainbow lashings in the sky—into the sure bones of fright—
Don’t walk home at night through the empty country. Don’t go into the forest when the light is too low, even too late. Don’t go into the forest when the light is too low, even too late in the afternoon—it will get you. Don’t sit by the tree like this, with your cheek against the bark.
From Thomas Pynchon’s Gravity’s Rainbow, pages 720-21.
“Springtime à la Carte”
by
O. Henry
It was a day in March.
Never, never begin a story this way when you write one. No opening could possibly be worse. It is unimaginative, flat, dry and likely to consist of mere wind. But in this instance it is allowable. For the following paragraph, which should have inaugurated the narrative, is too wildly extravagant and preposterous to be flaunted in the face of the reader without preparation.
Sarah was crying over her bill of fare.
Think of a New York girl shedding tears on the menu card!
To account for this you will be allowed to guess that the lobsters were all out, or that she had sworn ice-cream off during Lent, or that she had ordered onions, or that she had just come from a Hackett matinee. And then, all these theories being wrong, you will please let the story proceed.
The gentleman who announced that the world was an oyster which he with his sword would open made a larger hit than he deserved. It is not difficult to open an oyster with a sword. But did you ever notice any one try to open the terrestrial bivalve with a typewriter? Like to wait for a dozen raw opened that way?
Sarah had managed to pry apart the shells with her unhandy weapon far enough to nibble a wee bit at the cold and clammy world within. She knew no more shorthand than if she had been a graduate in stenography just let slip upon the world by a business college. So, not being able to stenog, she could not enter that bright galaxy of office talent. She was a free-lance typewriter and canvassed for odd jobs of copying. Continue reading “Read “Springtime à la Carte,” a short story by O. Henry”
“The Gardener and the Guinea”
by
G.K. Chesterton
Strictly speaking, there is no such thing as an English Peasant. Indeed, the type can only exist in community, so much does it depend on cooperation and common laws. One must not think primarily of a French Peasant; any more than of a German Measle. The plural of the word is its proper form; you cannot have a Peasant till you have a peasantry. The essence of the Peasant ideal is equality; and you cannot be equal all by yourself.
Nevertheless, because human nature always craves and half creates the things necessary to its happiness, there are approximations and suggestions of the possibility of such a race even here. The nearest approach I know to the temper of a Peasant in England is that of the country gardener; not, of course, the great scientific gardener attached to the great houses; he is a rich man’s servant like any other. I mean the small jobbing gardener who works for two or three moderate-sized gardens; who works on his own; who sometimes even owns his house; and who frequently owns his tools. This kind of man has really some of the characteristics of the true Peasant—especially the characteristics that people don’t like. He has none of that irresponsible mirth which is the consolation of most poor men in England. The gardener is even disliked sometimes by the owners of the shrubs and flowers; because (like Micaiah) he prophesies not good concerning them, but evil. The English gardener is grim, critical, self-respecting; sometimes even economical. Nor is this (as the reader’s lightning wit will flash back at me) merely because the English gardener is always a Scotch gardener. The type does exist in pure South England blood and speech; I have spoken to the type. I was speaking to the type only the other evening, when a rather odd little incident occurred.
It was one of those wonderful evenings in which the sky was warm and radiant while the earth was still comparatively cold and wet. But it is of the essence of Spring to be unexpected; as in that heroic and hackneyed line about coming “before the swallow dares.” Spring never is Spring unless it comes too soon. And on a day like that one might pray, without any profanity, that Spring might come on earth as it was in heaven. The gardener was gardening. I was not gardening. It is needless to explain the causes of this difference; it would be to tell the tremendous history of two souls. It is needless because there is a more immediate explanation of the case: the gardener and I, if not equal in agreement, were at least equal in difference. It is quite certain that he would not have allowed me to touch the garden if I had gone down on my knees to him. And it is by no means certain that I should have consented to touch the garden if he had gone down on his knees to me. His activity and my idleness, therefore, went on steadily side by side through the long sunset hours.
And all the time I was thinking what a shame it was that he was not sticking his spade into his own garden, instead of mine: he knew about the earth and the underworld of seeds, the resurrection of Spring and the flowers that appear in order like a procession marshalled by a herald. He possessed the garden intellectually and spiritually, while I only possessed it politically. I know more about flowers than coal-owners know about coal; for at least I pay them honour when they are brought above the surface of the earth. I know more about gardens than railway shareholders seem to know about railways: for at least I know that it needs a man to make a garden; a man whose name is Adam. But as I walked on that grass my ignorance overwhelmed me—and yet that phrase is false, because it suggests something like a storm from the sky above. It is truer to say that my ignorance exploded underneath me, like a mine dug long before; and indeed it was dug before the beginning of the ages. Green bombs of bulbs and seeds were bursting underneath me everywhere; and, so far as my knowledge went, they had been laid by a conspirator. I trod quite uneasily on this uprush of the earth; the Spring is always only a fruitful earthquake. With the land all alive under me I began to wonder more and more why this man, who had made the garden, did not own the garden. If I stuck a spade into the ground, I should be astonished at what I found there…and just as I thought this I saw that the gardener was astonished too.
Just as I was wondering why the man who used the spade did not profit by the spade, he brought me something he had found actually in my soil. It was a thin worn gold piece of the Georges, of the sort which are called, I believe, Spade Guineas. Anyhow, a piece of gold.
If you do not see the parable as I saw it just then, I doubt if I can explain it just now. He could make a hundred other round yellow fruits: and this flat yellow one is the only sort that I can make. How it came there I have not a notion—unless Edmund Burke dropped it in his hurry to get back to Butler’s Court. But there it was: this is a cold recital of facts. There may be a whole pirate’s treasure lying under the earth there, for all I know or care; for there is no interest in a treasure without a Treasure Island to sail to. If there is a treasure it will never be found, for I am not interested in wealth beyond the dreams of avarice since I know that avarice has no dreams, but only insomnia. And, for the other party, my gardener would never consent to dig up the garden.
Nevertheless, I was overwhelmed with intellectual emotions when I saw that answer to my question; the question of why the garden did not belong to the gardener. No better epigram could be put in reply than simply putting the Spade Guinea beside the Spade. This was the only underground seed that I could understand. Only by having a little more of that dull, battered yellow substance could I manage to be idle while he was active. I am not altogether idle myself; but the fact remains that the power is in the thin slip of metal we call the Spade Guinea, not in the strong square and curve of metal which we call the Spade. And then I suddenly remembered that as I had found gold on my ground by accident, so richer men in the north and west counties had found coal in their ground, also by accident.
I told the gardener that as he had found the thing he ought to keep it, but that if he cared to sell it to me it could be valued properly, and then sold. He said at first, with characteristic independence, that he would like to keep it. He said it would make a brooch for his wife. But a little later he brought it back to me without explanation. I could not get a ray of light on the reason of his refusal; but he looked lowering and unhappy. Had he some mystical instinct that it is just such accidental and irrational wealth that is the doom of all peasantries? Perhaps he dimly felt that the boy’s pirate tales are true; and that buried treasure is a thing for robbers and not for producers. Perhaps he thought there was a curse on such capital: on the coal of the coal-owners, on the gold of the gold-seekers. Perhaps there is.
Biblioklept 