“Gubbinal” — Wallace Stevens

Capture

“Nouns” — Tom Clark

nouns

“I Am in Danger—Sir—” — Adrienne Rich

“I Am in Danger—Sir—” by Adrienne Rich

“Half-cracked” to Higginson, living,
afterward famous in garbled versions,
your hoard of dazzling scraps a battlefield,
now your old snood

mothballed at Harvard
and you in your variorum monument
equivocal to the end—
who are you?

you, woman, masculine
in single-mindedness,
for whom the word was more
than a symptom—

a condition of being.
Till the air buzzing with spoiled language
sang in your ears
of Perjury

and in your half-cracked way you chose
silence for entertainment,
chose to have it out at last
on your own premises.

“Company” — Les Murray

Capture

Should have been (T.S. Eliot)

Capture

“Two Cures for Love” — Wendy Cope

Capture

“Byzantium” — Malcolm Lowry

byz

“Oscar Wilde” — Dorothy Parker

oscar wilde

“Asylum Product” — Charles Reznikoff

as

“Résumé” — Dorothy Parker

dp

“To a Poet” — Alexander Pushkin

poet

“Why Do They Prate?” — Helene Johnson

root

“On a Primitive Canoe” — Claude McKay

cmk

“Sonet in Orknay” — William Fowler

sonet

“Sonnet” — Elizabeth Bishop

sonnet

Emily Dickinson — Tom Gauld

“A Crazed Girl” — William Butler Yeats

wby