Read “Markheim,” a dark Christmas tale by Robert Louis Stevenson

“Markheim”

by

Robert Louis Stevenson


“Yes,” said the dealer, “our windfalls are of various kinds. Some customers are ignorant, and then I touch a dividend on my superior knowledge. Some are dishonest,” and here he held up the candle, so that the light fell strongly on his visitor, “and in that case,” he continued, “I profit by my virtue.”

Markheim had but just entered from the daylight streets, and his eyes had not yet grown familiar with the mingled shine and darkness in the shop. At these pointed words, and before the near presence of the flame, he blinked painfully and looked aside.

The dealer chuckled. “You come to me on Christmas Day,” he resumed, “when you know that I am alone in my house, put up my shutters, and make a point of refusing business. Well, you will have to pay for that; you will have to pay for my loss of time, when I should be balancing my books; you will have to pay, besides, for a kind of manner that I remark in you to-day very strongly. I am the essence of discretion, and ask no awkward questions; but when a customer cannot look me in the eye, he has to pay for it.” The dealer once more chuckled; and then, changing to his usual business voice, though still with a note of irony, “You can give, as usual, a clear account of how you came into the possession of the object?” he continued. “Still your uncle’s cabinet? A remarkable collector, sir!”

And the little pale, round-shouldered dealer stood almost on tip- toe, looking over the top of his gold spectacles, and nodding his head with every mark of disbelief. Markheim returned his gaze with one of infinite pity, and a touch of horror.


“This time,” said he, “you are in error. I have not come to sell, but to buy. I have no curios to dispose of; my uncle’s cabinet is bare to the wainscot; even were it still intact, I have done well on the Stock Exchange, and should more likely add to it than otherwise, and my errand to-day is simplicity itself. I seek a Christmas present for a lady,” he continued, waxing more fluent as he struck into the speech he had prepared; “and certainly I owe you every excuse for thus disturbing you upon so small a matter. But the thing was neglected yesterday; I must produce my little compliment at dinner; and, as you very well know, a rich marriage is not a thing to be neglected.”

There followed a pause, during which the dealer seemed to weigh this statement incredulously. The ticking of many clocks among the curious lumber of the shop, and the faint rushing of the cabs in a near thoroughfare, filled up the interval of silence.

“Well, sir,” said the dealer, “be it so. You are an old customer after all; and if, as you say, you have the chance of a good marriage, far be it from me to be an obstacle. Here is a nice thing for a lady now,” he went on, “this hand glass—fifteenth century, warranted; comes from a good collection, too; but I reserve the name, in the interests of my customer, who was just like yourself, my dear sir, the nephew and sole heir of a remarkable collector.”

The dealer, while he thus ran on in his dry and biting voice, had stooped to take the object from its place; and, as he had done so, a shock had passed through Markheim, a start both of hand and foot, a sudden leap of many tumultuous passions to the face. It passed as swiftly as it came, and left no trace beyond a certain trembling of the hand that now received the glass.

“A glass,” he said hoarsely, and then paused, and repeated it more clearly. “A glass? For Christmas? Surely not?”

“And why not?” cried the dealer. “Why not a glass?”

Markheim was looking upon him with an indefinable expression. “You ask me why not?” he said. “Why, look here—look in it—look at yourself! Do you like to see it? No! nor I—nor any man.”

The little man had jumped back when Markheim had so suddenly confronted him with the mirror; but now, perceiving there was nothing worse on hand, he chuckled. “Your future lady, sir, must be pretty hard favored,” said he.

“I ask you,” said Markheim, “for a Christmas present, and you give me this—this damned reminder of years, and sins, and follies— this hand-conscience! Did you mean it? Had you a thought in your mind? Tell me. It will be better for you if you do. Come, tell me about yourself. I hazard a guess now, that you are in secret a very charitable man?”

The dealer looked closely at his companion. It was very odd, Markheim did not appear to be laughing; there was something in his face like an eager sparkle of hope, but nothing of mirth.

“What are you driving at?” the dealer asked.

“Not charitable?” returned the other, gloomily. “Not charitable; not pious; not scrupulous; unloving, unbeloved; a hand to get money, a safe to keep it. Is that all? Dear God, man, is that all?”

“I will tell you what it is,” began the dealer, with some sharpness, and then broke off again into a chuckle. “But I see this is a love match of yours, and you have been drinking the lady’s health.”

“Ah!” cried Markheim, with a strange curiosity. “Ah, have you been in love! Tell me about that.”

“I,” cried the dealer. “I in love! I never had the time, nor have
I the time to-day for all this nonsense. Will you take the glass?”

“Where is the hurry?” returned Markheim. “It is very pleasant to stand here talking; and life is so short and insecure that I would not hurry away from any pleasure—no, not even from so mild a one as this. We should rather cling, cling to what little we can get, like a man at a cliff’s edge. Every second is a cliff, if you think upon it—a cliff a mile high—high enough, if we fall, to dash us out of every feature of humanity. Hence it is best to talk pleasantly. Let us talk of each other; why should we wear this mask? Let us be confidential. Who knows, we might become friends?”

“I have just one word to say to you,” said the dealer. “Either make your purchase, or walk out of my shop.”

“True, true,” said Markheim. “Enough fooling. To business. Show me something else.”

The dealer stooped once more, this time to replace the glass upon the shelf, his thin blond hair falling over his eyes as he did so. Markheim moved a little nearer, with one hand in the pocket of his greatcoat; he drew himself up and filled his lungs—at the same time many different emotions were depicted together on his face— terror, horror, and resolve, fascination and a physical repulsion; and through a haggard lift of his upper lip, his teeth looked out.

“This, perhaps, may suit,” observed the dealer; and then, as he began to re-arise, Markheim bounded from behind upon his victim. The long, skewerlike dagger flashed and fell. The dealer struggled like a hen, striking his temple on the shelf, and then tumbled on the floor in a heap.

Time had some score of small voices in that shop, some stately and slow as was becoming to their great age; others garrulous and hurried. All these told out the seconds in an intricate chorus of tickings. Then the passage of a lad’s feet, heavily running on the pavement, broke in upon these smaller voices and startled Markheim into the consciousness of his surroundings. He looked about him awfully. The candle stood on the counter, its flame solemnly wagging in a draught; and by that inconsiderable movement, the whole room was filled with noiseless bustle and kept heaving like a sea: the tall shadows nodding, the gross blots of darkness swelling and dwindling as with respiration, the faces of the portraits and the china gods changing and wavering like images in water. The inner door stood ajar, and peered into that leaguer of shadows with a long slit of daylight like a pointing finger.

From these fear-stricken rovings, Markheim’s eyes returned to the body of his victim, where it lay both humped and sprawling, incredibly small and strangely meaner than in life. In these poor, miserly clothes, in that ungainly attitude, the dealer lay like so much sawdust. Markheim had feared to see it, and, lo! it was nothing. And yet, as he gazed, this bundle of old clothes and pool of blood began to find eloquent voices. There it must lie; there was none to work the cunning hinges or direct the miracle of locomotion—there it must lie till it was found. Found! ay, and then? Then would this dead flesh lift up a cry that would ring over England, and fill the world with the echoes of pursuit. Ay, dead or not, this was still the enemy. “Time was that when the brains were out,” he thought; and the first word struck into his mind. Time, now that the deed was accomplished—time, which had closed for the victim, had become instant and momentous for the slayer.

The thought was yet in his mind, when, first one and then another, with every variety of pace and voice—one deep as the bell from a cathedral turret, another ringing on its treble notes the prelude of a waltz—the clocks began to strike the hour of three in the afternoon.

The sudden outbreak of so many tongues in that dumb chamber staggered him. He began to bestir himself, going to and fro with the candle, beleaguered by moving shadows, and startled to the soul by chance reflections. In many rich mirrors, some of home designs, some from Venice or Amsterdam, he saw his face repeated and repeated, as it were an army of spies; his own eyes met and detected him; and the sound of his own steps, lightly as they fell, vexed the surrounding quiet. And still as he continued to fill his pockets, his mind accused him, with a sickening iteration, of the thousand faults of his design. He should have chosen a more quiet hour; he should have prepared an alibi; he should not have used a knife; he should have been more cautious, and only bound and gagged the dealer, and not killed him; he should have been more bold, and killed the servant also; he should have done all things otherwise; poignant regrets, weary, incessant toiling of the mind to change what was unchangeable, to plan what was now useless, to be the architect of the irrevocable past. Meanwhile, and behind all this activity, brute terrors, like the scurrying of rats in a deserted attic, filled the more remote chambers of his brain with riot; the hand of the constable would fall heavy on his shoulder, and his nerves would jerk like a hooked fish; or he beheld, in galloping defile, the dock, the prison, the gallows, and the black coffin.

Terror of the people in the street sat down before his mind like a besieging army. It was impossible, he thought, but that some rumor of the struggle must have reached their ears and set on edge their curiosity; and now, in all the neighboring houses, he divined them sitting motionless: and with uplifted ear—solitary people, condemned to spend Christmas dwelling alone on memories of the past, and now startlingly recalled from that tender exercise; happy family parties, struck into silence round the table, the mother still with raised finger: every degree and age and humor, but all, by their own hearts, prying and hearkening and weaving the rope that was to hang him. Sometimes it seemed to him he could not move too softly; the clink of the tall Bohemian goblets rang out loudly like a bell; and alarmed by the bigness of the ticking, he was tempted to stop the clocks. And then, again, with a swift transition of his terrors, the very silence of the place appeared a source of peril, and a thing to strike and freeze the passer-by; and he would step more boldly, and bustle aloud among the contents of the shop, and imitate, with elaborate bravado, the movements of a busy man at ease in his own house.

But he was now so pulled about by different alarms that, while one portion of his mind was still alert and cunning, another trembled on the brink of lunacy. One hallucination in particular took a strong hold on his credulity. The neighbor hearkening with white face beside his window, the passer-by arrested by a horrible surmise on the pavement—these could at worst suspect, they could not know; through the brick walls and shuttered windows only sounds could penetrate. But here, within the house, was he alone? He knew he was; he had watched the servant set forth sweethearting, in her poor best, “out for the day” written in every ribbon and smile. Yes, he was alone, of course; and yet, in the bulk of empty house above him, he could surely hear a stir of delicate footing—he was surely conscious, inexplicably conscious of some presence. Ay, surely; to every room and corner of the house his imagination followed it; and now it was a faceless thing, and yet had eyes to see with; and again it was a shadow of himself; and yet again behold the image of the dead dealer, reinspired with cunning and hatred.

At times, with a strong effort, he would glance at the open door which still seemed to repel his eyes. The house was tall, the skylight small and dirty, the day blind with fog; and the light that filtered down to the ground story was exceedingly faint, and showed dimly on the threshold of the shop. And yet, in that strip of doubtful brightness, did there not hang wavering a shadow?

Suddenly, from the street outside, a very jovial gentleman began to beat with a staff on the shop-door, accompanying his blows with shouts and railleries in which the dealer was continually called upon by name. Markheim, smitten into ice, glanced at the dead man. But no! he lay quite still; he was fled away far beyond earshot of these blows and shoutings; he was sunk beneath seas of silence; and his name, which would once have caught his notice above the howling of a storm, had become an empty sound. And presently the jovial gentleman desisted from his knocking and departed.

Here was a broad hint to hurry what remained to be done, to get forth from this accusing neighborhood, to plunge into a bath of London multitudes, and to reach, on the other side of day, that haven of safety and apparent innocence—his bed. One visitor had come: at any moment another might follow and be more obstinate. To have done the deed, and yet not to reap the profit, would be too abhorrent a failure. The money, that was now Markheim’s concern; and as a means to that, the keys.

He glanced over his shoulder at the open door, where the shadow was still lingering and shivering; and with no conscious repugnance of the mind, yet with a tremor of the belly, he drew near the body of his victim. The human character had quite departed. Like a suit half-stuffed with bran, the limbs lay scattered, the trunk doubled, on the floor; and yet the thing repelled him. Although so dingy and inconsiderable to the eye, he feared it might have more significance to the touch. He took the body by the shoulders, and turned it on its back. It was strangely light and supple, and the limbs, as if they had been broken, fell into the oddest postures. The face was robbed of all expression; but it was as pale as wax, and shockingly smeared with blood about one temple. That was, for Markheim, the one displeasing circumstance. It carried him back, upon the instant, to a certain day in a fishers’ village: a gray day, a piping wind, a crowd upon the street, the blare of brasses, the booming of drums, the nasal voice of a ballad singer; and a boy going to and fro, buried over head in the crowd and divided between interest and fear, until, coming out upon the chief place of concourse, he beheld a booth and a great screen with pictures, dismally designed, garishly colored: Brownrigg with her apprentice; the Mannings with their murdered guest; Weare in the death-grip of Thurtell; and a score besides of famous crimes. The thing was as clear as an illusion; he was once again that little boy; he was looking once again, and with the same sense of physical revolt, at these vile pictures; he was still stunned by the thumping of the drums. A bar of that day’s music returned upon his memory; and at that, for the first time, a qualm came over him, a breath of nausea, a sudden weakness of the joints, which he must instantly resist and conquer.

