I was happy to get an advance copy of Matt Bell’s forthcoming novel In the House upon the Dirt Between the Lake and the Woods, because I like titles with lots of prepositions. No, actually, Bell’s novella-in-vignette’s Cataclysm Baby was one of my favorite new books of 2012. Here’s the pub blurb for House:
In this epic, mythical debut novel, a newly-wed couple escapes the busy confusion of their homeland for a distant and almost-uninhabited lakeshore. They plan to live there simply, to fish the lake, to trap the nearby woods, and build a house upon the dirt between where they can raise a family. But as their every pregnancy fails, the child-obsessed husband begins to rage at this new world: the song-spun objects somehow created by his wife’s beautiful singing voice, the giant and sentient bear that rules the beasts of the woods, the second moon weighing down the fabric of their starless sky, and the labyrinth of memory dug into the earth beneath their house.
This novel, from one of our most exciting young writers, is a powerful exploration of the limits of parenthood and marriage—and of what happens when a marriage’s success is measured solely by the children it produces, or else the sorrow that marks their absence.
You can read my interview with Matt here and excerpts from House at Matt’s site.
Nobuhiko Obayashi’s 1977 film House is comic-surrealist horror on par with Tsukamoto’s Lynch-soaked aberration Tetsuo, the Iron Man and Miike’s profoundly disturbing/hilarious take on country life, The Happiness of the Katukuris. Read more about Obayashi’s film here. Three clips from House–