The Tube Train — Cyril E. Power

Inside a Tent in the Canadian Rockies — John Singer Sargent

Reading Girl — Istvan Ilosvai Varga

Man Reading — Eduard von Gebhardt

Portrait of E.G. Mamontova Reading — Ilya Repin

A Lady Reading a Newspaper — Carl Larsson

Books Acquired, 8.06.2013

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Girl Reading in a Salon — Giovanni Boldini

What’s Inside? #18 (Library Man) — Brosmind

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(More).

Eight Notes from Nathaniel Hawthorne’s Note-Books

  1. Would it not be wiser for people to rejoice at all that they now sorrow for, and vice versa? To put on bridal garments at funerals, and mourning at weddings? For their friends to condole with them when they attained riches and honor, as only so much care added?
  2. If in a village it were a custom to hang a funeral garland or other token of death on a house where some one had died, and there to let it remain till a death occurred elsewhere, and then to hang that same garland over the other house, it would have, methinks, a strong effect.
  3. No fountain so small but that Heaven may be imaged in its bosom.
  4. Fame! Some very humble persons in a town may be said to possess it,–as, the penny-post, the town-crier, the constable,–and they are known to everybody; while many richer, more intellectual, worthier persons are unknown by the majority of their fellow-citizens. Something analogous in the world at large.
  5. The ideas of people in general are not raised higher than the roofs of the houses. All their interests extend over the earth’s surface in a layer of that thickness. The meeting-house steeple reaches out of their sphere.
  6. Nobody will use other people’s experience, nor have any of his own till it is too late to use it.
  7. Two lovers to plan the building of a pleasure-house on a certain spot of ground, but various seeming accidents prevent it. Once they find a group of miserable children there; once it is the scene where crime is plotted; at last the dead body of one of the lovers or of a dear friend is found there; and, instead of a pleasure-house, they build a marble tomb. The moral,–that there is no place on earth fit for the site of a pleasure-house, because there is no spot that may not have been saddened by human grief, stained by crime, or hallowed by death. It might be three friends who plan it, instead of two lovers; and the dearest one dies.
  8. Comfort for childless people. A married couple with ten children have been the means of bringing about ten funerals.

Notations from Nathaniel Hawthorne’s American Note-Books.

Arranged — Jim Hodges

Heretic/Hanging (Books Acquired, Sometime Last Week)

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I was out of town when these showed up last week.

First, Susan Ronald’s Heretic Queen: Publisher St. Martin’s Griffin’s blurb:

Acclaimed biographer Susan Ronald delivers a stunning account of Elizabeth I that focuses on her role in the Wars on Religion—the battle between Protestantism and Catholicisim that tore apart Europe in the 16th Century

Elizabeth’s 1558 coronation procession was met with an extravagant outpouring of love. Only twenty-five years old, the young queen saw herself as their Protestant savior, aiming to provide the nation with new hope, prosperity, and independence from the foreign influence that had plagued her sister Mary’s reign. Given the scars of the Reformation, Elizabeth would need all of the powers of diplomacy and tact she could summon.

Extravagant, witty, and hot-tempered, Elizabeth was the ultimate tyrant. Yet at the outset, in religious matters, she was unfathomably tolerant for her day. “There is only one Christ, Jesus, one faith,” Elizabeth once proclaimed. “All else is a dispute over trifles.” Heretic Queen is the highly personal, untold story of how Queen Elizabeth I secured the future of England as a world power. Susan Ronald paints the queen as a complex character whose apparent indecision was really a political tool that she wielded with great aplomb.

And: The Hanging of Samuel Ash by Sheldon Russell, from Minotaur. Publishers Weekly blurb:

A compelling lead compensates only in part for the relatively weak plot of Russell’s fourth mystery featuring one-armed Santa Fe railroad bull Hook Runyon (after 2012’s Dead Man’s Tunnel), set during WWII against a backdrop of labor unrest. When Runyon checks out a nonworking signal on a remote stretch of track, he discovers a man’s corpse hanging from the signal’s cantilever. The only clue to the dead man’s identity is a Bronze Star inscribed with the name Samuel Ash. Not wanting the war hero to be buried in a pauper’s grave, Runyon takes custody of the body and embarks on a quest to find Ash’s relatives and the truth about his death. A dose of humor lightens the gloom—pickpockets steal Runyon’s wallet and badge while he’s hunting pickpockets—but the mystery itself never picks up much steam. Fans will hope for a return to form next time.

 

World of Books — Winsor McCay

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Vasiliy Luzhsky on Vacation in London’s Hyde Park — Boris Kustodiev

Girl Reading — Helene Schjerfbeck

Two opposing parables (Borges citation)

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The Beach at Trouville — Claude-Oscar Monet