He judged it more prudent to confront than to flee from these considerations; looking the more hardily in the dead face, bending his mind to realize the nature and greatness of his crime. So little a while ago that face had moved with every change of sentiment, that pale mouth had spoken, that body had been all on fire with governable energies; and now, and by his act, that piece of life had been arrested, as the horologist, with interjected finger, arrests the beating of the clock. So he reasoned in vain; he could rise to no more remorseful consciousness; the same heart which had shuddered before the painted effigies of crime, looked on its reality unmoved. At best, he felt a gleam of pity for one who had been endowed in vain with all those faculties that can make the world a garden of enchantment, one who had never lived and who was now dead. But of penitence, no, not a tremor.

With that, shaking himself clear of these considerations, he found the keys and advanced towards the open door of the shop. Outside, it had begun to rain smartly; and the sound of the shower upon the roof had banished silence. Like some dripping cavern, the chambers of the house were haunted by an incessant echoing, which filled the ear and mingled with the ticking of the clocks. And, as Markheim approached the door, he seemed to hear, in answer to his own cautious tread, the steps of another foot withdrawing up the stair. The shadow still palpitated loosely on the threshold. He threw a ton’s weight of resolve upon his muscles, and drew back the door.

The faint, foggy daylight glimmered dimly on the bare floor and stairs; on the bright suit of armor posted, halbert in hand, upon the landing; and on the dark wood-carvings, and framed pictures that hung against the yellow panels of the wainscot. So loud was the beating of the rain through all the house that, in Markheim’s ears, it began to be distinguished into many different sounds. Footsteps and sighs, the tread of regiments marching in the distance, the chink of money in the counting, and the creaking of doors held stealthily ajar, appeared to mingle with the patter of the drops upon the cupola and the gushing of the water in the pipes. The sense that he was not alone grew upon him to the verge of madness. On every side he was haunted and begirt by presences. He heard them moving in the upper chambers; from the shop, he heard the dead man getting to his legs; and as he began with a great effort to mount the stairs, feet fled quietly before him and followed stealthily behind. If he were but deaf, he thought, how tranquilly he would possess his soul! And then again, and hearkening with ever fresh attention, he blessed himself for that unresting sense which held the outposts and stood a trusty sentinel upon his life. His head turned continually on his neck; his eyes, which seemed starting from their orbits, scouted on every side, and on every side were half-rewarded as with the tail of something nameless vanishing. The four-and-twenty steps to the first floor were four-and-twenty agonies.

On that first story, the doors stood ajar, three of them like three ambushes, shaking his nerves like the throats of cannon. He could never again, he felt, be sufficiently immured and fortified from men’s observing eyes; he longed to be home, girt in by walls, buried among bedclothes, and invisible to all but God. And at that thought he wondered a little, recollecting tales of other murderers and the fear they were said to entertain of heavenly avengers. It was not so, at least, with, him. He feared the laws of nature, lest, in their callous and immutable procedure, they should preserve some damning evidence of his crime. He feared tenfold more, with a slavish, superstitious terror, some scission in the continuity of man’s experience, some wilful illegality of nature. He played a game of skill, depending on the rules, calculating consequence from cause; and what if nature, as the defeated tyrant overthrew the chessboard, should break the mould of their succession? The like had befallen Napoleon (so writers said) when the winter changed the time of its appearance. The like might befall Markheim: the solid walls might become transparent and reveal his doings like those of bees in a glass hive; the stout planks might yield under his foot like quicksands and detain him in their clutch; ay, and there were soberer accidents that might destroy him: if, for instance, the house should fall and imprison him beside the body of his victim; or the house next door should fly on fire, and the firemen invade him from all sides. These things he feared; and, in a sense, these things might be called the hands of God reached forth against sin. But about God himself he was at ease; his act was doubtless exceptional, but so were his excuses, which God knew; it was there, and not among men, that he felt sure of justice.

When he had got safe into the drawing room, and shut the door behind him, he was aware of a respite from alarms. The room was quite dismantled, uncarpeted besides, and strewn with packing cases and incongruous furniture; several great pier glasses, in which he beheld himself at various angles, like an actor on a stage; many pictures, framed and unframed, standing, with their faces to the wall; a fine Sheraton sideboard, a cabinet of marquetry, and a great old bed, with tapestry hangings. The windows opened to the floor; but by great good fortune the lower part of the shutters had been closed, and this concealed him from the neighbors. Here, then, Markheim drew in a packing case before the cabinet, and began to search among the keys. It was a long business, for there were many; and it was irksome, besides; for, after all, there might be nothing in the cabinet, and time was on the wing. But the closeness of the occupation sobered him. With the tail of his eye he saw the door—even glanced at it from time to time directly, like a besieged commander pleased to verify the good estate of his defences. But in truth he was at peace. The rain falling in the street sounded natural and pleasant. Presently, on the other side, the notes of a piano were wakened to the music of a hymn, and the voices of many children took up the air and words. How stately, how comfortable was the melody! How fresh the youthful voices! Markheim gave ear to it smilingly, as he sorted out the keys; and his mind was thronged with answerable ideas and images; church-going children and the pealing of the high organ; children afield, bathers by the brookside, ramblers on the brambly common, kite fliers in the windy and cloud navigated sky; and then, at another cadence of the hymn, back again to church, and the somnolence of summer Sundays, and the high genteel voice of the parson (which he smiled a little to recall) and the painted Jacobean tombs, and the dim lettering of the Ten Commandments in the chancel.

And as he sat thus, at once busy and absent, he was startled to his feet. A flash of ice, a flash of fire, a bursting gush of blood, went over him, and then he stood transfixed and thrilling. A step mounted the stair slowly and steadily, and presently a hand was laid upon the knob, and the lock clicked, and the door opened. Fear held Markheim in a vice. What to expect he knew not, whether the dead man walking, or the official ministers of human justice, or some chance witness blindly stumbling in to consign him to the gallows. But when a face was thrust into the aperture, glanced round the room, looked at him, nodded and smiled as if in friendly recognition, and then withdrew again, and the door closed behind it, his fear broke loose from his control in a hoarse cry. At the sound of this the visitant returned.

“Did you call me?” he asked, pleasantly, and with that he entered the room and closed the door behind him.

Markheim stood and gazed at him with all his eyes. Perhaps there was a film upon his sight, but the outlines of the newcomer seemed to change and waver like those of the idols in the wavering candlelight of the shop; and at times he thought he knew him; and at times he thought he bore a likeness to himself; and always, like a lump of living terror, there lay in his bosom the conviction that this thing was not of the earth and not of God.

And yet the creature had a strange air of the commonplace, as he stood looking on Markheim with a smile; and when he added: “You are looking for the money, I believe?” it was in the tones of everyday politeness.

Markheim made no answer.

“I should warn you,” resumed the other, “that the maid has left her sweetheart earlier than usual and will soon be here. If Mr. Markheim be found in this house, I need not describe to him the consequences.”

“You know me?” cried the murderer.

The visitor smiled. “You have long been a favorite of mine,” he said; “and I have long observed and often sought to help you.”

“What are you?” cried Markheim: “the devil?”

“What I may be,” returned the other, “cannot affect the service I propose to render you.”

“It can,” cried Markheim; “it does! Be helped by you? No, never; not by you! You do not know me yet; thank God, you do not know me!”

“I know you,” replied the visitant, with a sort of kind severity or rather firmness. “I know you to the soul.”

“Know me!” cried Markheim. “Who can do so? My life is but a travesty and slander on myself. I have lived to belie my nature. All men do; all men are better than this disguise that grows about and stifles them. You see each dragged away by life, like one whom bravos have seized and muffled in a cloak. If they had their own control—if you could see their faces, they would be altogether different, they would shine out for heroes and saints! I am worse than most; my self is more overlaid; my excuse is known to me and God. But, had I the time, I could disclose myself.”

“To me?” inquired the visitant.

“To you before all,” returned the murderer. “I supposed you were intelligent. I thought—since you exist—you would prove a reader of the heart. And yet you would propose to judge me by my acts! Think of it; my acts! I was born and I have lived in a land of giants; giants have dragged me by the wrists since I was born out of my mother—the giants of circumstance. And you would judge me by my acts! But can you not look within? Can you not understand that evil is hateful to me? Can you not see within me the clear writing of conscience, never blurred by any wilful sophistry, although too often disregarded? Can you not read me for a thing that surely must be common as humanity—the unwilling sinner?”

“All this is very feelingly expressed,” was the reply, “but it regards me not. These points of consistency are beyond my province, and I care not in the least by what compulsion you may have been dragged away, so as you are but carried in the right direction. But time flies; the servant delays, looking in the faces of the crowd and at the pictures on the hoardings, but still she keeps moving nearer; and remember, it is as if the gallows itself was striding towards you through the Christmas streets! Shall I help you; I, who know all? Shall I tell you where to find the money?”

“For what price?” asked Markheim.

“I offer you the service for a Christmas gift,” returned the other.

Markheim could not refrain from smiling with a kind of bitter triumph. “No,” said he, “I will take nothing at your hands; if I were dying of thirst, and it was your hand that put the pitcher to my lips, I should find the courage to refuse. It may be credulous, but I will do nothing to commit myself to evil.”

“I have no objection to a deathbed repentance,” observed the visitant.

“Because you disbelieve their efficacy!” Markheim cried.

“I do not say so,” returned the other; “but I look on these things from a different side, and when the life is done my interest falls. The man has lived to serve me, to spread black looks under color of religion, or to sow tares in the wheat field, as you do, in a course of weak compliance with desire. Now that he draws so near to his deliverance, he can add but one act of service—to repent, to die smiling, and thus to build up in confidence and hope the more timorous of my surviving followers. I am not so hard a master. Try me. Accept my help. Please yourself in life as you have done hitherto; please yourself more amply, spread your elbows at the board; and when the night begins to fall and the curtains to be drawn, I tell you, for your greater comfort, that you will find it even easy to compound your quarrel with your conscience, and to make a truckling peace with God. I came but now from such a deathbed, and the room was full of sincere mourners, listening to the man’s last words: and when I looked into that face, which had been set as a flint against mercy, I found it smiling with hope.”

“And do you, then, suppose me such a creature?” asked Markheim. “Do you think I have no more generous aspirations than to sin, and sin, and sin, and, at last, sneak into heaven? My heart rises at the thought. Is this, then, your experience of mankind? or is it because you find me with red hands that you presume such baseness? and is this crime of murder indeed so impious as to dry up the very springs of good?”

“Murder is to me no special category,” replied the other. “All sins are murder, even as all life is war. I behold your race, like starving mariners on a raft, plucking crusts out of the hands of famine and feeding on each other’s lives. I follow sins beyond the moment of their acting; I find in all that the last consequence is death; and to my eyes, the pretty maid who thwarts her mother with such taking graces on a question of a ball, drips no less visibly with human gore than such a murderer as yourself. Do I say that I follow sins? I follow virtues also; they differ not by the thickness of a nail, they are both scythes for the reaping angel of Death. Evil, for which I live, consists not in action but in character. The bad man is dear to me; not the bad act, whose fruits, if we could follow them far enough down the hurtling cataract of the ages, might yet be found more blessed than those of the rarest virtues. And it is not because you have killed a dealer, but because you are Markheim, that I offered to forward your escape.”

“I will lay my heart open to you,” answered Markheim. “This crime on which you find me is my last. On my way to it I have learned many lessons; itself is a lesson, a momentous lesson. Hitherto I have been driven with revolt to what I would not; I was a bondslave to poverty, driven and scourged. There are robust virtues that can stand in these temptations; mine was not so: I had a thirst of pleasure. But today, and out of this deed, I pluck both warning and riches—both the power and a fresh resolve to be myself. I become in all things a free actor in the world; I begin to see myself all changed, these hands the agents of good, this heart at peace. Something comes over me out of the past; something of what I have dreamed on Sabbath evenings to the sound of the church organ, of what I forecast when I shed tears over noble books, or talked, an innocent child, with my mother. There lies my life; I have wandered a few years, but now I see once more my city of destination.”

