“All art constantly aspires towards the condition of music”

Portrait of a Lady Spinning — Maerten van Heemskerck

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Pasteque no. 2 – Rufino Tamayo

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Beheading of St. Catherine — Albrecht Altdorfer

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Lydia Davis’s “In a House Beseiged,” visually adapted by Roman Muradov

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Enjoy the rest of Roman Muradov’s visual adaptation of Lydia Davis’s microfiction at The Paris Review.

Levitation — Moebius

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The Two Sisters — Theodore Chasseriau

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Inn Scene — Adriaen van Ostade

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Sounds of Spring — Franz Stuck

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Three Books

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Collected Stories by William Faulkner. 1977 first edition trade paperback from Vintage. This book is 900 pages, exactly, not including the ancillary pages that detail publication dates and rights, as well as Vintage’s back catalog—and yet not one of those pages manages to credit the cover designer or photographer.

I’ve been reading/re-reading this very slowly, with the loose goal of finishing this year.

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Nausicaä of the Valley of the Wind, Vol. 4 by Hayao Miyazaki. English translation by David Lewis and Toren Smith. Studio Ghibli Library edition by Viz Media, 2010. No designer credited, but the cover is by Miyazaki and I imagine we can probably credit Studio Ghibli with the design.

I started rereading Nausicaä this week after revisiting Princess Mononoke this week. Then I got horribly ill, and the only stuff I can really read when I’m really sick are comics. I scanned Vol. 4 for this week’s Three Books post; I finished it pretty late last night. Vol 5-7 remain.

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Junkets on a Sad Planet by Tom Clark. First edition trade paperback by Black Sparrow Press, 1994. Cover design by Barbara Martin. The image is of Benjamin Robert Haydon’s life mask for John Keats (from a photo by Christopher Oxford).

I awoke around 1am in the middle of last week, and unable to sleep, I wandered to our den and randomly took this from the shelf to begin reading/rereading. The book (its title is a pun) is difficult to explain, a beautiful experience, rich. Here’s Clark’s own description: “…an extended reflection on the modern poet’s life, as Keats lived it. The book may be read by turns as poetic novel, biography in verse, allegorical masque, historical oratorio for several voices.”

The Measure of All Things — Marc Dennis

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Sleeping Katya — Zinaida Serebriakova

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Ceiling of Ganshoin Temple at Obuse — Katsushika Hokusai

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Breakup Comics (Samplerman)

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Illustration for Oscar Wilde’s “The Star-Child” — James Hill

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From The Heritage Press collection The Short Stories of Oscar Wilde (1968), featuring paintings by James Hill.


 

“The Star-Child”

by

Oscar Wilde


 

Once upon a time two poor Woodcutters were making their way home through a great pine-forest.  It was winter, and a night of bitter cold.  The snow lay thick upon the ground, and upon the branches of the trees: the frost kept snapping the little twigs on either side of them, as they passed: and when they came to the Mountain-Torrent she was hanging motionless in air, for the Ice-King had kissed her.

So cold was it that even the animals and the birds did not know what to make of it.

‘Ugh!’ snarled the Wolf, as he limped through the brushwood with his tail between his legs, ‘this is perfectly monstrous weather.  Why doesn’t the Government look to it?’

‘Weet! weet! weet!’ twittered the green Linnets, ‘the old Earth is dead and they have laid her out in her white shroud.’

‘The Earth is going to be married, and this is her bridal dress,’ whispered the Turtle-doves to each other.  Their little pink feet were quite frost-bitten, but they felt that it was their duty to take a romantic view of the situation. Continue reading “Illustration for Oscar Wilde’s “The Star-Child” — James Hill” →