“Effect of Quantity” (Nietzsche on Shakespeare)

162. Effect of Quantity. —The greatest paradox in the history of poetic art lies in this: that in all that constitutes the greatness of the old poets a man may be a barbarian, faulty and deformed from top to toe, and still remain the greatest of poets. This is the case with Shakespeare, who, as compared with Sophocles, is like a mine of immeasurable wealth in gold, lead, and rubble, whereas Sophocles is not merely gold, but gold in its noblest form, one that almost makes us forget the money-value of the metal. But quantity in its highest intensity has the same effect as quality. That is a good thing for Shakespeare.

From Human, All Too Human, Part II by Friedrich Nietzsche.

William Shakespeare’s Death Mask (Happy Birthday/Deathday!)

Wittgenstein: “This Is a Very Pleasant Pineapple”

Handwritten Draft of Auden’s “Musée des Beaux Arts”

(Via the Library of Congress).