“You are to use this money on the Stock Exchange, I think?” remarked the visitor; “and there, if I mistake not, you have already lost some thousands?”

“Ah,” said Markheim, “but this time I have a sure thing.”

“This time, again, you will lose,” replied the visitor quietly.

“Ah, but I keep back the half!” cried Markheim.

“That also you will lose,” said the other.

The sweat started upon Markheim’s brow. “Well, then, what matter?” he exclaimed. “Say it be lost, say I am plunged again in poverty, shall one part of me, and that the worst, continue until the end to override the better? Evil and good run strong in me, haling me both ways. I do not love the one thing, I love all. I can conceive great deeds, renunciations, martyrdoms; and though I be fallen to such a crime as murder, pity is no stranger to my thoughts. I pity the poor; who knows their trials better than myself? I pity and help them; I prize love, I love honest laughter; there is no good thing nor true thing on earth but I love it from my heart. And are my vices only to direct my life, and my virtues to lie without effect, like some passive lumber of the mind? Not so; good, also, is a spring of acts.”

But the visitant raised his finger. “For six-and-thirty years that you have been in this world,” said he, “through many changes of fortune and varieties of humor, I have watched you steadily fall. Fifteen years ago you would have started at a theft. Three years back you would have blenched at the name of murder. Is there any crime, is there any cruelty or meanness, from which you still recoil?—five years from now I shall detect you in the fact! Downward, downward, lies your way; nor can anything but death avail to stop you.”

“It is true,” Markheim said huskily, “I have in some degree complied with evil. But it is so with all: the very saints, in the mere exercise of living, grow less dainty, and take on the tone of their surroundings.”

“I will propound to you one simple question,” said the other; “and as you answer, I shall read to you your moral horoscope. You have grown in many things more lax; possibly you do right to be so; and at any account, it is the same with all men. But granting that, are you in any one particular, however trifling, more difficult to please with your own conduct, or do you go in all things with a looser rein?”

“In any one?” repeated Markheim, with an anguish of consideration.
“No,” he added, with despair, “in none! I have gone down in all.”

“Then,” said the visitor, “content yourself with what you are, for you will never change; and the words of your part on this stage are irrevocably written down.”

Markheim stood for a long while silent, and indeed it was the visitor who first broke the silence. “That being so,” he said, “shall I show you the money?”

“And grace?” cried Markheim.

“Have you not tried it?” returned the other. “Two or three years ago, did I not see you on the platform of revival meetings, and was not your voice the loudest in the hymn?”

“It is true,” said Markheim; “and I see clearly what remains for me by way of duty. I thank you for these lessons from my soul; my eyes are opened, and I behold myself at last for what I am.”

At this moment, the sharp note of the doorbell rang through the house; and the visitant, as though this were some concerted signal for which he had been waiting, changed at once in his demeanor.

“The maid!” he cried. “She has returned, as I forewarned you, and there is now before you one more difficult passage. Her master, you must say, is ill; you must let her in, with an assured but rather serious countenance—no smiles, no overacting, and I promise you success! Once the girl within, and the door closed, the same dexterity that has already rid you of the dealer will relieve you of this last danger in your path. Thenceforward you have the whole evening—the whole night, if needful—to ransack the treasures of the house and to make good your safety. This is help that comes to you with the mask of danger. Up!” he cried: “up, friend; your life hangs trembling in the scales: up, and act!”

Markheim steadily regarded his counsellor. “If I be condemned to evil acts,” he said, “there is still one door of freedom open—I can cease from action. If my life be an ill thing, I can lay it down. Though I be, as you say truly, at the beck of every small temptation, I can yet, by one decisive gesture, place myself beyond the reach of all. My love of good is damned to barrenness; it may, and let it be! But I have still my hatred of evil; and from that, to your galling disappointment, you shall see that I can draw both energy and courage.”

The features of the visitor began to undergo a wonderful and lovely change: they brightened and softened with a tender triumph; and, even as they brightened, faded and dislimned. But Markheim did not pause to watch or understand the transformation. He opened the door and went downstairs very slowly, thinking to himself. His past went soberly before him; he beheld it as it was, ugly and strenuous like a dream, random as chance-medley—a scene of defeat. Life, as he thus reviewed it, tempted him no longer; but on the further side he perceived a quiet haven for his bark. He paused in the passage, and looked into the shop, where the candle still burned by the dead body. It was strangely silent. Thoughts of the dealer swarmed into his mind, as he stood gazing. And then the bell once more broke out into impatient clamor.

He confronted the maid upon the threshold with something like a smile.

“You had better go for the police,” said he: “I have killed your master.”

“Columbus in Chains” — Jamaica Kincaid

“Columbus in Chains”

by

Jamaica Kincaid


Outside, as usual, the sun shone, the trade winds blew; on her way to put some starched clothes on the line, my mother shooed some hens out of her garden; Miss Dewberry baked the buns, some of which my mother would buy for my father and me to eat with our afternoon tea; Miss Henry brought the milk, a glass of which I would drink with my lunch, and another glass of which I would drink with the bun from Miss Dewberry; my mother prepared our lunch; my father noted some perfectly idiotic thing his partner in housebuilding, Mr. Oatie, had done, so that over lunch he and my mother could have a good laugh.

The Anglican church bell struck eleven o’clock—one hour to go before lunch. I was then sitting at my desk in my classroom. We were having a history lesson—the last lesson of the morning. For taking first place over all the other girls, I had been given a prize, a copy of a book called Roman Britain, and I was made prefect of my class. What a mistake the prefect part had been, for I was among the worst-behaved in my class and did not at all believe in setting myself up as a good example, the way a prefect was supposed to do. Now I had to sit in the prefect’s seat—the first seat in the front row, the seat from which I could stand up and survey quite easily my classmates. From where I sat I could see out the window. Sometimes when I looked out, I could see the sexton going over to the minister’s house. The sexton’s daughter, Hilarene, a disgusting model of good behavior and keen attention to scholarship, sat next to me, since she took second place. The minister’s daughter, Ruth, sat in the last row, the row reserved for all the dunce girls. Hilarene, of course, I could not stand. A girl that good would never do for me. I would probably not have cared so much for first place if I could be sure it would not go to her. Ruth I liked, because she was such a dunce and came from England and had yellow hair. When I first met her, I used to walk her home and sing bad songs to her just to see her turn pink, as if I had spilled hot water all over her.

Our books, A History of the West Indies, were open in front of us. Our day had begun with morning prayers, then a geometry lesson, then it was over to the science building for a lesson in “Introductory Physics” (not a subject we cared much for), taught by the most dingy-toothed Mr. Slacks, a teacher from Canada, then precious recess, and now this, our history lesson. Recess had the usual drama: this time, I coaxed Gwen out of her disappointment at not being allowed to join the junior choir. Her father—how many times had I wished he would become a leper and so be banished to a leper colony for the rest of my long and happy life with Gwen—had forbidden it, giving as his reason that she lived too far away from church, where choir rehearsals were conducted, and that it would be dangerous for her, a young girl, to walk home alone at night in the dark. Of course, all the streets had lamplight, but it was useless to point that out to him. Oh, how it would have pleased us to press and rub our knees together as we sat in our pew while pretending to pay close attention to Mr. Simmons, our choirmaster, as he waved his baton up and down and across, and how it would have pleased us even more to walk home together, alone in the “early dusk” (the way Gwen had phrased it, a ready phrase always on her tongue), stopping, if there was a full moon, to lie down in a pasture and expose our bosoms in the moonlight. We had heard that full moonlight would make our breasts grow to a size we would like. Poor Gwen! When I first heard from her that she was one of ten children, right on the spot I told her that I would love only her, since her mother already had so many other people to love.

Our teacher, Miss Edward, paced up and down in front of the class in her usual way. In front of her desk stood a small table, and on it stood the dunce cap. The dunce cap was in the shape of a coronet, with an adjustable opening in the back, so that it could fit any head. It was made of cardboard with a shiny gold paper covering and the word “DUNCE” in shiny red paper on the front. When the sun shone on it, the dunce cap was all aglitter, almost as if you were being tricked into thinking it a desirable thing to wear. As Miss Edward paced up and down, she would pass between us and the dunce cap like an eclipse. Each Friday morning, we were given a small test to see how well we had learned the things taught to us all week. The girl who scored lowest was made to wear the dunce cap all day the following Monday. On many Mondays, Ruth wore it—only, with her short yellow hair, when the dunce cap was sitting on her head she looked like a girl attending a birthday party in The Schoolgirl’s Own Annual.

It was Miss Edward’s way to ask one of us a question the answer to which she was sure the girl would not know and then put the same question to another girl who she was sure would know the answer. The girl who did not answer correctly would then have to repeat the correct answer in the exact words of the other girl. Many times, I had heard my exact words repeated over and over again, and I liked it especially when the girl doing the repeating was one I didn’t care about very much. Pointing a finger at Ruth, Miss Edward asked a question the answer to which was “On the third of November 1493, a Sunday morning, Christopher Columbus discovered Dominica.” Ruth, of course, did not know the answer, as she did not know the answer to many questions about the West Indies. I could hardly blame her. Ruth had come all the way from England. Perhaps she did not want to be in the West Indies at all. Perhaps she wanted to be in England, where no one would remind her constantly of the terrible things her ancestors had done; perhaps she had felt even worse when her father was a missionary in Africa. I could see how Ruth felt from looking at her face. Her ancestors had been the masters, while ours had been the slaves. She had such a lot to be ashamed of, and by being with us every day she was always being reminded. We could look everybody in the eye, for our ancestors had done nothing wrong except just sit somewhere, defenseless. Of course, sometimes, what with our teachers and our books, it was hard for us to tell on which side we really now belonged—with the masters or the slaves—for it was all history, it was all in the past, and everybody behaved differently now; all of us celebrated Queen Victoria’s birthday, even though she had been dead a long time. But we, the descendants of the slaves, knew quite well what had really happened, and I was sure that if the tables had been turned we would have acted differently; I was sure that if our ancestors had gone from Africa to Europe and come upon the people living there, they would have taken a proper interest in the Europeans on first seeing them, and said, “How nice,” and then gone home to tell their friends about it. Continue reading ““Columbus in Chains” — Jamaica Kincaid”

“One of These Days” — Gabriel García Márquez

“One of These Days”

by Gabriel García Márquez

translated by J.S. Bernstein


Monday dawned warm and rainless. Aurelio Escovar, a dentist without a degree, and a very early riser, opened his office at six. He took some false teeth, still mounted in their plaster mold, out of the glass ease and put on the table a fistful of instruments which he arranged in size order, as if they were on display. He wore a collarless striped shirt, closed at the neck with a golden stud, and pants held up by suspenders. He was erect and skinny, with a look that rarely corresponded to the situation, the way deaf people have of looking.

When he had things arranged on the table, he pulled the drill toward the dental chair and sat down to polish the false teeth. He seemed not to be thinking about what he was doing, but worked steadily, pumping the drill with his feet, even when he didn’t need it.

After eight he stopped for a while to look at the sky through the window, and he saw two pensive buzzards who were drying themselves in the sun on the ridgepole of the house next door. He went on working with the idea that before lunch it would rain again. The shrill voice of his eleven-year-old son interrupted his concentration.

“Papá”

“What?”

“The Mayor wants to know if you’ll pull his tooth.”

“Tell him I’m not here.”

He was polishing a gold tooth. He held it at arm’s length, and examined it with his eyes half closed. His son shouted again from the little waiting room.

“He says you are, too, because he can hear you.”

The dentist kept examining the tooth. Only when he had put it on the table with the finished work did he say:

“So much the better.”

He operated the drill again. He took several pieces of a bridge out of a cardboard box where he kept the things he still had to do and began to polish the gold.

“Papá.”

“What?”

He still hadn’t changed his expression.

“He says if you don’t take out his tooth, he’ll shoot you.”

Without hurrying, with an extremely tranquil movement, he stopped pedaling the drill, pushed it away from the chair, and pulled the lower drawer of the table all the way out. There was a revolver. “O.K.,” he said. “Tell him to come and shoot me.”

He rolled the chair over opposite the door, his hand resting on the edge of the drawer. The Mayor appeared at the door. He had shaved the left side of his face, but the other side, swollen and in pain, had a five-day-old beard. The dentist saw many nights of desperation in his dull eyes. He closed the drawer with his fingertips and said softly:

“Sit down.”

“Good morning,” said the Mayor.

“Morning,” said the dentist.

While the instruments were boiling, the Mayor leaned his skull on the headrest of the chair and felt better. His breath was icy. It was a poor office: an old wooden chair, the pedal drill, a glass case with ceramic bottles. Opposite the chair was a window with a shoulder-high cloth curtain. When he felt the dentist approach, the Mayor braced his heels and opened his mouth.

