From The People Could Fly: American Black Folktales told by Virginia Hamilton.
I’ve said it before, but the good people at Nobrow are making some of the best literary objects I’ve seen in years—the graphic novels they publish are smart, beautiful, strange, and witty. The last time I wrote about a Nobrow title, it was Jon McNaught’s Birchwood Close, which I read after a weekend of (very) primitive island camping. In a little coincidence (or not), Nobrow’s new title, Vincent Mahé’s 750 Years in Paris showed up as I was packing my Subaru for a camping trip with my family. I couldn’t help but fly too-quickly through the pages, before relinquishing it to my daughter, who tried to take it camping with us. “I need something to read on the beach,” she claimed, but I told her it was too big to take along (it’s about the height of a wine bottle). In truth, I just didn’t want to risk the book’s getting damaged. We read it again a few times when we got home—first very quickly, then more slowly. Fun.
I owe the thing a proper review, but for now here’s Nobrow’s blurb:
If you could stand still for 750 years, what could you learn about the world? It’s time to find out.
A literary graphic novel unlike anything else on the racks, 750 Years tells the story of our time, focusing on one single building in France as it sees its way through the upheavals of history. Beginning in the 13th Century and making its way towards today, this historically accurate story is the eagerly anticipated debut from Vincent Mahé.
Biblioklept 