The Tree of Life — Leonora Carrington

The Tree of Life 1960 oil on canvas 36.25 by 25.75 in. a

Damn Nature — Sergey Kolesov

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Day-Dreaming — Conrad Kiesel

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Natural Encounters — René Magritte

Hollander — Yoshitora Utagawa

Lesender Mann — Albert Anker

The Don Sadly Revisits the Place of His Defeat — Gustave Doré

Cowboy Oscar Wilde — Michael Kupperman

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Girl in Red with Parasol — Max Pechstein

The Music Master — Edmund Dulac

The first page of Chris Ware’s new novel The Last Saturday is up at The Guardian

CWChris Ware, one of the greatest living American novelists, will be publishing his new novel The Last Saturday, “tracing the lives of six individuals from Sandy Port, Michigan,”
in installments in The Guardian this fall.
 New episodes every Saturday.

 

Grandmother Reading the Bible — Albert Anker

The Masked Woman — Max Pechstein

The Magician — Claudio Bravo

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I was filling in the holes | Charles Burns discusses Tintin’s influence

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Charles Burns talked to The New Yorker about the influence Herge’s Tintin had on his X’ed Out trilogy:

The format of the three hardcovers is based on Tintin in its Franco-Belgian comics album format… Luckily, I had those books growing up. When I was five years old—I couldn’t even read yet—my Dad, who went to bookstores and libraries all the time, brought back one of those early Tintin books for me. It felt like the first book that was just my own…

Eventually, when they started being imported to the U.S., I found the British translations, but it took a long time. So as a kid looking at the books, I was filling in the holes, the missing pieces—kind of making up my own stories, I guess—looking at the back cover and seeing images that didn’t appear in the stories I knew. Now, the book I made—all three books—feels complete to me. I had a pretty firm idea of what the story was going to be when I started, but many things changed while I was working. In the end, all the pieces fit together the way I wanted, or as close as I could get. I feel like I’ve said everything I need to say.

I should have a review of Sugar Skull up next week (surprise: it’s good!—but I loved X’ed Out and The Hive, so).