The Obligatory Best of 2011 List(s)

Best Books I Read in 2011 That Were Published in 2011 (Or Close Enough to 2011)

MetaMaus, Art Spiegelman

The Avian Gospels, Adam Novy

Spurious, Lars Iyer

The Third Reich, Roberto Bolaño

Humiliation, Wayne Koestenbaum

The Pale King, David Foster Wallace

Between Parentheses, Roberto Bolaño

***

Best Books I Read in 2011 That Were Published Before 2011

The Elementary Particles, Michel Houellebecq

Wittgenstein’s Mistress, David Markson

Expelled from Eden: A William Vollmann Reader

Ray, Barry Hannah

Trans-Atlantyk, Witold Gombrowicz

The Garden of Eden, Ernest Hemingway

Light in August, William Faulkner

Hadji Murad, Leo Tolstoy

First Love and Other Sorrows, Harold Brodkey

Airships, Barry Hannah

Speedboat, Renata Adler

Under the Volcano, Malcolm Lowry

Vertigo, W.G. Sebald

***

Best Rereading

Candide, Voltaire

***

Best Audiobook of 2011

The Collected Fictions of Gordon Lish, read by Gordon Lish

***

Best Film of 2011

The Tree of Life

***

Most Charming Film of 2011

Midnight in Paris

***

Most Overhyped Book of 2011

The Art of Fielding, Chad Harbach

***

Best Book Cover of 2011 

***

Best Book Series Design

Melville House’s Neversink Imprint

 

***

Weirdest (Yet Nevertheless Moving) Novel of 2011

How to Keep Your Volkswagen Alive, Chris Boucher

***

Book I Read in 2011 That Still Confounds and Haunts Me

The Kindly Ones, Jonathan Littell

***

Saddest Book I Read in 2011

Tie: Under the Volcano, Malcolm Lowry; The Stories of Breece D’J Pancake, Breece D’J Pancake

***

Best Essay (Print)

“Some Notes on Translation and on Madame Bovary,” Lydia Davis (The Paris Review)

***

Best Essay (Online)

“Nude in Your Hot Tub, Facing the Abyss (A Literary Manifesto After the End of Literature and Manifestos),”  Lars Iyer (White Review)

***

Worst Literary Trend of 2011

Tie: Lame “literary fiction” novels; Articles that link everything to David Foster Wallace

***

Best Literary Trend of 2011

Plagiarism!

***

Most Obvious Disclaimer

I did not read or see or hear every book or essay or audiobook or film or TV show or record or video that came out in 2011. Also, there are some days left in the year. These are all, just like, opinions man.

Jeff Bridges Compares Pulp Fiction to Talking Heads, Creating Trifecta of Cool

RIP Ken Russell

RIP Ken Russell.

Filmmaker Ken Russell died last night at 84. I was a huge fan of his weird wonderful films, including Lisztomania, The Music Lovers, overlooked gem The Lair of the White Worm, Altered States,  and my personal favorite, The Devils (based on Aldous Huxley’s The Devils of Loudon).

Russell’s films deeply divided critics, who alternately lauded his hyperbolic visual flair and dramatic staging or lashed out at the perceived bad taste of his films. Simply put, a Russell film is turned to 10 from the get go, a style that worked well for strange projects like Lisztomania and Tommy, based on The Who’s concept album.

Russell’s career began provocatively with an adaptation of D.H. Lawrence’s Women in Love; the film featured a nude wrestling match between Oliver Reed and Alan Bates. Russell was able to push the limits of good taste, narrative cohesion, and sensory overload throughout the 1970s, but his career faltered in the 1980s, due in part, perhaps, because mainstream culture eventually caught up with him. Despite the histrionics and camp that marks much of his work, Russell’s singular vision as a filmmaker undoubtedly influenced a generation of filmmakers who would go on to turn the music video into an art form.

While Russell’s sensational synesthesia is not for everyone (I distinctly remember friends asking me to turn off The Devils in college), his films hold up remarkably well—and not just as documentation of the strange, grand period of filmmaking that was the 1970s. They are still provocative, even today. Russell was a strange bird, a filmmaker blending high art with popular culture who constantly pushed his audience. Do yourself a favor and check out one of his mind twisting films.

“He Wanted Someone Who Would Fall in Love with a Sheep and Not Do It as a Joke” — Gene Wilder on Woody Allen

A Graphic Representation of Bill Murray Films

Woody Allen on Existentialism

“The Impulse Is to Record” — Martin Scorsese Talks About Storytelling

“The Artist Was Much Ahead of Me” — Woody Allen Talks About Seeing 2001: A Space Odyssey

Werner Herzog Explains Why His Films Are Funnier Than Eddie Murphy’s

Quentin Tarantino Talks About Being A Writer

“I Scream, You Scream, We All Scream for Ice Cream”

A favorite scene from a favorite film.

Martin Scorsese on Story Vs. Plot

Alfred Hitchcock Distinguishes Mystery from Suspense

Parc Monceau — Alfonso Cuarón

http://vimeo.com/4469267

Parc Monceau, another rich, beautiful, continuous shot from Alfonso Cuarón, from the compilation film Paris Je T’Aime.

 

 

 

 

 

Jim Jarmusch and Martin Scorsese Talk About Scorsese’s Mom

Groucho Marx on Charlie Chaplin

Orson Welles on Charlie Chaplin (1960 Interview)

Orson Welles talks about acting and directing in a 1960 interview in Paris. The interviewer steers the conversation to Charlie Chaplin, who bought Orson Welles’s idea for the film Monsieur Verdoux—and then cut Welles out of the creative process.