Aurelio Escovar turned his head toward the light. After inspecting the infected tooth, he closed the Mayor’s jaw with a cautious pressure of his fingers.

“It has to be without anesthesia,” he said.

“Why?”

“Because you have an abscess.”

/>   The Mayor looked him in the eye. “All right,” he said, and tried to smile. The dentist did not return the smile. He brought the basin of sterilized instruments to the worktable and took them out of the water with a pair of cold tweezers, still without hurrying. Then he pushed the spittoon with the tip of his shoe, and went to wash his hands in the washbasin. He did all this without looking at the Mayor. But the Mayor didn’t take his eyes off him.

It was a lower wisdom tooth. The dentist spread his feet and grasped the tooth with the hot forceps. The Mayor seized the arms of the chair, braced his feet with all his strength, and felt an icy void in his kidneys, but didn’t make a sound. The dentist moved only his wrist. Without rancor, rather with a bitter tenderness, he said:

“Now you’ll pay for our twenty dead men.”

The Mayor felt the crunch of bones in his jaw, and his eyes filled with tears. But he didn’t breathe until he felt the tooth come out. Then he saw it through his tears. It seemed so foreign to his pain that he failed to understand his torture of the five previous nights.

Bent over the spittoon, sweating, panting, he unbuttoned his tunic and reached for the handkerchief in his pants pocket. The dentist gave him a clean cloth.

“Dry your tears,” he said.

The Mayor did. He was trembling. While the dentist washed his hands, he saw the crumbling ceiling and a dusty spider web with spider’s eggs and dead insects. The dentist returned, drying his hands. “Go to bed,” he said, “and gargle with salt water.” The Mayor stood up, said goodbye with a casual military salute, and walked toward the door, stretching his legs, without buttoning up his tunic.

“Send the bill,” he said.

“To you or the town?”

The Mayor didn’t look at him. He closed the door and said through the screen:

“It’s the same damn thing.”

And who’s to help us now the old Queen’s dead? | Robert Coover

My sweetheart and I had sealed our commitment at high noon. My father had raised a cup to our good fortune, issued a stern proclamation against peddlers, bestowed happiness and property upon us and all our progeny, and the party had begun. Whole herds had been slaughtered for our tables. The vineyards of seven principalities had filled our casks. We had danced, sung, clung to one another, drunk, laughed, cheered, chanted the sun down. Bards had pilgrimaged from far and wide, come with their alien tongues to celebrate our union with pageants, prayers, and sacrifices. Not soon, they’d said, would this feast be forgotten. We’d exchanged epigrams and gallantries, whooped the old Queen through her death dance, toasted the fairies and offered them our firstborn. The Dwarfs had recited an ode in praise of clumsiness, though they’d forgotten some of the words and had got into a fight over which of them had dislodged the apple from Snow White’s throat, pushing each other into soup bowls and out of windows. They’d thrown cakes and pies at each other for awhile, then had spilled wine on everybody, played tug-of-war with the Queen’s carcass, regaled us with ribald mimes of regicide and witch-baiting, and finally had climaxed it all by buggering each other in a circle around Snow White, while singing their gold-digging song. Snow White had kissed them all fondly after-wards, helped them up with their breeches, brushed the crumbs from their beards, and I’d wondered then about my own mother, who was she?—and where was Snow White’s father? Whose party was this? Why was I so sober? Suddenly I’d found myself, minutes before midnight, troubled by many things: the true meaning of my bride’s name, her taste for luxury and collapse, the compulsions that had led me to the mountain, the birdshit on the glass coffin when I’d found her. Who were all these people, and why did things happen as though they were necessary? Oh, I’d reveled and worshipped with the rest of the party right to the twelfth stroke, but I couldn’t help thinking: we’ve been too rash, we’re being overtaken by something terrible, and who’s to help us now the old Queen’s dead?

From “The Dead Queen” by Robert Coover.

“Legend” — Dorothea Tanning

“Legend”

by

Dorothea Tanning

From Surrealist Women: An International Anthology (ed. Penelope Rosemont). “Legend” first appeared in Max Ernst’s At Eye Level and Paramyths, the catalog of the “Max Ernst: 30 Years of His Work” exhibition in Beverly Hills in 1949.


A young sinner grew weary of Olympus. He went to the head of the stairs where the three graces sat knitting sweaters for their earthly sons. (Winter was at hand.) Each of them smiled secretly at the young sinner, each believing she was the only one whom he had provided with pleasant memories. But they wouldn’t let him pass.

“It’s a cruel place,” said one. “How will you nourish yourself?”

“On destinies,” he answered promptly. “Take the laughter of seven maidens, stir in several of the moonbeams that fall across their beds. Add the head of a procession, a few umbrella ribs and a tale of hilarious crime. Season it madly and serve on collection plates.”

“But,” said another, barring the way, “Where will you go?”

“To picnics,” said he, making a perfect triple pirouette.

The third grace laid her knitting in her lap where it formed a pretty, medium-sized figleaf. She turned her eyes up to him and said softly, “What will you do?”

She looked so charming that for a moment the young sinner hesitated. Perhaps he wouldn’t go after all. But he recovered himself and said:

“Please be advised that I will vaccinate the world with a desire for violent and perpetual astonishment. Disguised in my own presence, I will conduct a horde through the five aqueducts of knowledge, after which their guardians will ask the authorities for replacements. I will provoke prodigies. When I have built the torpid town, certain words will fall into disuse: eminent prominent peerless noble honorable lordly stately august princely majestic sacred and sublime. I will make rhapsodies from grains of sleep. I’ll wrap up a manmaking hat and drop it in the mailbox. I’ll hold a revolver up to nature. When professional critics lose themselves in the swamp I’ll arrange a delegation of chimeras with their own language and their own secrets. As for the night, I will discover all its phases. And I will fall in love.”

The three graces had been looking rather sleepy; but at the last words they opened their mouths in horror, then picked up their knitting and fled.

With his glittering blue eyes the young sinner sent lightning strokes after them—a parting gift. Then he ran down the steps, two at a time.

“Frog in Prague” — Stephen Dixon

“Frog in Prague”

by

Stephen Dixon


They stand still. “And Kafka?” Howard says.

“Kafka is not buried here.”

“No? Because I thought—what I mean is the lady at my hotel’s tourist information desk—the Intercontinental over there—and also the one who sold me the ticket now, both told me—”

The man’s shaking his head, looks at him straight-faced. It’s up to you, his look says, if you’re going to give me anything for this tour. I won’t ask. I won’t embarrass you if you don’t give me a crown. But I’m not going to stand here all day waiting for it.

“Here, I want to give you something for all this.” He looks in his wallet. Smallest is a fifty note. Even if he got three-to-one on the black market, it’s still too much. He feels the change in his pocket. Only small coins. This guy’s done this routine with plenty of people, that’s for sure, and he’d really like not to give him anything.

“Come, come,” the man said.

“You understand?” Howard said. “For Kafka’s grave. Just as I told the lady at the ticket window, I’m sure the other parts of this ticket for the Old Synagogue and the Jewish Museum are all very interesting—maybe I’ll take advantage of it some other time—but what I really came to see—”

“Yes, come, come. I work here too. I will show you.”

Howard followed him up a stone path past hundreds of gravestones on both sides, sometimes four or five or he didn’t know how many of them pressed up or leaning against one another. The man stopped, Howard did and looked around for Kafka’s grave, though he knew one of these couldn’t be it. “You see,” the man said, “the governor at the time—it was the fourteenth century and by now there were twelve thousand people buried here. He said no when the Jewish elders of Prague asked to expand the cemetery. So what did the Jews do? They built down and up, not outwards, not away. They kept inside the original lines of the cemetery permitted them. Twelve times they built down and up till they had twelve of what do you call them in English, plateaus? Places?” and he moved his hand up in levels.

“Levels?”

“Yes, that would be right. Twelve of them and then the ground stopped and they also couldn’t go any higher up without being the city’s highest cemetery hill, so they couldn’t make any levels anymore.”

“So that accounts for these gravestones being, well, the way they are. All on top of one another, pressed togetherlike. Below ground there’s actually twelve coffins or their equivalents, one on top of—”

“Yes, yes, that’s so.” He walked on about fifty feet, stopped. “Another governor wouldn’t let the Jews in this country take the names of son-of anymore. Son of Isaac, Son of Abraham. They had to take, perhaps out of punishment, but history is not clear on this, the names of animals or things from the earth and so on.” He pointed to the stone relief of a lion at the top of one gravestone. “Lion, you see.” To a bunch of grapes on another stone: “Wine, this one. And others, if we took the time to look, all around, but of that historical era.”

“So that’s why the name Kafka is that of a bird if I’m not mistaken. Jackdaw, I understand it means in Czech. The Kafka family, years back, must have taken it or were given it, right? Which?”

“Yes, Kafka. Kafka.” Howard didn’t think by the man’s expression he understood. “Come, please.” They moved on another hundred feet or so, stopped. “See these two hands on the monument? That is the stone of one who could give blessings—a Cohen. No animal there, but his sign. Next to it,” pointing to another gravestone, “is a jaw.”

“A jaw?” The stone relief of this one was of a pitcher. “Jar, do you mean?”

“Yes. Jaw, jaw. That is a Levi, one who brings the holy water to wash the hands of a Cohen. That they are side by side is only a coincidence. On the next monument you see more berries but of a different kind than wine. Fertility.”

“Does that mean a woman’s buried here? Or maybe a farmer?”

“Yes. Come, come.” They went past many stones and sarcophagi. All of them seemed to be hundreds of years old and were crumbling in places. Most of the names and dates on them couldn’t be read. The newer section of the cemetery, where Kafka had to be buried, had to be in an area one couldn’t see from here. He remembered the photograph of the gravestone of Kafka and his parents. Kafka’s name on top—he was the first to go—his father’s and mother’s below his. It was in a recent biography of him he’d read, or at least read the last half of, not really being interested in the genealogical and formative parts of an artist’s life, before he left for Europe. The stone was upright, though the photo could have been taken many years ago, and close to several upright stones but not touching them. The names and dates on it, and also the lines in Hebrew under Kafka’s name, could be read clearly. It looked no different from any gravestone in an ordinary relatively old crowded Jewish cemetery. The one a couple of miles past the Queens side of the Fifty-ninth Street Bridge where some of his own family were buried.

The man walked, Howard followed him. “Here is the monument of Mordecai Maisel. It is much larger than the others because he was a very rich important man. More money than even the king, he had. The king would borrow from him when he needed it for public matters. Later, after he paid it back, he would say to him ‘Mordecai, what can I give you in return for this great favor?’ Mordecai would always say ‘Give not to me but to my people,’ and that did help to make life better in Prague for the Jews of that time. He was a good wealthy man, Mordecai Maisel. Come, come.”

They stopped at another sarcophagus. Hundreds of little stones had been placed on the ledges and little folded-up pieces of paper pushed into the crevices of it. “Here is Rabbi Low. As you see, people still put notes inside his monument asking for special favors from him.”

“Why, he was a mystic?”

“You don’t know of the famous Rabbi Löw?”

“No. I mean, his name does sound familiar, but I’m afraid my interest is mostly literature. Kafka. I’ve seen several of his residences in this neighborhood. Where he worked for so many years near the railroad station, and also that very little house on Golden Lane, I think it’s translated as, across the river near the castle. A couple of places where Rilke lived too.”

“So, literature, what else am I talking of here? The Golem. A world famous play. Well? Rabbi Low. Of the sixteenth century. He started it. He’s known all over.”

“I’ve certainly heard of the play. It was performed in New York City—in a theater in Central Park—last summer. I didn’t know it was Rabbi Low who started the legend.”

“Yes, he, he. The originator. Others may say other rabbis might have, but it was only Rabbi Low, nobody else. Then he knocked the Golem to pieces when it went crazy on him. Come, come.”

They went on. The man showed him the grave of the only Jewish woman in medieval Prague who had been permitted to marry nobil
ity. “Her husband buried here too?” Howard said. “No, of course not. It was out-of-religion. The permission she got to marry was from our elders. He’s somewhere else.” The stone of one of the mayors of the Jewish ghetto in seventeenth-century Prague. The stone of a well-known iron craftsman whose name the man had to repeat several times before Howard gave up trying to make it out but nodded he had finally understood. Then they came to the entrance again. After the man said Kafka wasn’t buried here and Howard said he wanted to give him something for all this, he finally gives him the fifty note, the man pockets it and Howard asks if he might know where Kafka is buried.

