All Oscar Wilde

All art is immoral.

All art is quite useless.

All thought is immoral.

All art is at once surface and symbol.

All imitation in morals and in life is wrong.

All beautiful things belong to the same age.

All crime is vulgar, just as all vulgarity is crime.

All charming people are spoiled. It is the secret of their attraction.

All influence is immoral—immoral from the scientific point of view.

All sympathy is fine, but sympathy with suffering is the least fine mode.

All women become like their mothers: that is their tragedy. No man does: that is his.

All bad art comes from returning to life and nature, and elevating them into ideals.

All men are monsters. The only thing to do is to feed the wretches well. A good cook does wonders.

All men are married women’s property. That is the only true definition of what married women’s property really is.

Various aphorisms of Oscar Wilde.

A Hand Puppet — Katsushika Hokusai

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“Ways” — Langston Hughes

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King Asa of Juda Destroying the Idols — François de Nomé

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The Good Samaritan (After Delacroix) — Vincent van Gogh

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Waiting on the good times now

The Fine Idea — Rene Magritte

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The idea is like grass (Ursula K. Le Guin)

It is of the nature of idea to be communicated: written, spoken, done. The idea is like grass. It craves light, likes crowds, thrives on crossbreeding, grows better for being stepped on.

From Ursula K. Le Guin’s 1974 novel The Dispossessed.

The World Is Mostly a Madhouse — Giuseppe Maria Mitelli

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Three Books

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Kidnapped by Robert Louis Stevenson. 1948 Grosset & Dunlop hardback. The designer credit goes to Oscar Ogg, but the dark and often violent images (many in full color) are by Lynd Ward.
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Treasure Island by Robert Louis Stevenson. A 1986 oversized hardback edition from dilithium Press. No designer credited, but he illustrations are by Milo Winter (from a 1915 edition, actually).IMG_0623

Treasure Island by Robert Louis Stevenson. A tiny little pocket hardback edition by Hamlyn Publishing/ Chancellor Press (1987). No designer credited, but the cover illustration is by Arthur Wakelin. There’s an inscription on the first page from my grandparents, who gave me the book in 1989.

Paris at Night — Boris Kustodiev

Champs Elysées, Paris — Andre Kertesz

View of Paris from Vincent’s Room in the Rue Lepic — Vincent van Gogh

Le Guin, Stapledon, and the Brothers Strugatski (Books acquired, 11.13.2015)

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I like to think I know my way around the labyrinthine used bookstore I frequently frequent, but I somehow missed the “Ls” of the Sci-Fi/Fantasy section and wound up in Misc S. I was headed to the “Ls” to pick up another Ursula K. Le Guin novel, after having finished Rocannon’s World this afternoon. (I was looking not-so-specifically for The Word for World Is Forest, which my bookshop somehow didn’t have). Anyway, my eye was drawn to the Penguin edition of Olaf Stapledon’s Star Maker (above), which was one of those yeah, I know, I need to read it books. I also saw another one by the Strugatski bros, which I picked up, even though I still haven’t read Hard to Be a God.
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I couldn’t resist this hardback edition of Three Hainish Novels, an Ursula K. Le Guin omnibus, which collects Rocannon’s World with Planet of Exile and City of Illusion. I haven’t read the other two, but I’ll get to them after a rereading of The Dispossessed. IMG_0595

Bad Luck (George Herriman’s Krazy Kat)

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