“The show is not the show” — Emily Dickinson

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“Giant Snail” — Elizabeth Bishop

“Giant Snail” by Elizabeth Bishop

The rain has stopped. The waterfall will roar like that all
night. I have come out to take a walk and feed. My body–foot,
that is–is wet and cold and covered with sharp gravel. It is
white, the size of a dinner plate. I have set myself a goal, a
certain rock, but it may well be dawn before I get there.
Although I move ghostlike and my floating edges barely graze
the ground, I am heavy, heavy, heavy. My white muscles are
already tired. I give the impression of mysterious ease, but it is
only with the greatest effort of my will that I can rise above the
smallest stones and sticks. And I must not let myself be dis-
tracted by those rough spears of grass. Don’t touch them. Draw
back. Withdrawal is always best.
The rain has stopped. The waterfall makes such a noise! (And
what if I fall over it?) The mountains of black rock give off such
clouds of steam! Shiny streamers are hanging down their sides.
When this occurs, we have a saying that the Snail Gods have
come down in haste. I could never descend such steep escarp-
ments, much less dream of climbing them.
That toad was too big, too, like me. His eyes beseeched my
love. Our proportions horrify our neighbors.
Rest a minute; relax. Flattened to the ground, my body is like
a pallid, decomposing leaf. What’s that tapping on my shell?
Nothing. Let’s go on.
My sides move in rhythmic waves, just off the ground, from
front to back, the wake of a ship, wax-white water, or a slowly
melting floe. I am cold, cold, cold as ice. My blind, white bull’s
head was a Cretan scare-head; degenerate, my four horns that
can’t attack. The sides of my mouth are now my hands. They
press the earth and suck it hard. Ah, but I know my shell is
beautiful, and high, and glazed, and shining. I know it well,
although I have not seen it. Its curled white lip is of the finest
enamel. Inside, it is as smooth as silk, and I, I fill it to perfection.
My wide wake shines, now it is growing dark. I leave a lovely
opalescent ribbon: I know this.
But O! I am too big. I feel it. Pity me.
If and when I reach the rock, I shall go into a certain crack
there for the night. The waterfall below will vibrate through
my shell and body all night long. In that steady pulsing I can
rest. All night I shall be like a sleeping ear.

“What lips my lips have kissed, and where, and why” — Edna St. Vincent Millay

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“Invective Against Swans” — Wallace Stevens

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“Poem Written in a Copy of Beowulf” — Jorge Luis Borges

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Percy Bysshe Shelley’s Manuscript for “Ozymiandias”

shelley manuscript

“Ozymandias” by Percy Shelley—

I met a traveller from an antique land,
Who said — “two vast and trunkless legs of stone
Stand in the desert … near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lips, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal these words appear:
My name is Ozymandias, King of Kings,
Look on my Works ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.” —

(Via).

 

“Insect Life of Florida” — Lynda Hull

“Insect Life of Florida” by Lynda Hull

In those days I thought their endless thrum
   was the great wheel that turned the days, the nights.
      In the throats of hibiscus and oleander

 

I’d see them clustered yellow, blue, their shells
   enameled hard as the sky before the rain.
      All that summer, my second, from city

 

to city my young father drove the black coupe
   through humid mornings I’d wake to like fever
      parceled between luggage and sample goods.

 

Afternoons, showers drummed the roof,
   my parents silent for hours. Even then I knew
      something of love was cruel, was distant.

 

Mother leaned over the seat to me, the orchid
   Father’d pinned in her hair shriveled
      to a purple fist. A necklace of shells

 

coiled her throat, moving a little as she
   murmured of alligators that float the rivers
      able to swallow a child whole, of mosquitoes

 

whose bite would make you sleep a thousand years.
   And always the trance of blacktop shimmering
      through swamps with names like incantations—

 

Okeefenokee, where Father held my hand
   and pointed to an egret’s flight unfolding
      white above swamp reeds that sang with insects

 

until I was lost, until I was part
   of the singing, their thousand wings gauze
      on my body, tattooing my skin.

 

Father rocked me later by the water,
   the motel balcony, singing calypso
      with the Jamaican radio. The lyrics

 

a net over the sea, its lesson
   of desire and repetition. Lizards flashed
      over his shoes, over the rail

 

where the citronella burned merging our
   shadows—Father’s face floating over mine
      in the black changing sound

 

of night, the enormous Florida night,
   metallic with cicadas, musical
      and dangerous as the human heart.

“Snow White and the Seven Dwarfs” — Anne Sexton

“Snow White and the Seven Dwarfs” by Anne Sexton

No matter what life you lead
the virgin is a lovely number:
cheeks as fragile as cigarette paper,
arms and legs made of Limoges,
lips like Vin Du Rhône,
rolling her china-blue doll eyes
open and shut.
Open to say,
Good Day Mama,
and shut for the thrust
of the unicorn.
She is unsoiled.
She is as white as a bonefish.

Once there was a lovely virgin
called Snow White.
Say she was thirteen.
Her stepmother,
a beauty in her own right,
though eaten, of course, by age,
would hear of no beauty surpassing her own.
Beauty is a simple passion,
but, oh my friends, in the end
you will dance the fire dance in iron shoes.
The stepmother had a mirror to which she referred-
something like the weather forecast-
a mirror that proclaimed
the one beauty of the land.
She would ask,
Looking glass upon the wall,
who is fairest of us all?
And the mirror would reply,
You are the fairest of us all.
Pride pumped in her like poison. Continue reading ““Snow White and the Seven Dwarfs” — Anne Sexton”

Sorrows Succeed (Robert Herrick)

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“The Plot Against the Giant” — Wallace Stevens

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“Danse Russe” — William Carlos Wiliams

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“Rapunzel” — Anne Sexton

“Rapunzel” by Anne Sexton

A woman
who loves a woman
is forever young.
The mentor
and the student
feed off each other.
Many a girl
had an old aunt
who locked her in the study
to keep the boys away.
They would play rummy
or lie on the couch
and touch and touch.
Old breast against young breast…

 

Let your dress fall down your shoulder,
come touch a copy of you
for I am at the mercy of rain,
for I have left the three Christs of Ypsilanti
for I have left the long naps of Ann Arbor
and the church spires have turned to stumps.
The sea bangs into my cloister
for the politicians are dying,
and dying so hold me, my young dear,
hold me…

Continue reading ““Rapunzel” — Anne Sexton”

“The Dream” — Aphra Behn

“The Dream” by Aphra Behn—

All trembling in my arms Aminta lay,
Defending of the bliss I strove to take;
Raising my rapture by her kind delay,
Her force so charming was and weak.
The soft resistance did betray the grant,
While I pressed on the heaven of my desires;
Her rising breasts with nimbler motions pant;
Her dying eyes assume new fires.
Now to the height of languishment she grows,
And still her looks new charms put on;
Now the last mystery of Love she knows,
We sigh, and kiss: I waked, and all was done.

 

‘Twas but a dream, yet by my heart I knew,
Which still was panting, part of it was true:
Oh how I strove the rest to have believed;
Ashamed and angry to be undeceived!

“The Ogre” — William Carlos Williams

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“The work of a poet never ends” (Borges)

“Passing” — Christina Rossetti

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A Scholar Seated at a Table with Books — Rembrandt