“Oh, in Strašnice cemetery. The Jewish part of it, nothing separate anymore. It isn’t far from here. You take a tube. Fifteen minutes and you are there,” and he skims one hand off the other to show how a train goes straight out to it. “It’s in walking distance from the station. On a nice day unlike today the walk is a simple and pleasant one. And once you have reached it you ask at the gate to see Kafka’s grave and someone there will show you around.”

“Presents” — Donald Barthelme

“Presents”

by

Donald Barthelme


In the middle of a forest. Parked there is a handsome 1932 Ford, its left rear door open. Two young women are pausing, about to step into the car. Each has one foot on the running board. Both are naked. They have their arms around each other’s waist in sisterly embrace. The woman on the left is dark, the one on the right fair. Their white, graceful backs are in sharp contrast to the shiny black of the Ford. The woman on the right has turned her head to hear something her companion is saying.


At a dinner party. The eight guests are seated, in shining white plastic shells mounted on steel pedestals, in a luxurious kitchen. They sit around a long table of polished rosewood, at one end of which there is a wicker basket filled with fruit, pineapples, bananas, pears, and at the other a wicker basket containing loaves of burnt-orange bread. The kitchen floor is polished black tile; electric ovens with bronze fronts are set into the polished off-white walls. On thick glass shelves above the diners, handsome pots with herbs, jams, jellies, and tall glass jars with half-a-dozen varieties of raw pasta. Six of the guests, men and women, are conventionally clothed. The two young women (one dark, one fair) are naked, smoking cigarillos. One of them unfolds a large white linen napkin and smoothes it over her companion’s lap.


Ten o’clock in the morning. Marble, more marble, together with walnut paneling, a terrazzo floor, on the left a long (sixty feet) black-topped counter behind which the tellers sit, on the right a beige-carpeted area with three rows (three times three) of bank officers, suited and gowned. At the back, the great vault door open, functionary seated at desk reading a Gothic novel. In the center, long lines of depositors channeled to the tellers by a flattened S-curve of blue velvet ropes. Uniformed guards, etc., the American flag drooping on its standard near the vault. Two young women enter. They are naked except for black masks. One is dark, one fair. They place themselves back-to-back in the center of the banking floor. The guards rush toward them, then rush away again.


A woman seated on a plain wooden chair under a canopy. She is wearing white overalls and has a pleased expression on her face. Watching her, two dogs, German shepherds, at rest. Behind the dogs, with their backs to us, a row of naked women kneeling, sitting on their heels, their buttocks perfect as eggs or O’s — OOOOOOOOOOOOO. In profile to the scene, at the far right, Henry James — his calm, accepting gaze.


Two young women wrapped as gifts. But the gift-wrapping is indistinguishable from ordinary clothing. Or there is a distinction, in that what they are wearing is perhaps a shade newer, brighter, more studied than ordinary clothing, proclaims the specialness of what is wrapped, argues for immediate unwrapping, or if not that, unwrapping at leisure, with wine, cheese, sour cream.


Two young women, naked, tied together by a long red thread. One is dark, one is fair.


Large (eight by ten feet) sheets of white paper on the floor, six or eight of them. The total area covered is perhaps 200 feet square; some of the sheets overlap. A string quartet is playing at one edge of this area, and irregular rows of handsomely-dressed spectators border another. A large bucket of blue paint sits on the paper. Two young women, naked. Each has her hair rolled up in a bun; each has been splashed, breasts, belly, and thighs, with blue paint. One, on her belly, is being dragged across the paper by the other, who is standing, gripping the first woman’s wrists. Their backs are not painted. Or not painted with. The artist is Yves Klein.


Two young men, wrapped as gifts. They have wrapped themselves carefully, tight pants, open-throated shirts, shoes with stacked heels, gold jewelry on right and left wrists, codpieces stuffed with credit cards. They stand, under a Christmas tree big as an office building, the women rush toward them. Or they stand, under a Christmas tree big as an office building, and no women rush toward them. A voice singing inappropriate Easter songs, hallelujahs.


Two young men, artists, naked in a loft on Broome Street, are painting a joint portrait of four young women, fully clothed, who are standing in a row with their backs to the artists, who are sipping coffee from paper cups (the paper cup held in the left hand, the brush or palette knife in the right) and carefully regarding the backs of the women, who from time to time let slip from the sides of their mouths comments (encouraging or disparaging) about the artists, who for their part are not intimidated by these comments which have mostly to do with the weather and future projects but in some cases with the comparative beauty and masculinity (because of course the women have opinions about these matters, expressed in whispers just loud enough to be overheard) of the naked artists, who are mostly worried about the stamina and comfort (four or five hours’ work yet ahead) of the women, who are feeling rather hot and peevish in the white-painted, rather stuffy (although the big windows have been opened) loft of the artists, who are perfectly comfortable themselves, being naked, but do recognize the fact that some discomfort may be engendered by the heavy overcoats worn by the women, who are in truth pulling and tugging irritably upon these gross garments, increasing the nervousness of the artists, who are also concerned about the effect the scene might have upon someone who just blundered into it, such as the four lovers of the women, who are thinking now (by coincidence) of those selfsame lovers, Luke, Matt, John, and Mark, and what they might say if, battered by the heat of the hot sun, they staggered into an air-conditioned art gallery and there beheld a sixteen-by-forty foot painting of four backs, backs that they know intimately even through the layers of clothes, and begin to wonder whether the clothes on those backs had just been painted on (but of course they had been painted on, like everything else on the canvas) but had been really there while the women were posing for the naked artists, who are as character types notoriously . . .


Nowhere — the middle of it, its exact center. Standing there, a telephone booth, green with tarnished aluminum, the word PHONE and the system’s symbol (bell in ring) in medium blue. Inside the telephone booth, two young women, one dark, one fair, facing each other. Their breasts and thighs brush lightly (one holding the receiver to the other’s ear) as they place phone calls to their mothers in California and Maine. In profile to the scene, at far right, Henry James, wearing white overalls.


Henry James, wearing white overalls (Iron Boy brand) is attending a film. On the screen two young women, naked, are playing ping-pong. One makes a swipe with her paddle at a ball the other has placed just over the net and misses, bruising her right leg. The other puts down her paddle and walks around the table (gracefully) to examine the bruise; she places her hands on either side of the raw, ugly mark, then bends to kiss it. Henry James picks up his hat and walks thoughtfully from the theatre. Behind the popcorn machine in the lobby stand two young women, naked, one dark and one fair. Henry James approaches the popcorn stand and purchases, for 35¢, a bag of M & Ms. He opens the bag with his teeth. The women smile at each other.


Two young women wearing web belts to which canteens are attached, nothing more, marching down Broadway again. They are followed by a large crowd, bands, etc.


A plaza or open space. Two young women on their hands and knees. They are separated by a distance of eight feet, both facing in the same direction. Rough wooden boards (one by tens) have been laid across their backs to form a sort of table. On top of the table are piled bags and bags of M & Ms, hundreds of bags some of which have been opened spilling the chocolate out onto the table. A small army of insects, not ants but other chocolate-loving insects, informed of this prime target by scouts, is advancing across the plaza toward the rear of the table. The vanguard (the insects are a half-inch long and, closely inspected, resemble tiny black toothbrushes) reaches the left leg of the young woman on the left side of the table. The boldest members leap upon the leg, a line of insects runs up the leg toward the cleft of the buttocks. The table shudders and collapses.


The world of work. Two young women, one dark, one fair, wearing web belts to which canteens are attached, nothing more. They are sitting side-by-side on high stools (OO OO) before a pair of draughting tables, inking-in pencil drawings. Or, in a lumberyard in Southern Illinois, they are unloading a railroad car containing several hundred thousand board feet of Southern yellow pine. Or, in the composing room of a medium-sized Akron daily, they are passing long pieces of paper through a machine which deposits a thin coating of wax on the back side, and then positioning the type on a page. Or, they are driving two Yellow cabs which are racing side-by-side up Park Avenue with frightened passengers, each driver trying to beat the other to a hole in the traffic in front of them. Or, they are seated at adjacent desks in the beige-carpeted area set apart for officers in a bank (possibly the very same bank they had entered, naked, masked, several days ago), refusing loans. Or, they are standing bent over, hands on knees, peering into the site of an archaeological dig in the Cameroons. Or, they are teaching, in adjacent classrooms, Naked Physics — in the classroom on the left, Naked Physics I, and in the classroom on the right, Naked Physics II. These courses are very popular. Or, they are kneeling, sitting on their heels, before a pair of shoeshine sta
nds, polishing the expensive boots, suave loafers, of their admiring customers. OO OO.


Two women, one dark and one fair, wearing parkas, blue wool watch caps on their heads, inspecting a row of naked satyrs, hairy-legged, split-footed, tailed and tufted, who hang on hooks in a meat locker where the temperature is a constant 18 degrees. The women are tickling the satyrs under the tail, where they are most vulnerable, with their long white (nimble) fingers tipped with long curved scarlet nails. The satyrs squirm and dance under this treatment, hanging from hooks, while other women, seated in red plush armchairs, in the meat locker, applaud, or scold, or hug and kiss, in the meat locker.


Two women, one dark and one fair, wearing parkas, blue wool watch caps on their heads, inspecting a row of naked young men, hairy-legged, many-toed, pale and shivering, who hang on hooks in a meat locker where the temperature is a constant 18 degrees. The women are tickling the young men under the tail, where they are most vulnerable, with their long white (nimble) fingers tipped with long curved scarlet nails. The young men squirm and dance under this treatment, hanging from hooks, while giant eggs, seated in red plush chairs, boil.


Two young women, naked, trundle the giant boiled eggs to market in wheelbarrows. They move through double rows of shouting civilians who applaud the size, whiteness, and exquisite shape of the eggs, and the humor and good cheer of the women. The grandest eggs ever seen in this part of the country, and the most gloriously-powered wheelbarrows! There is no end to the intoxicating noise. The women are sweating, moisture visible on their backs, on their legs and breasts, on their white, beautifully-formed shoulders. Yet they smile, and smile, and smile, their hands on the handles of the wheelbarrows, their sturdy sweating backs bent into the work. Like Henry James writing a novel, they trundle onward, placing one foot in front of the other in sweet, determined, dogged bliss — the achievement of a task.


Bliss: A condition of extreme happiness, euphoria. The nakedness of young women, especially in pairs (that is to say, a plenitude) often produces bliss in the eye of the beholder, male or female. If you have an elbow in your mouth, then you are occupied, for the moment, but your mind often wanders away, toward more bliss, wondering if you should be doing something else, with your arms and legs, so as to provide more static along the surface of the situation, wherein the two (naked) young women lie unfolded before you, waiting for you to fold them up again in new, interesting ways. Oh they are good kids, no doubt about it, and brave and forthright too, and mind their manners and their eggs, and have hope and ambitions, and are supportive and giving as well as chilly and austere — most of all, naked. That is a delight, let us confess the fact, and that is why we are considering all these different ways in which naked young women may be conceptualized, in the privacy of our studies, dealt out like cards from a deck of thin, flexible, six-foot-tall mirrors. Doubtless women do the same sort of thing in regard to us, in the privacy of their studies, or even better things, things we have not yet been able to imagine, or possibly nothing at all — maybe they just sit there, the beauty of a naked thumb, for example, or a passionate, interestingly-historied wrist. What if they don’t care? If this is the case, send them to the elephants, let them sit around all day listening to the elephants cry “Long live King Babar! Long live Queen Celeste!” Few naked young women can take much of this.


Back to business: Two naked young women are walking, with an older man in a white suit, on a plain in British Columbia. The older man has told them that he is Henry James, returned to earth in a special dispensation accorded those whose works, in life, have added to the gaiety of nations. They do not quite believe him, yet he is stately, courteous, beautifully-spoken, full of anecdotes having to do with the upper levels of London society. One of the naked young women reaches across the chest of Henry James to pinch, lightly, the rosy, full breast of the second young woman, who —

Read “Red Rubber Gloves,” a short story by Christine Brooke-Rose

“Red Rubber Gloves”

by

Christine Brooke-Rose


From this position on my high balcony, the semi-detached beyond the garden looks more squat than it ought to in such a prosperous suburb, forming with its Siamese twin a square inverted U that faces me and boxes a wide inverted T of a back-yard, neatly divided by a hedge of roses and hydrangeas. On the left of the hedge there is a bit of lawn. On the right, only a small paved yard. The house on the left seems devoid of life, devoid, that is, of the kind of life liable to catch the eye and stop it in its casual round, mutating its idle curiosity through momentary fascination and hence, inexorably, by the mere process of reiteration, to a mild but fixed obsessiveness. As does the right-hand house.

