Sleepwalker at Rest III — Pyke Koch

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Sleepwalker at Rest III, c. 1965 by Pyke Koch (1901–1991)

Projection Enclave — Toyin Ojih Odutola

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Projection Enclave, 2018 by Toyin Ojih Odutola (b. 1985)

Gittel — Lucile Blanch 

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Gittel, c. 1940 by Lucile Blanch (1895-1981)

Nerves — Samplerman

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Nerves, 2019 by Samplerman (Yvan Guillo)

Bash — Eduardo Paolozzi

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Bash, 1971 by Eduardo Paolozzi (1924–2005)

Blue Nude — Hilary Harkness

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Blue Nude, 2014 by Hilary Harkness (b. 1971)

Content — Christian Brandl

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Content, 2018 by Christian Brandl (b. 1970)

Fools Rush In — Scott Greene

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Fools Rush In, 2005 by Scott Greene

Aspects of Suburbia: Golf — Paul Cadmus

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Aspects of Suburbia: Golf, 1036 by Paul Cadmus (1904–1999)

Friday the Thirteenth — Leonora Carrington

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Friday the Thirteenth, 1965 by Leonora Carrington (1917-2011)

The Martyr of the Solway — John Everett Millais

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The Martyr of the Solway, c. 1871 by John Everett Millais (1829-1896)

Hope, Faith, Charity — Jack Beal

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Hope, Faith, Charity, 1978 by Jack Beal (1931–2013)

“Funeral Home” — Daniel Johnston

RIP Daniel Johnston, 1961-2019

I saw only one tower standing to the south, and that one ringed with fire | Denis Johnson

At the moment, I was heading anywhere at all for breakfast, but when I heard the desk clerk’s radio playing news that an aircraft, I assumed a sightseeing plane, had struck Tower Two of the World Trade Center, I decided to jump on the number 3 subway half a block west, and go have a look.

As I headed toward Eighth Avenue I tried calling Mark Ahearn about lunch, but my cellphone only hammered out a rapid-fire beep. Please don’t ask me how this can be true: I traveled through the busy lobby and walked for half a long block on a crowded Manhattan street and then boarded the World Trade Center subway completely unaware that I was participating in a citywide disaster, and moving toward its center.

The World Trade Center station came a few stops south of Twenty-Third Street, but we didn’t get there. After Christopher Street the train halted in the tunnel and waited, humming. It gave a screech, lurched backward slightly, and stopped again. Somehow the general news had infiltrated the sealed subterranean environment that something historically enormous was happening very nearby, and it got quiet in our compartment, and almost everybody entered into a small, desperate battle with a worthless cellphone. The train moved forward and gained speed, but began braking long before Houston Street, the next station, where it halted with several rear cars sticking out behind into the tunnel. For a tense minute, whoever spoke only whispered. Then came a shout—“Tell us what’s going on!” and others raised the same cry until we heard the conductor’s PA saying something about the tracks, the tracks…“Due to the catastrophe, this train will not go farther. Please exit out the forward cars onto the platform. Do not go onto the tracks.” We were all on our feet, maneuvering selfishly, angling for the doors. But the doors didn’t open. The engine stopped. “Open the doors! Open the doors!” The engine started. A man shouted, “Just everybody stand still!” People from the car behind had pried their way into ours, and somebody almost went down. A woman said, “Stop that, you fool!” A man in front of me pushed a teenage boy beside him. With the meat of his fist he began beating the back of the boy’s head. And I jumped into the fray, didn’t you, Harrington, like a monkey, yes you did, and got yourself an elbow in the eye. The doors to the compartment flew open and people clambered out onto the station’s platform, where a dreadlocked man in a crimson athletic suit jumped up and down on a bench as if it were a trampoline, screaming “God, see what we’re doing to each other down here.” When I came up into the street, dizzy and one-eyed, I couldn’t get my bearings. I saw only one tower standing to the south, and that one ringed with fire. I asked a man nearby—“Where are we? I can’t see the other tower.” He said, “It fell” and I said, “No it didn’t.” He didn’t argue. We stood in the middle of the street with thousands of other people, all of us motionless, like a frozen parade, all silent. I began to believe the man. We watched the flames spreading through the building’s upper stories over the course of about twenty minutes, and then the eighteen-hundred-foot structure seemed to curtsy and dip left, and then it went down.

I turned around and looked at the people behind me. I saw shocked laughter, weeping, horror, bewilderment. The young man next to me bawled at the top of his lungs. I was afraid to ask him if he had a loved one in the buildings afraid to talk to him at all, but he raised his agonized, Christly face to me and suddenly laughed, saying, “Buddy, you are working on one heck of a black eye.” We stood far from the buildings—at least a mile, I’d say—far enough that we didn’t feel the ground shake, and we heard nothing but sirens, and official-sounding voices screaming, “Get out of the street! Stay out of the street!” and others too—“They’re attacking the Capitol!—the Pentagon!—the White House!”

Cop cars and ambulances heaped with dust and chunks of concrete came at us out of the south. I started walking that direction, I don’t know why, but I soon realized I was the only person heading downtown, and then the tide of panic pressing toward me was too heavy to go against, and I turned around and let it take me north.

From Denis Johnson’s short story “Doppelgänger, Poltergeist.” Collected in The Largesse of the Sea Maiden, 2017.

 

Judge — Pavel Guliaev

pavel1Judge, 2019 by Pavel Guliaev (b. 1967)

The Mysterious Water — Ernest Biéler

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L’Eau mystérieuse (The Mysterious Water), 1911 by Ernest Biéler (1863–1948)

Girl in a Blue Dress — Philip Wilson Steer

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Girl in a Blue Dress, c. 1891 by Philip Wilson Steer (1860–1942)