

Engraving from Verdicus Christianus (A True Christian), for the chapter Adspectus Incauti Dispendium (The Cost of Careless Looking), 1601, by Theodoor Galle (1671-1733)


Engraving from Verdicus Christianus (A True Christian), for the chapter Adspectus Incauti Dispendium (The Cost of Careless Looking), 1601, by Theodoor Galle (1671-1733)


Two Girls, 1912 by Felice Casorati (1883–1963)

“The Significance of the Number 8 in Blood Meridian“ is a compelling analysis by William Wickey. Wickey lists numerous examples of the number in McCarthy’s (anti)Western, and touches on the number as a motif connected to gnosticism, tarot, and more.
From the beginning of Wickey’s essay:
The first “major” example of eight occurs in Chapter V when Sproule and the kid stumble across a tree hung with dead babies in a mountain pass after the destruction of Captain White’s war party at the hands of The Comanches.
“The way narrowed through the rocks and by and by they came to a bush that was hung with dead babies. / They stopped side by side reeling in the heat. These small victims, seven, eight of them had holes punched in their under jaws and were hung so by their throats from the broken stobs of mesquite to stare eyeless at the naked sky.” (57)
This grizzly scene sets the tone for subsequent uses of eight in the novel. Every major appearance of eight implies death.
A very similar description follows in the same chapter, describing a group of delirious Mexican soldiers that save Sproule and the kid’s lives by giving them water.
“The refugees stood by the side of the road. The riders looked burnt and haggard coming up out of the sun and they sat their horses as if they had no weight at all. There were seven, eight of them. They wore broadbrimmed hats and leather vests and they carried escopetas across the pommels of the saddles and as they rode past the leader nodded gravely to them from the captain’s horse and touched his hatbrim and they rode on. (63)
Only a few days prior, these eight horses carried the only mounted survivors of the Commanche attack. Their former riders, including the captain, are now dead, presumably at the hands of these Mexican soldiers, having just escaped death at the hands of the Commanches.

Head of a Tramp, 1896 by Laszlo Mednyanszky (1852-1919)

Vignette, 2003 by Kerry James Marshall (b. 1955)

Portrait of Ursula K. Le Guin by Bill Sienkiewicz, via his Twitter

The Nipple I Never Knew, 2015 by Katherine Kuharic (b. 1962)

Minnie Cunningham at the Old Bedford, 1892 by Walter Richard Sickert (1860–1942)

「覗く・恵美子」(Peeping, Emiko) by Ikenaga Yasunari

Meditation, 1890 by Eugene Carriere (1849-1906)

The Elphinston Children (After Sir Henry Raeburn), 2016 by Jake Wood-Evans (b. 1980)




Portrait of Simonetta Vespucci, c. 1480 by Piero di Cosimo (1462–1522)

The Duel, 1897 by Ilya Repin (1844-1930)

I Wake to Sleep by Dina Brodsky (b. 1981)

Missionaries, 1965 by Bridget Tichenor (1917-1990)