In the angle of the square U, outside the french windows of the right-hand house, the girl sits on the edge of the red canvas bed in a pale pink bikini, carefully oiling inch after inch of her thin white body. She looks, from up here, totally naked, the pink bikini being so pale, and she sits on the edge of the red canvas bed which is set obliquely in the paved yard to face the morning sun. She has oiled the arms, the shoulders, the chest and the long midriff. Now she is doing the right leg, starting with the foot, the ankle, then the shin, as if to meet her upper oily self half way. She is oiling the right thigh. Inside the thigh. The left foot. If the heat-wave holds out she will perhaps become brown enough to contrast with the pink and so look less totally naked on the red canvas bed. The inside of the left thigh. She lies now framed in the red canvas bed, chin up, eyes closed to face the hot June sun. Round the corner from her naked body, at the square end of the inverted U, the red rubber gloves lie quiet on the kitchen window-sill.

In the morning the large rectangular windows of the house tend to reflect the sun in some at least of their thirty-two small black squares framed in cream-painted wood. And in the afternoon they are quite cast into the shade as the sun moves round to face me on my high balcony, immobilised in convalescence. I cannot therefore see much further than the beginning of the pink wash-basin in the bathroom or, in the kitchen below it, the long and gleaming double-sink unit. And the red rubber gloves, moving swiftly apart and together, vanishing and reappearing, moving apart and down. All the windows of both houses, those of the kitchen and of the bathroom above it, at each end of the square inverted U, and those of each bedroom inside the U above the french windows, are rectangular and divided into four panels, each of eight black squares, two over two over two over two, all in cream-painted frames.

The thin girl has melted away into the sun, the red canvas bed is empty. Continue reading “Read “Red Rubber Gloves,” a short story by Christine Brooke-Rose”

Read “The Pedestrian,” a short story by Ray Bradbury

“The Pedestrian”

by

Ray Bradbury

To enter out into that silence that was the city at eight o’clock of a misty evening in November, to put your feet upon that buckling concrete walk, to step over grassy seams and make your way, hands in pockets, through the silences, that was what Mr Leonard Mead most dearly loved to do. He would stand upon the corner of an intersection and peer down long moonlit avenues of sidewalk in four directions, deciding which way to go, but it really made no difference; he was alone in this world of 2053 A.D., or as good as alone, and with a final decision made, a path selected, he would stride off, sending patterns of frosty air before him like the smoke of a cigar. Continue reading “Read “The Pedestrian,” a short story by Ray Bradbury”

“Columbus in Chains” — Jamaica Kincaid

“Columbus in Chains”

by

Jamaica Kincaid


Outside, as usual, the sun shone, the trade winds blew; on her way to put some starched clothes on the line, my mother shooed some hens out of her garden; Miss Dewberry baked the buns, some of which my mother would buy for my father and me to eat with our afternoon tea; Miss Henry brought the milk, a glass of which I would drink with my lunch, and another glass of which I would drink with the bun from Miss Dewberry; my mother prepared our lunch; my father noted some perfectly idiotic thing his partner in housebuilding, Mr. Oatie, had done, so that over lunch he and my mother could have a good laugh.

The Anglican church bell struck eleven o’clock—one hour to go before lunch. I was then sitting at my desk in my classroom. We were having a history lesson—the last lesson of the morning. For taking first place over all the other girls, I had been given a prize, a copy of a book called Roman Britain, and I was made prefect of my class. What a mistake the prefect part had been, for I was among the worst-behaved in my class and did not at all believe in setting myself up as a good example, the way a prefect was supposed to do. Now I had to sit in the prefect’s seat—the first seat in the front row, the seat from which I could stand up and survey quite easily my classmates. From where I sat I could see out the window. Sometimes when I looked out, I could see the sexton going over to the minister’s house. The sexton’s daughter, Hilarene, a disgusting model of good behavior and keen attention to scholarship, sat next to me, since she took second place. The minister’s daughter, Ruth, sat in the last row, the row reserved for all the dunce girls. Hilarene, of course, I could not stand. A girl that good would never do for me. I would probably not have cared so much for first place if I could be sure it would not go to her. Ruth I liked, because she was such a dunce and came from England and had yellow hair. When I first met her, I used to walk her home and sing bad songs to her just to see her turn pink, as if I had spilled hot water all over her.

Our books, A History of the West Indies, were open in front of us. Our day had begun with morning prayers, then a geometry lesson, then it was over to the science building for a lesson in “Introductory Physics” (not a subject we cared much for), taught by the most dingy-toothed Mr. Slacks, a teacher from Canada, then precious recess, and now this, our history lesson. Recess had the usual drama: this time, I coaxed Gwen out of her disappointment at not being allowed to join the junior choir. Her father—how many times had I wished he would become a leper and so be banished to a leper colony for the rest of my long and happy life with Gwen—had forbidden it, giving as his reason that she lived too far away from church, where choir rehearsals were conducted, and that it would be dangerous for her, a young girl, to walk home alone at night in the dark. Of course, all the streets had lamplight, but it was useless to point that out to him. Oh, how it would have pleased us to press and rub our knees together as we sat in our pew while pretending to pay close attention to Mr. Simmons, our choirmaster, as he waved his baton up and down and across, and how it would have pleased us even more to walk home together, alone in the “early dusk” (the way Gwen had phrased it, a ready phrase always on her tongue), stopping, if there was a full moon, to lie down in a pasture and expose our bosoms in the moonlight. We had heard that full moonlight would make our breasts grow to a size we would like. Poor Gwen! When I first heard from her that she was one of ten children, right on the spot I told her that I would love only her, since her mother already had so many other people to love.

Our teacher, Miss Edward, paced up and down in front of the class in her usual way. In front of her desk stood a small table, and on it stood the dunce cap. The dunce cap was in the shape of a coronet, with an adjustable opening in the back, so that it could fit any head. It was made of cardboard with a shiny gold paper covering and the word “DUNCE” in shiny red paper on the front. When the sun shone on it, the dunce cap was all aglitter, almost as if you were being tricked into thinking it a desirable thing to wear. As Miss Edward paced up and down, she would pass between us and the dunce cap like an eclipse. Each Friday morning, we were given a small test to see how well we had learned the things taught to us all week. The girl who scored lowest was made to wear the dunce cap all day the following Monday. On many Mondays, Ruth wore it—only, with her short yellow hair, when the dunce cap was sitting on her head she looked like a girl attending a birthday party in The Schoolgirl’s Own Annual.

It was Miss Edward’s way to ask one of us a question the answer to which she was sure the girl would not know and then put the same question to another girl who she was sure would know the answer. The girl who did not answer correctly would then have to repeat the correct answer in the exact words of the other girl. Many times, I had heard my exact words repeated over and over again, and I liked it especially when the girl doing the repeating was one I didn’t care about very much. Pointing a finger at Ruth, Miss Edward asked a question the answer to which was “On the third of November 1493, a Sunday morning, Christopher Columbus discovered Dominica.” Ruth, of course, did not know the answer, as she did not know the answer to many questions about the West Indies. I could hardly blame her. Ruth had come all the way from England. Perhaps she did not want to be in the West Indies at all. Perhaps she wanted to be in England, where no one would remind her constantly of the terrible things her ancestors had done; perhaps she had felt even worse when her father was a missionary in Africa. I could see how Ruth felt from looking at her face. Her ancestors had been the masters, while ours had been the slaves. She had such a lot to be ashamed of, and by being with us every day she was always being reminded. We could look everybody in the eye, for our ancestors had done nothing wrong except just sit somewhere, defenseless. Of course, sometimes, what with our teachers and our books, it was hard for us to tell on which side we really now belonged—with the masters or the slaves—for it was all history, it was all in the past, and everybody behaved differently now; all of us celebrated Queen Victoria’s birthday, even though she had been dead a long time. But we, the descendants of the slaves, knew quite well what had really happened, and I was sure that if the tables had been turned we would have acted differently; I was sure that if our ancestors had gone from Africa to Europe and come upon the people living there, they would have taken a proper interest in the Europeans on first seeing them, and said, “How nice,” and then gone home to tell their friends about it. Continue reading ““Columbus in Chains” — Jamaica Kincaid”

“The Brother” — Robert Coover

“The Brother”

