The Twelfth Department (Book Acquired, Sometime Last Week)

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The Twelfth Apartment is a forthcoming thriller from William Ryan. Macmillan’s blurb:

The new Captain Korolev mystery set in 1930s Stalinist Russia, from the lauded author of The Holy Thief and The Bloody Meadow

Moscow, 1937. Captain Korolev, a police investigator, is enjoying a long-overdue visit from his young son Yuri when an eminent scientist is shot dead within sight of the Kremlin and Korolev is ordered to find the killer.

It soon emerges that the victim, a man who it appears would stop at nothing to fulfil his ambitions, was engaged in research of great interest to those at the very top ranks of Soviet power. When another scientist is brutally murdered, and evidence of the professors’ dark experiments is hastily removed, Korolev begins to realise that, along with having a difficult case to solve, he’s caught in a dangerous battle between two warring factions of the NKVD. And then his son Yuri goes missing . . .

A desperate race against time, set against a city gripped by Stalin’s Great Terror and teeming with spies, street children and Thieves, The Twelfth Department confirms William Ryan as one of the most compelling historical crime novelists at work today.

 

“A Transgression” — Anton Chekhov

“A Transgression” by Anton Chekhov

A COLLEGIATE assessor called Miguev stopped at a telegraph-post in the course of his evening walk and heaved a deep sigh. A week before, as he was returning home from his evening walk, he had been overtaken at that very spot by his former housemaid, Agnia, who said to him viciously:

“Wait a bit! I’ll cook you such a crab that’ll teach you to ruin innocent girls! I’ll leave the baby at your door, and I’ll have the law of you, and I’ll tell your wife, too….”

And she demanded that he should put five thousand roubles into the bank in her name. Miguev remembered it, heaved a sigh, and once more reproached himself with heartfelt repentance for the momentary infatuation which had caused him so much worry and misery.

When he reached his bungalow, he sat down to rest on the doorstep. It was just ten o’clock, and a bit of the moon peeped out from behind the clouds. There was not a soul in the street nor near the bungalows; elderly summer visitors were already going to bed, while young ones were walking in the wood. Feeling in both his pockets for a match to light his cigarette, Miguev brought his elbow into contact with something soft. He looked idly at his right elbow, and his face was instantly contorted by a look of as much horror as though he had seen a snake beside him. On the step at the very door lay a bundle. Something oblong in shape was wrapped up in something—judging by the feel of it, a wadded quilt. One end of the bundle was a little open, and the collegiate assessor, putting in his hand, felt something damp and warm. He leaped on to his feet in horror, and looked about him like a criminal trying to escape from his warders….

“She has left it!” he muttered wrathfully through his teeth, clenching his fists. “Here it lies…. Here lies my transgression! O Lord!”

He was numb with terror, anger, and shame… What was he to do now? What would his wife say if she found out? What would his colleagues at the office say? His Excellency would be sure to dig him in the ribs, guffaw, and say: “I congratulate you!… He-he-he! Though your beard is gray, your heart is gay…. You are a rogue, Semyon Erastovitch!” The whole colony of summer visitors would know his secret now, and probably the respectable mothers of families would shut their doors to him. Such incidents always get into the papers, and the humble name of Miguev would be published all over Russia….

The middle window of the bungalow was open and he could distinctly hear his wife, Anna Filippovna, laying the table for supper; in the yard close to the gate Yermolay, the porter, was plaintively strumming on the balalaika. The baby had only to wake up and begin to cry, and the secret would be discovered. Miguev was conscious of an overwhelming desire to make haste. Continue reading ““A Transgression” — Anton Chekhov”

Pasternak’s The Last Summer, Another Lovely Penguin (Book Acquired Some Time in February, 2013)

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Big thanks again to Ryan Mihaly for sending me another Penguin edition. This time, Ryan sent me Boris Pasternak’s The Last Summer. (Ryan writes reviews of merit at Flying Object, btw). Ryan also sent me a bookmark he illustrated himself:

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Lovely. Blurb:

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Read “Second Variety,” a Story by Philip K. Dick

The Russian soldier made his way nervously up the ragged side of the hill, holding his gun ready. He glanced around him, licking his dry lips, his face set. From time to time he reached up a gloved hand and wiped perspiration from his neck, pushing down his coat collar.

Eric turned to Corporal Leone. “Want him? Or can I have him?” He adjusted the view sight so the Russian’s features squarely filled the glass, the lines cutting across his hard, somber features.

Leone considered. The Russian was close, moving rapidly, almost running. “Don’t fire. Wait.” Leone tensed. “I don’t think we’re needed.”

The Russian increased his pace, kicking ash and piles of debris out of his way. He reached the top of the hill and stopped, panting, staring around him. The sky was overcast, drifting clouds of gray particles. Bare trunks of trees jutted up occasionally; the ground was level and bare, rubble-strewn, with the ruins of buildings standing out here and there like yellowing skulls.

