“The Domestic Life of Ghosts” — Tom Clark

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“October” — Tom Clark

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“Lines” — William Carlos Williams

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“Terminator Too” — Tom Clark

“Terminator Too” by Tom Clark—

Poetry, Wordsworth
wrote, will have no
easy time of it when
the discriminating

powers of the mind
are so blunted that
all voluntary
exertion dies, and

the general
public is reduced
to a state of near
savage torpor, morose,

stuporous, with
no attention span
whatsoever; nor will
the tranquil rustling

of the lyric, drowned out
by the heavy, dull
coagulation
of persons in cities,

where a uniformity
of occupations breeds
cravings for sensation
which hourly visual

communication of
instant intelligence
gratifies like crazy,
likely survive this age.

“I lost a world the other day” — Emily Dickinson

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“Knee Song” — Anne Sexton

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“Character Is Fate” — Tom Clark

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“Beckett’s Theory of Comedy” — Anne Carson

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“Après le Bain” — William Carlos Williams

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“You Have Pissed Your Life” — William Carlos Williams

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“Job Listing” — Tom Clark

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“The Retirement of Superman” — Tom Clark

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“A Drinking Song” — W.B. Yeats

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“The Man Who Was Killed” — Denis Johnson

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“Abu Al-Anbas’ Donkey” – Eliot Weinberger

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“Game” – Octavio Paz

I’ll plunder seasons.
I’ll play with months and years.
Winter days with the red faces of summer.

And down the gray road,
in the silent parade
of hard, unmoving days,
I’ll organize the blues and gymnastics.

A rippling morning
of painted lips,
cool, as though just bathed,
with an autumn dawn.

And I’ll catch the clouds–
red, blue, purple–
and throw them against the inexpressive paper
of the black and blue sky,
so that they’ll write a letter
in the universal language
to their good friend the wind.

To help the shopkeepers,
I’ll make luminous billboards,
with spotlights of stars.

Maybe I’ll assassinate a dawn
so that, bleeding,
it will stain a white cloud purple.

In the shop of the seasons,
I’ll sell ripe autumn apples
wrapped in the paper of winter mists.

I’ll kidnap Spring,
to have her in my house,
like a ballerina.

The wind will change its schedule.
Unpredictable crossings of the clouds.

And down the highway of the Future, I’ll rush toward Winter,
for the surprise of meeting it later,
mixed with Summer.

On the green felt of space,
I’ll bet on days
that will roll like dice.

I’ll play with months and years.

 

Octavio Paz’s first unpublished poem, 1931. Translated by Eliot Weinberger.

“Beckett’s Theory of Tragedy” — Anne Carson

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