by

Robert Coover


right there right there in the middle of the damn field he says he wants to put that thing together him and his buggy ideas and so me I says “how the hell you gonna get it down to the water?” but he just focuses me out sweepin the blue his eyes rollin like they do when he gets het on some new lunatic notion and he says not to worry none about that just would I help him for God’s sake and because he don’t know how he can get it done in time otherwise and though you’d have to be loonier than him to say yes I says I will of course I always would crazy as my brother is I’ve done little else since I was born and my wife she says “I can’t figure it out I can’t sec why you always have to be babyin that old fool he ain’t never done nothin for you God knows and you got enough to do here fields need plowin it’s a bad enough year already my God and now that red-eyed brother of yours wingin around like a damn cloud and not knowin what in the world he’s doin buildin a damn boat in the country my God what next? you’re a damn fool I tell you” but packs me some sandwiches just the same and some sandwiches for my brother Lord knows his wife don’t have no truck with him no more says he can go starve for all she cares she’s fed up ever since the time he made her sit out on a hillside for three whole days rain and everything because he said she’d see God and she didn’t see nothin and in fact she like to die from hunger nothin but berries and his boys too they ain’t so bright neither but at least they come to help him out with his damn boat so it ain’t just the two of us thank God for that and it ain’t no goddamn fishin boat he wants to put up neither in fact it’s the biggest damn thing I ever heard of and for weeks wees I’m tellin you we ain’t doin nothin but cuttin down pine trees and haulin them out to his field which is really pretty high up a hill and my God that’s work lemme tell you and my wife she sighs and says I am really crazy r-e-a-1-l-y crazy and her four months with a child and tryin to do my work and hers too and still when I come home from haulin timbers around all day she’s got enough left to rub my shoulders and the small of my back and fix a hot meal her long black hair pulled to a knot behind her head and hangin marvelously down her back her eyes gentle but very tired my God and I says to my brother I says “look I got a lotta work to do buddy you’ll have to finish this idiot thing yourself I wanna help you all I can you know that but” and he looks off and he says “it don’t matter none your work” and I says “the hell it don’t how you think me and my wife we’re gonna eat I mean where do you think this food comes from you been puttin away man? you can’t eat this goddamn boat out here ready to rot in that bastard sun” and he just sighs long and says “no it just don’t matter” and he sits him down on a rock kinda tired like and stares off and looks like he might even for God’s sake cry and so I go back to bringin wood up to him and he’s already started on the keel and frame God knows how he ever found out to build a damn boat lost in his fog where he is Lord he was twenty when I was born and the first thing I remember was havin to lead him around so he didn’t get kicked by a damn mule him who couldn’t never do nothin in a normal way just a huge oversize fuzzyface boy so anyway I take to gettin up a few hours earlier ever day to do my farmin my wife apt to lose the baby if she should keep pullin around like she was doin then I go to work on the boat until sundown and on and on the days hot and dry and my wife keepin good food in me or else I’d of dropped sure and no matter what I say to try and get out of it my brother he says “you come and help now the rest don’t matter” and we just keep hammerin away and my God the damn thing is big enough for a hundred people and at least I think at least it’s a place to live and not too bad at that at least it’s good for somethin but my wife she just sighs and says no good will come of it and runs her hands through my hair but she don’t ask me to stop helpin no more because she knows it won’t do no good and she’s kinda turned into herself now these days and gettin herself all ready and still we keep workin on that damn thing that damn boat and the days pass and my brother he says we gotta work harder we ain’t got much time and from time to time he gets a coupla neighbors to come over and give a hand them sucked in by the size and the novelty of the thing makin jokes some but they don’t stay around more than a day or two and they go away shakin their heads and swearin under their breath and disgusted they got weaseled into the thing in the first place and me I only get about half my place planted and sec to my stock as much as I can my wife she takes more care of them than I can but at least we won’t starve we say if we just get some rain and finally we get the damn thing done all finished by God and we cover it in and out with pitch and put a kinda fancy roof on it and I come home on that last day and I ain’t never goin back ain’t never gonna let him talk me into nothin again and I’m all smellin of tar and my wife she cries and cries and I says to her not to worry no more I’ll be home all the time and me I’m cryin a little too though she don’t notice just thinkin how she’s had it so lonely and hard and all and for one whole day I just sleep the whole damn day and the rest of the week I work around the farm and one day I get an idea and I go over to my brother’s place and get some pieces of wood left over and whaddaya know? they are all livin on that damn boat there in the middle of nowhere him and his boys and some women and my brother’s wife she’s there too but she’s madder than hell and carpin at him to get outa that damn boat and come home and he says she’s got just one more day and then he’s gonna drug her on the boat but he don’t say it like a threat or nothin more like a fact a plain fact tomorrow he’s gonna drug her on the boat well I ain’t one to get mixed up in domestic quarrels God knows so I grab up the wood and beat it back to my farm and that evenin I make a little cradle a kinda fancy one with little animal figures cut in it and polished down and after supper I give it to my wife as a surprise and she cries and cries and holds me tight and says don’t never go away again and stay close by her and all and I feel so damn good and warm about it all and glad the boat thing is over and we get out a little wine and we decide the baby’s name is gonna be either Nathaniel or Anna and so we drink an extra cup to Nathaniel’s health and we laugh and we sigh and drink one to Anna and my wife she gently fingers the little animal figures and says they’re beautiful and really they ain’t I ain’t much good at that sorta thing but I know what she means and then she says “where did you get the wood?” and I says “it’s left over from the boat” and she don’t say nothin for a moment and then she says “you been over there again today?” and I says “yes just to get the wood” and she says “what’s he doin now he’s got the boat done?” and I says “funny thing they’re all living in the damn thing all except the old lady she’s over there hollerin at him how he’s gettin senile and where does he think he’s sailin to and how if he ain’t afraid of runnin into a octypuss on the way he oughta get back home and him sayin she’s a nut there ain’t no water and her sayin that’s what she’s been tellin him for six months” and my wife she laughs and it’s the happiest laugh I’ve heard from her in half a year and I laugh and we both have another cup-of wine and my wife she says “so he’s just livin on that big thing all by hisself?” and I says “no he’s got his boys on there and some young women who are maybe wives of the boys or somethin I don’t know I ain’t never seen them before and all kinda damn animals and birds and things I ain’t never seen the likes” and my wife she says “animals? what animals?” and I says “oh all kinds I don’t know a whole damn menagerie all clutterin and stinkin up the boat God what a mess” and my wife laughs again and she’s a little silly with the wine and she says “I bet he ain’t got no pigs” and “oh yes I seen them” I says and we laugh thinkin about pigs rootin around in that big tub and she says “I bet he ain’t got no jackdaws” and I says “yes I seen a couple o£ them too or mostly I heard them you couldn’t hardly hear nothin else” and we laugh again thinkin about them crows and his old lady and the pigs and all and my wife she says “I know what he ain’t got I bet he ain’t got no lice” and we both laugh like crazy and when I can I says “oh yes he does less he’s took a bath” and we both laugh til! we’re cryin and we finish off the wine and my wife says “look now I fyiow what he ain’t got he ain’t got no termites” and I says “you’re right I don’t recollect no termites maybe we oughta make him a present” and my wife she holds me close quiet all of a sudden and says “he’s really movin Nathaniel’s really movin” and she puts my hand down on her round belly and the little fella is kickin up a terrific storm and I says kinda anxious “does it hurt? do you think that—?” and “no” she says “it’s good” she says and so I says with my hand on her belly “here’s to you Nathaniel” and we drain what’s left in the bottom of our cups and the next day we wake up in each other’s arms and it’s rainin and than God we say and since it’s rainin real good we stay inside and do things a round the place and we’re happy because the rain has come just in time and in the evenin things smell green and fresh and delicious and it’s still rainin a little but not too hard so I decide to take a walk and I wander over by my brother’s place thinkin I’ll ask him if he’d like to take on some pet termites to go with his collection and there by God is his wife on the boat and I don’t know if he drug her on or if she just finally come by herself but she ain’t sayin nothin which is damn unusual and the boys they ain’t sayin nothin neither and my brother he ain’t sayin nothin they’re just all standin up there on top and gazin off and I holler up at them “nice rain ain’t it?” and my brother he looks down at me standin there in the rain and still he don’t say nothin but he raises his hand kinda funny like and then puts it back on the rail and I decide not to say nothin about the termites and it’s startin to rain a little harder again so I turn away and go back home and I tell my wife about what happened and my wife she just laughs and says “they’re all crazy he’s finally got them all crazy” and she’s cooked me up a special pastry with £rcsh meat and so we forget about them but by God the next day the rain’s still comin down harder than ever and water’s beginnin to stand around in places and after a week of rain I can see the crops is pretty well ruined and I’m havin trouble keepin my stock fed and my wife she’s cryin and talkin about our bad luck that we might as well of built a damn boat as plant all them crops and still we don’t figure things out I mean it just don’t come to our minds not even when the rain keeps spillin down like a ocean dumped upsidedown and now water is beginnin to stand around in big pools really big ones and water up to the ankles around the house and Icakin in and pretty soon the whole damn house is gettin fulla water and I keep sayin maybe we oughta go use my brother’s boat till this blows over but my wife she says “never” and then she starts in cryin again so finally I says to her I says “we can’t be so proud I’ll go ask him” and so I set out in the storm and I can hardly see where I’m goin and I slip up to my neck in places and finally I get to where the boat is and I holler up and my brother he comes out and he looks down at where I am and he don’t say nothin that bastard he just looks at me and I shout up at him I says “hey is it all right for me and my wife to come over until this thing blows over?” and still he don’t say a damn word he just raises his hand in that same sillyass way and I holler “hey you stupid sonuvabitch I’m soakin wet goddamn it and my house is fulla water and my wife she’s about to have a kid and she’s apt to get sick all wet and cold to the bone and all I’m askin you—” and right then right while I’m still talkin he turns around and he goes back in the boat and I can’t hardly believe it me his brother but he don’t come back out and I push up under the boat and I beat on it with my fists and scream at him and call him ever name I can think up and I shout for his boys and for his wife and for anybody inside and nobody comes out “Gowdamn you” I cry out at the top of my lungs and half sobbin and sick and then feelin too beat out to do anythin more I turn around and head back for home but the rain is thunderin down like mad now and in places I gotta swim and I can’t make it no further and I recollect a hill nearby and I head for it and when I get to it I climb up on top of it and it feels good to be on land again even if it is soggy and greasy and I vomit and retch there awhile and move further up and the next thing I know I’m wakin up the rain still in my face and the water halfway up the hill toward me and I look cut and I can see my brother’s boat is fioatin and I wave at it but I don’t see nobody wave back and then I quick look out towards my own place and all I can see is the top of it and of a sudden I’m scared scared about my wife and I go tearin for the house swimmin most all the way and cryin and shoutin and the rain still comin down like crazy and so now well now I’m back here on the hill again what little there is left of it and I’m figurin maybe I got a day left if the rain keeps comin and it don’t show no signs of stoppin and I can’t see my brother’s boat no more gone just water how how did he know? that bastard and yet I gotta hand it to him it’s not hard to see who’s crazy around here I can’t see my house no more I just left my wife inside where I found her I couldn’t hardly stand to look at her the way she was

Read “The Priest,” a very early short story by William Faulkner

“The Priest”

by

William Faulkner


His novitiate was almost completed. Tomorrow he would be confirmed, tomorrow he would achieve that complete mystical union with the Lord, which he had so passionately desired. In his studious youth he had been led to expect it daily; he had hoped to attain it through confession, through talk with those who seemed to have it; through living a purging and a self denial until the earthly fires which troubled him had burned themselves out with time. He passionately desired a surcease and an easing of the appetites and hunger of his blood and flesh, which he had been taught to believe were
harmful: he expected something like sleep, a condition to which he would attain in which those voices in his blood would be stilled. Or rather, chastened. Not to trouble him more, at least: an exalted plane wherein the voices would be lost, sounding fainter and fainter, soon to be but a meaningless echo among the canyons and majestic heights of the glory of God.

But he had not gotten it. After talk with a father in his seminary he could return to his dormitory in a spiritual ecstasy, an emotional state in which his body was but the signboard bearing a flaming message to shake the world. His doubts were then allayed; he had neither doubt nor thought. The end of life was clear: to suffer, to use his blood and bone and flesh as a means for attaining eternal glory—a thing magnificent and astounding, forgetting that history and not the age made Savonarolas and Thomas a Beckets. To be of the chosen despite the hungers and gnawings of flesh, to attain a spiritual union with Infinite, to die—how could physical pleasure toward which his blood cried, be compared with this?

But, once with his fellow candidates, how soon was this forgotten! Their points of view, their callousness, were enigma to him. How could one be of the world and not of the world at the same time? And the dreadful doubt that perhaps he was missing something, that perhaps after all life was only what one could make of his short three score and ten of time, might be true. Who knows? who could know? There was Cardinal Bembo living in Italy in an age like silver, like an imperishable flower, creating a cult of love beyond the flesh, purged of all torturings of flesh. And was not this but an excuse, a palliation for this terrible fearing and doubting? was not the life of that long dead, passionate man such a one as his own: a fabric of fear and doubt and a passionate grasping after something beautiful and fine? Even something beautiful and fine meant to him a Virgin not calm with sorrow and fixed like a watchful benediction in the western sky; but a creature young and slender and helpless and (somehow) hurt, who had been taken by life and toyed with and tortured—a little ivory creature reft of her first born and raising her arms vainly upon a dying evening. In other words, a woman, with all of woman’s passionate grasping for today, for the hour itself; knowing that tomorrow may never come and that today alone signifies, because today alone is hers. They have taken a child and made of her a symbol of man’s old sorrows, he thought; and I too am a child reft of his childhood. Continue reading “Read “The Priest,” a very early short story by William Faulkner”

“The Mirror of Ink,” a short tale from Jorge Luis Borges

“The Mirror of Ink”

by

Jorge Luis Borges

Translated by Norman Thomas di Giovanni


All history knows that the cruelest of the rulers of the Sudan was Yaqub the Ailing, who delivered his country to the rapacity of Egyptian tax collectors and died in a palace chamber on the fourteenth day of the moon of Barmahat, in the year 1842. There are those who hold that the wizard Abd-er-Rahman al-Masmudi (whose name may be translated as the ‘Servant of the All-Merciful) slew him by means of a dagger or poison. That he died a natural death is more likely, however, since he was called the Ailing. Captain Richard F. Burton spoke to the wizard in 1853, and recounts the tale I quote here:

It is true that as a consequence of the conspiracy woven by my brother Ibrahim, with the treacherous and useless support of the black chiefs of Kordofan, who betrayed him, I suffered captivity in the castle of Yaqub the Ailing. My brother perished by the sword, on the blood-red skin of Justice, but I flung myself at the hated feet of the Ailing, telling him that I was a wizard, and that if he spared my life I would show him shapes and appearances still more wonderful than those of the magic lantern. The tyrant demanded an immediate proof. I asked for a reed pen, a pair of scissors, a large leaf of Venetian paper, an inkhorn, a chafing dish with some live coals in it, some coriander seeds, and an ounce of benzoin. I cut up the paper into six strips, wrote charms and invocation on the first five, and on the remaining one wrote the following words, taken from the glorious Koran: ‘And we have removed from thee thy veil; and thy sight today is piercing.’ Then I drew a magic square in the palm of Yaqub’s right hand, told him to make a hollow of it, and into the centre I poured a pool of ink. I asked him if he saw himself clearly reflected in it, and he answered that he did. I told him not to raise his head. I dropped the benzoin and coriander seeds into the chafing dish, and I burned the invocations upon the glowing coals. I next asked him to name the image he desired to see.

He thought a moment and said, ‘A wild horse, the finest of those that graze along the borders of the desert.’ Looking, he saw a quiet, green pasture, and a minute later a horse drawing near, lithe as a leopard, with a white spot on its face. He asked me for a drove of horses as handsome as the first one, and on the horizon he saw a cloud of dust, and then the drove. It was at this point that I knew my life was spared.

From that day on, with the first streak of light in the eastern sky, two soldiers would enter my cell and lead me to the Ailing’s bedchamber, where the incense, the chafing dish, and the ink were already laid out. So it was that he demanded of me, and I showed him, all the visible things of this world. This man, whom I still hate, had in his palm everything seen by men now dead and everything seen by the living: the cities, the climates, the kingdoms into which the earth is divided; the treasures hidden in its bowels; the ships that ply its seas; the many instruments of war, of music, of surgery; fair women; the fixed stars and the planets; the colours used by the ungodly to paint their odious pictures; minerals and plants, with the secrets and properties they hold locked up in them; the silvery angels, whose only food is the praise and worship of the Lord; the awarding of prizes in schools; the idols of birds and kings buried in the heart of the pyramids; the shadow cast by the bull that holds up the world and by the fish that lies under the bull; the sandy wastes of Allah the All-Merciful. He saw things impossible to tell, like gaslit streets and the whale that dies on hearing the cry of a man. Once, he ordered me to show him the city called Europe. I let him see its main thoroughfare, and it was there, I believe, in that great stream of men all wearing black and many using spectacles that he first set eyes on the Man with the Mask.

