Apocryphal Bible Stories — Tom Gauld

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Interior with a Young Man Reading — Vilhelm Hammershøi

The Rules of the Game — Jean Renoir (Full Film)

Lovers Man and Woman — Egon Schiele

Betsey and The Mole Skin (A Dirty Ozark Folktale)

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Wall of Fame — Dmitry Samarov

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Lesender Knabe — Frans Hals

Watch Rembrandt’s J’Accuse, Peter Greenaway’s Film-Essay on Visual Illiteracy

 

Scheveningen Women and Other People Under Umbrellas — Vincent van Gogh

Waterproof Mascara — Marlene Dumas

Woman Reading — Utagawa Kuniyoshi

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Psychopathic Ward — Robert Riggs

A Short Documentary About Vincent Van Gogh by Alain Resnais

Two Arabs Reading — Edwin Lord Weeks

Meet Me in the Park — Norman Bluhm and Frank O’Hara

“Why I Am Not a Painter” — Frank O’Hara

“Why I Am Not a Painter” by Frank O’Hara

I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,

for instance, Mike Goldberg
is starting a painting. I drop in.
“Sit down and have a drink” he
says. I drink; we drink. I look
up. “You have SARDINES in it.”
“Yes, it needed something there.”
“Oh.” I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. “Where’s SARDINES?”
All that’s left is just
letters, “It was too much,” Mike says.

But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven’t mentioned
orange yet. It’s twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike’s painting, called SARDINES.

 

 

Sardines — Mike Goldberg

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