Dreaming in Umbria — William Bailey

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Dreaming in Umbria, 2015 by William Bailey (b. 1930)

Silhouettes — James Ensor

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Silhouettes, 1880 by James Ensor (1860-1949)

Approaching Storm — George Grosz

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Approaching Storm, 1940 by George Grosz (1893-1959)

Hurricane — Alphonse Legros

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Hurricane by Alphonse Legros (1837-1911)

The Reader — Wahib Bteddini

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The Reader, 1988 by Wahib Bteddini (1929-2001)

I saw only one tower standing to the south, and that one ringed with fire | Denis Johnson

At the moment, I was heading anywhere at all for breakfast, but when I heard the desk clerk’s radio playing news that an aircraft, I assumed a sightseeing plane, had struck Tower Two of the World Trade Center, I decided to jump on the number 3 subway half a block west, and go have a look.

As I headed toward Eighth Avenue I tried calling Mark Ahearn about lunch, but my cellphone only hammered out a rapid-fire beep. Please don’t ask me how this can be true: I traveled through the busy lobby and walked for half a long block on a crowded Manhattan street and then boarded the World Trade Center subway completely unaware that I was participating in a citywide disaster, and moving toward its center.

The World Trade Center station came a few stops south of Twenty-Third Street, but we didn’t get there. After Christopher Street the train halted in the tunnel and waited, humming. It gave a screech, lurched backward slightly, and stopped again. Somehow the general news had infiltrated the sealed subterranean environment that something historically enormous was happening very nearby, and it got quiet in our compartment, and almost everybody entered into a small, desperate battle with a worthless cellphone. The train moved forward and gained speed, but began braking long before Houston Street, the next station, where it halted with several rear cars sticking out behind into the tunnel. For a tense minute, whoever spoke only whispered. Then came a shout—“Tell us what’s going on!” and others raised the same cry until we heard the conductor’s PA saying something about the tracks, the tracks…“Due to the catastrophe, this train will not go farther. Please exit out the forward cars onto the platform. Do not go onto the tracks.” We were all on our feet, maneuvering selfishly, angling for the doors. But the doors didn’t open. The engine stopped. “Open the doors! Open the doors!” The engine started. A man shouted, “Just everybody stand still!” People from the car behind had pried their way into ours, and somebody almost went down. A woman said, “Stop that, you fool!” A man in front of me pushed a teenage boy beside him. With the meat of his fist he began beating the back of the boy’s head. And I jumped into the fray, didn’t you, Harrington, like a monkey, yes you did, and got yourself an elbow in the eye. The doors to the compartment flew open and people clambered out onto the station’s platform, where a dreadlocked man in a crimson athletic suit jumped up and down on a bench as if it were a trampoline, screaming “God, see what we’re doing to each other down here.” When I came up into the street, dizzy and one-eyed, I couldn’t get my bearings. I saw only one tower standing to the south, and that one ringed with fire. I asked a man nearby—“Where are we? I can’t see the other tower.” He said, “It fell” and I said, “No it didn’t.” He didn’t argue. We stood in the middle of the street with thousands of other people, all of us motionless, like a frozen parade, all silent. I began to believe the man. We watched the flames spreading through the building’s upper stories over the course of about twenty minutes, and then the eighteen-hundred-foot structure seemed to curtsy and dip left, and then it went down.

I turned around and looked at the people behind me. I saw shocked laughter, weeping, horror, bewilderment. The young man next to me bawled at the top of his lungs. I was afraid to ask him if he had a loved one in the buildings afraid to talk to him at all, but he raised his agonized, Christly face to me and suddenly laughed, saying, “Buddy, you are working on one heck of a black eye.” We stood far from the buildings—at least a mile, I’d say—far enough that we didn’t feel the ground shake, and we heard nothing but sirens, and official-sounding voices screaming, “Get out of the street! Stay out of the street!” and others too—“They’re attacking the Capitol!—the Pentagon!—the White House!”

Cop cars and ambulances heaped with dust and chunks of concrete came at us out of the south. I started walking that direction, I don’t know why, but I soon realized I was the only person heading downtown, and then the tide of panic pressing toward me was too heavy to go against, and I turned around and let it take me north.

From Denis Johnson’s short story “Doppelgänger, Poltergeist.” Collected in  The Largesse of the Sea Maiden, 2017.

 

Anniversary (Art Spiegelman)

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From In the Shadow of No Towers by Art Spiegelman.

 

Open Pomegranate in a Dish, with Grasshopper, Snail and Two Chestnuts — Giovanna Garzoni

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Open Pomegranate in a Dish, with Grasshopper, Snail and Two Chestnuts, c. 1652 by Giovanna Garzoni (1600–1670)

Twelve Proverbs — Pieter Bruegel the Elder

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Twelve Proverbs, c.1560 by Pieter Bruegel the Elder Original

Princess Maria Volkonsky at the Age of Twelve — Balthus

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Princess Maria Volkonsky at the Age of Twelve, 1945 by Balthus (1908-2001)

Ceremony — Leonor Fini

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Ceremony, 1960 by Leonor Fini (1908-1996)

Metamorphosis — Margaret Tomkins

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Metamorphosis, 1943 by Margaret Tomkins (1916-2002)

Metamorphosis — Riccardo Tommasi Ferroni

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Metamorphosis, 1965 by Riccardo Tommasi Ferroni (1934-2000)

Culmin’s Ghost Appears to His Mother — Nicolai Abildgaard

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Culmin’s Ghost Appears to His Mother, 1794 by Nicolai Abildgaard (1743–1809)

Near are the steps of Culmin; the youth came, bursting into tears. Wrathful he cut the wind, ere yet he mixed his strokes with Fillan. He had first bent the bow with Rothmar, at the rock of his own blue streams. There they had marked the place of the roe, as the sunbeam flew over the fern. Why, son of Cul-allin! why, Culmin, dost thou rush on that beam of light? It is a fire that consumes. Son of Cul-allin, retire. Your fathers were not equal in the glittering strife of the field. The mother of Culmin remains in the hall. She looks forth on blue-rolling Strutha. A whirlwind rises, on the stream, dark-eddying round the ghost of her son. His dogs are howling in their place. His shield is bloody in the hall. “Art thou fallen, my fair-haired son, in Erin’s
dismal war?”

From The Poems of Ossian by James McPherson. 

The Confidence Man — Guy Pène du Bois

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The Confidence Man, 1919 by Guy Pène du Bois (1884-1958)

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Reading — Robert Kushner

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Reading, 1987 by Robert Kushner (b. 1949)

Prometheus in Chains — Frantisek Kupka

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Prometheus in Chains, 1905 by Frantisek Kupka (1871-1957)