Hidden Presence, 2014 by Alessandro Papetti (b. 1958)
Un signe, un cygne (A Sign, a Swan), 1978 by Mimi Parent (1924–2005)
Siegfried and Kriemhild, 1807 by Henry Fuseli (1741–1825)
Good Luck, 2015 by F. Scott Hess (b. 1955)
All the Pretty Horses (I See the Same Hoes), 2019 by Kathy Ager (b. 1981)
Jesura the Holy Kaiju, 2019 by Mu Pan (b. 1976)
Island of the Cyclops: The Early Years, 2018, by Eric Fischl (b. 1948)
Queen Mab’s Cave, 1846 by Joseph Mallord William Turner (1775–1851)
Mientras Pablo no me vea (As Long as Pablo Doesn’t See Me) by Carmen Chami (b. 1974)
Manifest, 2015 by Scott Greene
The Couples, 2019 by Xiao Guo Hui (b. 1969)
The Minotaur, 1885 George Frederic Watts (1817–1904)
“Haymaking”
by
William Carlos Williams
The living quality of
the man’s mind
stands out
and its covert assertions
for art, art, art!
painting
that the Renaissance
tried to absorb
but
it remained a wheat field
over which the
wind played
men with scythes tumbling
the wheat in
rows
the gleaners already busy
it was his own—
magpies
the patient horses no one
could take that
from him
The Raconteur, 2019 by Ilya Milstein
Nude, 1967 by Gerhard Richter (b. 1932)
The Warrior’s Tomb, 1941 by Gertrude Hermes (1901–1983)
Biblioklept 