The Whale, 2017 by Bo Bartlett (b. 1955)
Young Man with Straw Hat, 1912 by Ludwig Meidner (1884–1966)
The Corner That Held Them by Sylvia Townsend Warner. 2019 trade paperback from NRYB. Cover design by Kathy Homans featuring an image titled Ruins of Castle Acre Priory Church, c. 1780-1820 (artist uncredited).
Ironic, mordant, energetic, and packed with life, Sylvia Townsend Warner’s fifth novel The Corner That Held Them (1948) tells the story of a backwater convent over the course of a few hundred years. Warner’s story weaves her nuns’ mundane world into something grander and funnier than might be expected of such a premise.
Rusty Brown by Chris Ware. 2019 first edition hardback from Pantheon. No cover designer or artist credited, but the work is unquestionably Ware’s.
Rusty Brown is ostensibly the first part of Ware’s third novel. It ends, after 350 pages, with the word “INTERMISSION” vibrating across two pages, promising us a second part. I hope that that second part will not take Ware as long to produce as this first part, which took the better part of two decades. Like Jimmy Corrigan: The Smartest Kid on Earth (2000), Rusty Brown is crushingly sad and aesthetically brilliant; like Building Stories (2012), Rusty Brown adds up to more than the sum of its parts—its fragments come together to tell the story of sad lives intersecting. It’s moving, it’s funny, it’s beautiful, it’s challenging, and I hope that we don’t have to wait too long for the next installment.
The Doomed City by Arkady & Boris Strugatsky. 2017 trade paperback from Gollancz. English. Cover illustration by Eamon O’Donoghue; no designer credited. English translation by Andrew Bromfield.
“The Experiment is the Experiment” repeat the citizens of the titular doomed city in the Strugatskys Kakfaesque dystopian novel, which was written in the early 1970s but wasn’t published until 1989. The Experiment, purportedly run by the Mentors, seemingly begins as an egalitarian project, but soon devolves into civil war against baboons, and eventually a dictatorship. There’s a late act expedition across the desert to infiltrate the fabled Anticity. Baggy and abject, The Doomed City was not the best Strugatsky novel I’ve read, but I enjoyed its weirder moments very much.
Seated Nude: The Black Hat, c. 1900 by Philip Wilson Steer (1860–1942)
Miss Auras, The Red Book, c. 1892 by John Lavery (1856–1941)
Sleepwalker at Rest III, c. 1965 by Pyke Koch (1901–1991)
Projection Enclave, 2018 by Toyin Ojih Odutola (b. 1985)
Gittel, c. 1940 by Lucile Blanch (1895-1981)
Nerves, 2019 by Samplerman (Yvan Guillo)
Bash, 1971 by Eduardo Paolozzi (1924–2005)
Blue Nude, 2014 by Hilary Harkness (b. 1971)
Content, 2018 by Christian Brandl (b. 1970)
Fools Rush In, 2005 by Scott Greene
Aspects of Suburbia: Golf, 1036 by Paul Cadmus (1904–1999)
Friday the Thirteenth, 1965 by Leonora Carrington (1917-2011)
The Martyr of the Solway, c. 1871 by John Everett Millais (1829-1896)
Hope, Faith, Charity, 1978 by Jack Beal (1931–2013)
Biblioklept 