Three from indie press Whisk(e)y Tit (Books acquired, 8 Oct. 2022)

Good mail this past weekend from the indie press Whisk(e)y Tit, which continues to publish the Weird Stuff.

Aina Hunter’s Charlotte and the Chickenman was the first one I flicked through, and it seems very much up my alley—surreal, shapeshifting stuff. From the jacket copy:

It’s November 2, 2059 in Baltimore and Charlotte-Noa Tibitt, the downwardly mobile, adult daughter of a popular HelloCast lifestyle coach, feels like death. A few months back Charlotte and her Eurindigenous girlfriend scored a sweet subsidized apartment in a building chock full of fellow queer-radical-feminist animal rights activists. But when an unspeakable right-wing candidate again wins the US presidency, Charlotte seeks refuge in a luxury roof-top hotel bar and life begins to unravel.

So now it’s time to stop mourning. Get back on the bus, make a plan, start over.

I also am intrigued by Thomas Kendall’s The Autodidacts, which has a blurb from Dennis Cooper:

Thomas Kendall’s THE AUTODIDACTS is a brilliant novel — inviting like a secret passage, infallible in its somehow orderly but whirligig construction, spine-tingling to unpack, and as haunted as any fiction in recent memory.

David Leo Rice’s The New House also sounds like a Special Kind of Weird. Jacket copy:

A family of outsider artists roams the American interior in search of the New Jerusalem in David Leo Rice’s new dream novel, loosely inspired by the hermetic worlds of Joseph Cornell. As Tobias Carroll writes, “The childhood of Jakob, The New House’s young hero, is one unlike that of your typical coming-of-age narrative. His is a youth surrounded by prophetic dreams, religious schisms, and secretive conversations — plus some shocking scenes of violence. Rice’s prose creates a mood abounding with mystery and dread, and The New House would fit comfortably beside the likes of Michael McDowell’s Toplin and Iain Banks’s The Wasp Factory in terms of disquieting portraits of sustained alienation.”