The Russian was uneasy. He knew something was wrong. He started down the hill. Now he was only a few paces from the bunker. Eric was getting fidgety. He played with his pistol, glancing at Leone.

“Don’t worry,” Leone said. “He won’t get here. They’ll take care of him.”

“Are you sure? He’s got damn far.”

“They hang around close to the bunker. He’s getting into the bad part. Get set!”

The Russian began to hurry, sliding down the hill, his boots sinking into the heaps of gray ash, trying to keep his gun up. He stopped for a moment, lifting his fieldglasses to his face.

“He’s looking right at us,” Eric said.

The Russian came on. They could see his eyes, like two blue stones. His mouth was open a little. He needed a shave; his chin was stubbled. On one bony cheek was a square of tape, showing blue at the edge. A fungoid spot. His coat was muddy and torn. One glove was missing. As he ran his belt counter bounced up and down against him.

Leone touched Eric’s arm. “Here one comes.”

Across the ground something small and metallic came, flashing in the dull sunlight of mid-day. A metal sphere. It raced up the hill after the Russian, its treads flying. It was small, one of the baby ones. Its claws were out, two razor projections spinning in a blur of white steel. The Russian heard it. He turned instantly,  firing. The sphere dissolved into particles. But already a second had emerged and was following the first. The Russian fired again.

A third sphere leaped up the Russian’s leg, clicking and whirring. It jumped to the shoulder. The spinning blades disappeared into the Russian’s throat.

Eric relaxed. “Well, that’s that. God, those damn things give me the creeps. Sometimes I think we were better off before.”

“If we hadn’t invented them, they would have.” Leone lit a cigarette shakily. “I wonder why a Russian would come all this way alone. I didn’t see anyone covering him.”

Lt. Scott came slipping up the tunnel, into the bunker. “What happened? Something entered the screen.”

“An Ivan.”

“Just one?”

Eric brought the view screen around. Scott peered into it. Now there were numerous metal spheres crawling over the prostrate body, dull metal globes clicking and whirring, sawing up the Russian into small parts to be carried away.

“What a lot of claws,” Scott murmured.

“They come like flies. Not much game for them any more.”

Scott pushed the sight away, disgusted. “Like flies. I wonder why he was out there. They know we have claws all around.”

A larger robot had joined the smaller spheres. It was directing operations, a long blunt tube with projecting eyepieces. There was not much left of the soldier. What remained was being brought down the hillside by the host of claws.

“Sir,” Leone said. “If it’s all right, I’d like to go out there and take a look at him.”

“Why?”

“Maybe he came with something.”

Scott considered. He shrugged. “All right. But be careful.”

“I have my tab.” Leone patted the metal band at his wrist. “I’ll be out of bounds.”

(Read the rest of “Second Variety” at Project Gutenberg).

 

A Partial History of Lost Causes (Book Acquired, 3.06.2012)

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A Partial History of Lost Causes by Jennifer DuBois. Publisher Random House’s copy:

In Jennifer duBois’s mesmerizing and exquisitely rendered debut novel, a long-lost letter links two disparate characters, each searching for meaning against seemingly insurmountable odds.

In St. Petersburg, Russia, world chess champion Aleksandr Bezetov begins a quixotic quest. With his renowned Cold War–era tournaments behind him, Aleksandr has turned to politics, launching a dissident presidential campaign against Vladimir Putin. He knows he will not win—and that he is risking his life in the process—but a deeper conviction propels him forward. And in the same way that he cannot abandon his aims, he cannot erase the memory of a mysterious woman he loved in his youth.

In Cambridge, Massachusetts, thirty-year-old English lecturer Irina Ellison is on an improbable quest of her own. Certain she has inherited Huntington’s disease—the same cruel illness that ended her father’s life—she struggles with a sense of purpose. When Irina finds an old, photocopied letter her father had written to the young Aleksandr Bezetov, she makes a fateful decision. Her father had asked the Soviet chess prodigy a profound question—How does one proceed against a lost cause?—but never received an adequate reply. Leaving everything behind, Irina travels to Russia to find Bezetov and get an answer for her father, and for herself.

Spanning two continents and the dramatic sweep of history, A Partial History of Lost Causes reveals the stubbornness and splendor of the human will even in the most trying times. With uncommon perception and wit, Jennifer duBois explores the power of memory, the depths of human courage, and the endurance of love.

In One Breath — The Making of Russian Ark

In One Breath is a documentary about the making of Aleksandr Sokurov’s 2002 film Russian Ark, one of the dreamiest, most sublime movies I’ve ever experienced. The entirety of  Russian Ark unfolds in one continuous take, with not a single cut in its 99 minutes (even though there are ballroom dance scenes and orchestras and other massive set pieces). Stunning stuff.

Continue reading “In One Breath — The Making of Russian Ark”