Sunday, Women Drying Their Hair — John French Sloan

Calvaire — Walton Ford

Calvaire0

Gigantic Roverine — Henry Darger

Goodbye World (The Far Side)

thefarside

Some content on this page was disabled on May 26, 2021 as a result of a DMCA takedown notice from Gary Larson. You can learn more about the DMCA here:

https://wordpress.com/support/copyright-and-the-dmca/

Skeletons Trying to Warm Themselves — James Ensor

Portrait of Lucrezia Panciatichi — Bronzino

The Kiss — Felix Vallotton

Roses in a Glass — Camille Corot

The Love Letter — Auguste Toulmouche

The Glass of Wine — Johannes Vermeer

How to Get the Love You Deserve (Life in Hell)

Hell

Alphabet — Jules Lemaître

N O P Q R S T U V X Y Z

The Love Letter — Nicolae Vermont

“Actually I’m shocked by everything I’ve just written” (Correction, Thomas Bernhard).

Thomas Bernhard died today in 1989. He was buried on the 16th. Three people were present.

tumblr_lyadkzGNjj1qcl8ymo1_1280

I’m getting closer to Altensam, but I’m not getting closer to Altensam in order to solve its mystery; for others to explain it to myself is why I am getting closer to Altensam, to my Altensam, the one that I see. While she lived I never asked my mother, never asked her all these unanswered questions, never once asked her a single crucial question, because I never could formulate such a question, I was afraid I might put such a question wrong somehow, and so I never posed it, and so I got no answer. Now the Eferding woman is dead, I can’t ask her, she can’t answer. But would it be any different now, if I could ask her, and she could answer? We don’t ask those we love, just as we don’t ask those we hate, so Roithamer. Actually I’m shocked by everything I’ve just written, what if it was all quite different, I wonder, but I will not correct now what I’ve written, I’ll correct it all when the time for such correction has come and then I’ll correct the corrections and correct again the resulting corrections andsoforth, so Roithamer. We’re constantly correcting, and correcting ourselves, most rigorously, because we recognize at every moment that we did it all wrong (wrote it, thought it, made it all wrong), acted all wrong, how we acted all wrong, that everything to this point in time is a falsification, so we correct this falsification, and then we again correct the correction of this falsification and we correct the result of the correction of a correction andsoforth, so Roithamer. But the ultimate correction is one we keep delaying, the kind others have made without ado from one minute to the next, I think, so Roithamer, the kind they could make, by the time they no longer thought about it, because they were afraid even to think about it, but then they did correct themselves, like my cousin, like his father, my uncle, like all the others whom we knew, as we thought, whom we knew so thoroughly, yet we didn’t really know all these peoples’ characters, because their self-correction took us by surprise, otherwise we wouldn’t have been surprised by their ultimate existential correction, their suicide.

“The Bird Catcher” — Mick Turner

Ladder to the Moon — Georgia O’Keeffe

VISIONS006

Lovers in the Library — Ernst Ludwig Kirchner