Walt Whitman’s Leaves of Grass | Mass-market Monday

Leaves of Grass, Walt Whitman, 1892 (9th ed.), Signet Classics (no print date; 1958 copyright on Gay Wilson Allen’s introduction). No cover artist or designer credited. 430 pages.

Trying to find some hopeful green stuff woven in the New Year; hell, at this point I’m even open to the idea of the Lord dropping a handkerchief so we might ask, Whose? Seems more like the uncut hair of graves lately. My grass is thirsty.


“On the Beach at Night Alone”

by

Walt Whitman


On the beach at night alone,
As the old mother sways her to and fro singing her husky song,
As I watch the bright stars shining, I think a thought of the clef
of the universes and of the future.
A vast similitude interlocks all,
All spheres, grown, ungrown, small, large, suns, moons, planets,
All distances of place however wide,
All distances of time, all inanimate forms,
All souls, all living bodies though they be ever so different, or in
different worlds,
All gaseous, watery, vegetable, mineral processes, the fishes, the
brutes,
All nations, colors, barbarisms, civilizations, languages,
All identities that have existed or may exist on this globe, or any
globe,
All lives and deaths, all of the past, present, future,
This vast similitude spans them, and always has spann’d,
And shall forever span them and compactly hold and enclose them.

Stickman — George Grosz

Stickman, 1946 by George Grosz (1893-1959)

Mantra

A book cover bearing the words, "WORK AS IF YOU LIVE IN THE EARLY DAYS OF A BETTER NATION"

Alasdair Gray, 1934-2019

Bite Your Tongue — Leon Golub

Bite Your Tongue, 2001 by Leon Golub (1922-2004)

We Can Disappear You — Leon Golub

We Can Disappear You #16, 2002 by Leon Golub (1922-2004)

RIP Béla Tarr

RIP Béla Tarr, 1955-2026

Mass-market Monday | Ishmael Reed’s Flight to Canada

Flight to Canada, Ishmael Reed, 1976. Avon Bard Books (1977). Cover art by Andrew Rhodes; no designer credited. 192 pages.


Reed’s Flight to Canada is one of my Best Books of 1976? round up of books published fifty years ago.

From my 2020 review of the novel:

Flight to Canada features a number of intersecting plots. One of these plots follows the ostensible protagonist of the novel, former slave Raven Quickskill, who escapes the Swille plantation in Virginia. Along with two other former slaves of the Swille plantation, Quickskill makes his way far north to “Emancipation City” where he composes a poem called “Flight to Canada,” which expresses his desire to escape America completely. The aristocratic (and Sadean) Arthur Swille simply cannot let “his property run off with himself,” and sends trackers to find Quickskill and the other escapees, Emancipation Proclamation be damned. On the run from trackers, Quickskill jumps from misadventure to misadventure, eventually reconnecting his old flame, an Indian dancer named Quaw Quaw (as well as her husband, the pirate Yankee Jack). Back at Swille’s plantation Swine’rd, several plots twist around, including a visit by Old Abe Lincoln, a sadistic episode between Lady Swille and her attendant Mammy Barracuda, and the day-to-day rituals of Uncle Robin, a seemingly-compliant “Uncle Tom” figure who turns out to be Reed’s real hero in the end.

ReMass-market Monday | Ishmael Reed’s Mumbo Jumbo

Sunday Comix

From The Portable February by David Berman2009, Drag City.

Celebrate David Berman’s birthday by listening to a bootleg recording of the Silver Jews playing the Green Man Festival in Crickhowell, Wales in 2006.

Peasants Washday — Justin John Greene

Peasants Washday, 2023 by Justin John Greene (b. 1984)

The Adoration of the Shepherds — James Ensor

The Adoration of the Shepherds, 1888 by James Ensor (1860-1949)

Literary criticism | Glen Baxter

Discovery of Eschaton : Immanentize the Climate Change — Mat Brown

Discovery of Eschaton : Immanentize the Climate Change, 2020 by Mat Brown (b. 1980)

The Idea Museum — Benny Andrews

The Idea Museum, 2002 by Benny Andrews (1930-2006)

The Heroic Dosser– Peter Howson

The Heroic Dosser, 1987 by Peter Howson (b. 1958)

Gerhard Rühm’s The Folded Clock (Book acquired, drifted through, last week or the week before, end of 2025)

I dug/was perplexed by Gerhard Rühm’s Cake and Prostheses a few years ago, so when I got my soft pink hands on The Folded Clock, (translated like C & P by Alexander Booth), I was intrigued. Publisher Twisted Spoon describes The Folded Clock as a collection of “number poems, comprising typewriter ideograms, typed concrete poetry, collages of everyday paper ephemera and scraps, and a wide variety of literary forms where the visual pattern created on the page underpins the thematic meaning.”

Rühm seems to identify Kurt Schwitters as his artistic precursor, or an artistic precursor. Like Cake and Prosthesesthe pieces in The Folded Clock defy easy categorization — Is it a script or a poem or art? is probably the wrong question.

Passing eyes over the text is probably not the way to go; Rühm’s asking you to engage. As Joseph Schreiber puts it in his review at Rough Ghosts, you might follow Rühm’s directions and “allow yourself to read aloud and, there are you are, from the very beginning, not simply reading but actively engaging with the poem.”

I don’t really like numbers that much, at least not in a mob, a gang, a swarm. I tried and didn’t work out. Not just with this book but in general. I can’t count sheep, I guess.

I had a better time with Rühm’s forays into music and letters and collages; I enjoyed whatever psychotic version of minesweeper or Sudoku this piece is:

Vegetable Dinner — Peter Blume

Vegetable Dinner, 1927 by Peter Blume (1906–1992)

Inge in Bed — Alasdair Gray

Inge in Bed, 1965 by Alasdair Gray (1935-2019)