“Clean Slate”
by
Tom Clark
3 free services of the
weightless cool environment:
a light blue wall for breathing,
a bright red wall for energy,
a broad green wall for warmth.
Tag: Poem
“Fladry” — Ed Skoog
“Fladry”
by
Ed Skoog
Fladry: a line of rope mounted along the top of a fence, from
which are suspended strips of fabric or colored flags that will flap
in a breeze, intended to deter wolves from crossing the fence-line.
USDA National Wildlife Research Center
I am weak and edible. Some human quality
stays weird, alien to the wild, outsiders,
bad sport with spooky habits not just fladry—
other enchantments against order, house paint,
yard art, border fences and the tunnels under borders,
the amen, the wedding ring, the flavored condom.
The wolves are back. I’ve seen them, seen the fladry
ranchers tie, red flags’ flutter to puzzle or annoy,
folk-work tendered back from wood-shadow,
more each year, abjured with clover.
What I like most about the first shot of bourbon
is how it feels like letting go of a grudge.
In the dream, I kill my friend and bury him
lime in the church basement between sump pump
and broken fireplace. On my knees I tile
red stone back to mosaic. Soldiers beat me up
and called me names in my own language,
this one, the one Whitman used to soothe
the dying, limbless, the bleeding, the infected.
Beat me with fists slight more stone
than the shape that holds this pencil.
A house is held together by shapes.
And yet in the ongoing negotiations between
the world where I hold my son and
famine, bombings, hate, prosperity—
two notes, octaves apart
attenuate what’s hidden inside your body
to the invisible. It might help remembering
shadows and not hours. Infinity
also has the contour of a children’s game.
Infants remember fladry, safe in the car seat grasping,
grasping. Some forces are enormous and move
against you, and when you pretend they aren’t
there, surge. Some swing on a hinge
which at night sounds like don’t look back,
don’t look back. Anyone can tie fladry.
See it out riding. I go out at French-horn dawn,
boots in mud, string fladry at intervals,
each tongue labeling the field, calling
beyond language. And if fladry bears
the conditions of a spell, redness of the flag,
the measure between them, it’s flapping
which charms the wolf away, for a term.
Warnings to keep the flock from the wolf’s belly.
Messages for ourselves. See it from there,
turn overall and plaid flannel; we would
tear our own fur to cross these lines.
“A Polemical-Poetical Oration in the Narrative-Dramatic-Cinematic Mode” — Peter Michelson
“My heart, being hungry” — Edna St. Vincent Millay
Sharon Olds’ bread
“Bread”
by
Sharon Olds
When my daughter makes bread, a cloud of flour
hangs in the air like pollen. She sifts and
sifts again, the salt and sugar
close as the grain of her skin. She heats the
water to body temperature
with the sausage lard, fragrant as her scalp
the day before hair-wash, and works them together on a
floured board. Her broad palms
bend the paste toward her and the heel of her hand
presses it away, until the dough
begins to snap, glossy and elastic as the torso bending over it,
this ten-year-old girl, random specks of yeast
in her flesh beginning to heat,
her volume doubling every month now, but still
raw and hard. She slaps the dough and it crackles under her palm, sleek and
ferocious and still leashed, like her body, no
breasts rising like bubbles of air toward the surface
of the loaf. She greases the pan, she is
shaped, glazed, and at any moment goes
into the oven, to turn to that porous
warm substance, and then under the
knife to be sliced for the having, the tasting, and the
giving of life.
“Victory” — Denis Johnson
“Victory”
by
Denis Johnson
the woman whose face has just finished breaking
with a joy so infinite
and heavy that it might be grief has won
a car on a giveaway show, for her family,
for an expanse of souls that washes from a million
picture tubes onto the blank reaches
of the air. meanwhile, the screams are packing
the air to a hardness: in the studio
the audience will no longer move, will be caught
slowly, like ancient, staring mammals, figuring
out the double-cross within the terrible progress
of a glacier. here, i am suddenly towering
with loneliness, repeating to this woman’s
only face, this time, again, i have not won.
“The Song of the Demented Priest” — John Berryman
“The Song of the Demented Priest”
by
John Berryman
I put those things there.—See them burn.
The emerald the azure and the gold
Hiss and crack, the blues & greens of the world
As if I were tired. Someone interferes
Everywhere with me. The clouds, the clouds are torn
In ways I do not understand or love.
Licking my long lips, I looked upon God
And he flamed and he was friendlier
Than you were, and he was small. Showing me
Serpents and thin flowers; these were cold.
Dominion waved & glittered like the flare
From ice under a small sun. I wonder.
Afterward the violent and formal dancers
Came out, shaking their pithless heads.
I would instruct them but I cannot now,—
Because of the elements. They rise and move,
I nod a dance and they dance in the rain
In my red coat. I am the king of the dead.
“Haymaking” — William Carlos Williams
“Haymaking”
by
William Carlos Williams
The living quality of
the man’s mind
stands out
and its covert assertions
for art, art, art!
painting
that the Renaissance
tried to absorb
but
it remained a wheat field
over which the
wind played
men with scythes tumbling
the wheat in
rows
the gleaners already busy
it was his own—
magpies
the patient horses no one
could take that
from him
1565 by Pieter Bruegel the Elder (c. 1525-1569)
“Of Mere Being” — Wallace Stevens
The Achievements of Capitalism (Donald Barthelme)
The Achievements of Capitalism:
- The curtain wall
- Artificial rain
- Rockefeller Center
- Canals
- Mystification
From “The Rise of Capitalism” by Donald Barthelme, which you can read in full here. (Or in Sixty Stories, a perfect book).
“Bluebeard” — Edna St. Vincent Millay
Alla Tha’s All Right, but – June Jordan
“Election Day” — William Carlos Williams”
“Election Day,” William Carlos Williams:
Warm sun, quiet air
an old man sitsin the doorway of
a broken house—boards for windows
plaster fallingfrom between the stones
and strokes the headof a spotted dog
Isabella and the Pot of Basil — William Holman Hunt
And she forgot the stars, the moon, and sun,
And she forgot the blue above the trees,
And she forgot the dells where waters run,
And she forgot the chilly autumn breeze;
She had no knowledge when the day was done,
And the new morn she saw not: but in peace
Hung over her sweet Basil evermore,
And moisten’d it with tears unto the core.
–John Keats, Isabella, or The Pot of Basil
Cave Bird – Leonard Baskin
From Cave Birds: An Alchemical Cave Drama. Poems by Ted Hughes, illustrations by Leonard Baskin.
“The Spirit Ink” – Frank O’Hara
“Jesus Awake” — Anne Sexton