This figure, at times in Sudanese garments and at times in uniform, but always with a veil over his face, from then on haunted the things we saw. He was never absent, and we dared not divine who he was. The images in the mirror of ink, at first fleeting or fixed, were more intricate now; they obeyed my commands without delay, and the tyrant saw them quite plainly. Of course, the growing cruelty of the scenes left us both in a state of exhaustion. We witnessed nothing but punishments, garrottings, mutilations, the pleasures of the executioner and of the merciless.

In this way, we came to the dawn of the fourteenth day of the moon of Barmahat. The circle of ink had been poured into the tyrant’s hand, the benzoin and coriander cast into the chafing dish, the invocations burned. The two of us were alone. The Ailing ordered me to show him a punishment both lawful and unappealable, for that day his heart hungered to view an execution. I let him see the soldiers with their drums, the spread calfskin, the persons lucky enough to be onlookers, the executioner wielding the sword of Justice. Marveling at the sight of him, Yaqub told me, ‘That’s Abu Kir, he who dealt justice to your brother Ibrahim, he who will seal your fate when it’s given me to know the science of bringing together these images without your aid.’

He asked me to have the doomed man brought forward. When this was done, seeing that the man to be executed was the mysterious man of the veil, the tyrant paled. I was ordered to have the veil removed before justice was carried out. At this, I threw myself at his feet, beseeching, ‘O king of time and sum and substance of the age, this figure is not like any of the others, for we do not know his name or the name of his fathers or the name of the city where he was born. I dare not tamper with the image, for fear of incurring a sin for which I shall be held to account.’

The Ailing laughed, and when he finished he swore that he would take the guilt on his own head if guilt there were. He swore this by his sword and by the Koran. I then commanded that the prisoner be stripped and that he be bound on the calfskin, and that the mask be torn from his face. These things were done. At last, Yaqub’s stricken eyes could see the face it was his own. He was filled with fear and madness. I gripped his trembling hand in mine, which was steady, and I ordered him to go on witnessing the ceremony of his death. He was possessed by the mirror, so much so that he attempted neither to avert his eyes nor to spill the ink. When in the vision the sword fell on the guilty head, Yaqub moaned with a sound that left my pity untouched, and he tumbled to the floor, dead. Glory be to Him, who endureth forever, and in whose hand are the keys of unlimited Pardon and unending Punishment.

From The Lake Regions of Central Africa (1860) by Richard F. Burton

“In the Tules,” a short story by Bret Harte

“In the Tules”

by

Bret Harte


He had never seen a steamboat in his life. Born and reared in one of the Western Territories, far from a navigable river, he had only known the “dugout” or canoe as a means of conveyance across the scant streams whose fordable waters made even those scarcely a necessity. The long, narrow, hooded wagon, drawn by swaying oxen, known familiarly as a “prairie schooner,” in which he journeyed across the plains to California in ’53, did not help his conception by that nautical figure. And when at last he dropped upon the land of promise through one of the Southern mountain passes he halted all unconsciously upon the low banks of a great yellow river amidst a tangled brake of strange, reed-like grasses that were unknown to him. The river, broadening as it debouched through many channels into a lordly bay, seemed to him the ULTIMA THULE of his journeyings. Unyoking his oxen on the edge of the luxuriant meadows which blended with scarcely any line of demarcation into the great stream itself, he found the prospect “good” according to his lights and prairial experiences, and, converting his halted wagon into a temporary cabin, he resolved to rest here and “settle.”

There was little difficulty in so doing. The cultivated clearings he had passed were few and far between; the land would be his by discovery and occupation; his habits of loneliness and self- reliance made him independent of neighbors. He took his first meal in his new solitude under a spreading willow, but so near his natural boundary that the waters gurgled and oozed in the reeds but a few feet from him. The sun sank, deepening the gold of the river until it might have been the stream of Pactolus itself. But Martin Morse had no imagination; he was not even a gold-seeker; he had simply obeyed the roving instincts of the frontiersman in coming hither. The land was virgin and unoccupied; it was his; he was alone. These questions settled, he smoked his pipe with less concern over his three thousand miles’ transference of habitation than the man of cities who had moved into a next street. When the sun sank, he rolled himself in his blankets in the wagon bed and went quietly to sleep.

But he was presently awakened by something which at first he could not determine to be a noise or an intangible sensation. It was a deep throbbing through the silence of the night–a pulsation that seemed even to be communicated to the rude bed whereon he lay. As it came nearer it separated itself into a labored, monotonous panting, continuous, but distinct from an equally monotonous but fainter beating of the waters, as if the whole track of the river were being coursed and trodden by a multitude of swiftly trampling feet. A strange feeling took possession of him–half of fear, half of curious expectation. It was coming nearer. He rose, leaped hurriedly from the wagon, and ran to the bank. The night was dark; at first he saw nothing before him but the steel-black sky pierced with far-spaced, irregularly scattered stars. Then there seemed to be approaching him, from the left, another and more symmetrical constellation–a few red and blue stars high above the river, with three compact lines of larger planetary lights flashing towards him and apparently on his own level. It was almost upon him; he involuntarily drew back as the strange phenomenon swept abreast of where he stood, and resolved itself into a dark yet airy bulk, whose vagueness, topped by enormous towers, was yet illuminated by those open squares of light that he had taken for stars, but which he saw now were brilliantly lit windows. Continue reading ““In the Tules,” a short story by Bret Harte”

Read “The Candy Country,” a strange tale by Louisa May Alcott

“The Candy Country”

by

Louisa May Alcott


“I shall take mamma’s red sun umbrella, it is so warm, and none of the children at school will have one like it,” said Lily, one day, as she went through the hall.

“The wind is very high; I’m afraid you’ll be blown away if you carry that big thing,” called Nurse from the window, as the red umbrella went bobbing down the garden walk with a small girl under it.

“I wish it would; I always wanted to go up in a balloon,” answered Lily, as she struggled out of the gate.

She got on very well till she came to the bridge and stopped to look over the railing at the water running by so fast, and the turtles sunning themselves on the rocks. Lily was fond of throwing stones at them; it was so funny to watch them tumble, heels over head, splash into the water. Now, when she saw three big fellows close by, she stooped for a stone, and just at that minute a gale of wind nearly took the umbrella out of her hand. She clutched it fast; and away she went like a thistle-down, right up in the air, over river and hill, houses and trees, faster and faster, till her head spun round, her breath was all gone, and she had to let go. The dear red umbrella flew away like a leaf; and Lily fell down, down, till she went crash into a tree which grew in such a curious place that she forgot her fright as she sat looking about her, wondering what part of the world it could be.

The tree looked as if made of glass or colored sugar; for she could see through the red cherries, the green leaves, and the brown branches. An agreeable smell met her nose; and she said at once, as any child would, “I smell candy!” She picked a cherry and ate it. Oh, how good it was!—all sugar and no stone. The next discovery was such a delightful one that she nearly fell off her perch; for by touching her tongue here and there, she found that the whole tree was made of candy. Think what fun to sit and break off twigs of barley sugar, candied cherries, and leaves that tasted like peppermint and sassafras!

Lily rocked and ate till she finished the top of the little tree; then she climbed down and strolled along, making more surprising and agreeable discoveries as she went.

What looked like snow under her feet was white sugar; the rocks were lumps of chocolate, the flowers of all colors and tastes; and every sort of fruit grew on these delightful trees. Little white houses soon appeared; and here lived the dainty candy-people, all made of the best sugar, and painted to look like real people. Dear little men and women, looking as if they had stepped off of wedding cakes and bonbons, went about in their gay sugar clothes, laughing and talking in the sweetest voices. Bits of babies rocked in open-work cradles, and sugar boys and girls played with sugar toys in the most natural way. Carriages rolled along the jujube streets, drawn by the red and yellow barley horses we all love so well; cows fed in the green fields, and sugar birds sang in the trees.

Lily listened, and in a moment she understood what the song said,—

“Sweet! Sweet!
Come, come and eat,
Dear little girls
With yellow curls;
For here you’ll find
Sweets to your mind.
On every tree
Sugar-plums you’ll see;
In every dell
Grows the caramel.
Over every wall
Gum-drops fall;
Molasses flows
Where our river goes.
Under your feet
Lies sugar sweet;
Over your head
Grow almonds red.
Our lily and rose
Are not for the nose;
Our flowers we pluck
To eat or suck.
And, oh! what bliss
When two friends kiss,
For they honey sip
From lip to lip!
And all you meet,
In house or street,
At work or play,
Sweethearts are they.
So, little dear,
Pray feel no fear;
Go where you will;
Eat, eat your fill.
Here is a feast
From west to east;
And you can say,
Ere you go away,
‘At last I stand
In dear Candy-land,
And no more can stuff;
For once I’ve enough.’
Sweet! Sweet!
Tweet! Tweet!
Tweedle-dee!
Tweedle-dee!”

“That is the most interesting song I ever heard,” said Lily, clapping her sticky hands and dancing along toward a fine palace of white cream candy, with pillars of striped peppermint stick, and a roof of frosting that made it look like the Milan Cathedral.

“I’ll live here, and eat candy all day long, with no tiresome school or patchwork to spoil my fun,” said Lily.

Continue reading “Read “The Candy Country,” a strange tale by Louisa May Alcott”

“Kienast,” a very short story by Robert Walser

“Kienast”

by

Robert Walser

translated by Tom Whalen and Carol Gehrig


Kienast was the name of a man who wanted nothing to do with anything. Even in his youth he stood out unpleasantly as an unwilling sort. As a child he gave his parents much grief, and later, as a citizen, his fellow citizens. It didn’t matter what time of day you wanted to talk to him, you would never get from him a friendly or fellowly word. Indignant, invidious was his behavior, and his conduct was repulsive. Guys like this Kienast probably believed it a sacrilege if they were kind or obliging to people. But have no fear: he was neither kind nor courteous. Of that he wanted to hear nothing. “Nonsense,” he grumbled at everything desiring his attention. “I’m really sorry, but I have no time,” he was in the habit of angrily mumbling as soon as someone came to him with a request. Those were duped folks who went to Kienast with a request. They didn’t get much from him, because there was no trace of considerateness to be found in him. He didn’t want to know even the least of it. Should Kienast once have done something good for somebody, something which, so to say, was in the general interest, he would have said coldheartedly, “Goodbye, au revoir,” by which he meant to say, “Please leave me alone.” He was interested only in personal gain, and he had eyes only for his supreme profit. Everything else concerned him little or preferably not at all. Of it he wanted to know absolutely nothing. Should anyone expect a willingness or even a sacrifice of him, he nasaled, “What next, I wonder?” by which he meant to say, “If you will be so kind as not to molest me with such matters.” Or he said, “Remember me, please, it will make me happy,” or very simply just, “Bonsoir.” Community, church, and country seemed in no way to concern him. In his opinion, community affairs were looked after solely by jackasses; whoever needed the church in any way was in Kienast’s eyes a sheep, and for those who loved their country, he possessed not the least understanding. Tell me, dear readers, you who are aglow with patriotism for fatherland and motherland, what do you think should be done with the Kienasts? Wouldn’t it be a splendid, yes even a sublime task to beat them in great haste and with the proper carefulness to a pulp? Gently! It has been seen to that such gentlemen will not remain eternally undisturbed. One day someone knocked at Kienast’s door, someone who evidently did not allow himself to be turned away with a “Bonjour” or with a “Bonsoir” or with a “What next!” or with a “Sorry, I’m in a real hurry,” or with a “Please leave me alone.” “Come, I can use you,” said the peculiar stranger. “You are really exquisite. But what’s the matter with you? Do you think I have time to lose? That’s the limit! Remember me, it will make me happy. Sorry I have no time, so goodbye, au revoir.” Such or similar things Kienast wanted to answer; however, as he opened his mouth to say what he was thinking, he became sick to death, he was deathly pale, it was too late to say anything else, not one more word passed over his lips. It was Death who had come to him, it was all no use. Death makes its work brief. All his “Nonsenses” did no more good and all his beautiful “Bonjours” and “Bonsoirs” had an end. It was all over with scorn and mockery and with cold-heartedness. Oh, God, is such living a life? Would you like to live so lifelessly, so godlessly? To be so inhuman among human beings? Could someone cry out about you or about me if we had lived like Kienast? Could someone regret my death? Might it not be then that this or that person could almost be delighted about my departure?

Read Zora Neale Hurston’s short story “Monkey Junk”

Continue reading “Read Zora Neale Hurston’s short story “Monkey Junk””