Book Shelves #5, 1.29.2012

Book shelves series #5, fifth Sunday of 2012: In which we leave the southern wing of the house where the bedrooms are and enter a formal sitting room.

Okay. So. When I started this project, it was easy to identify the rooms in the house—they were bedrooms. As we go, I’ll have to occasionally make up names for rooms, often names that don’t really fit. Our house is a 1956 ranch with some of the atomic flavor, so it’s long and rectangular and very open—rooms open up into other rooms; spaces are demarcated more by ideas of rooms and not, say, walls. The house is essentially three sections; we’ve left the first, the bedrooms, and now move into a series of rooms for living and eating and cooking and sitting. And reading. I mapped out a little route for the rest of this series, and the first stop is this mid-century LP cabinet in what I’ll call, for lack of a better term, our formal sitting room. The cabinet once held many of my records but is now filled with comic books (more on those next week).

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The books that set on top of it are coffee tablish, I suppose, and they tend to rotate, although there’s usually a stray novel or two that sets here as well. Today we’ll look at the two on top now: Penguin by Design and Atomic Ranch.

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There’s also an Emerson Wondergram record player that sets on the table; I suppose it was the iPod of its day (see one in action here).

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Atomic Ranch is my wife’s, although I don’t really make such distinctions when it comes to books. We lived for years in a bungalow and she amassed books dedicated to craftsman homes during that time; when we moved to the ’50s ranch, she wanted this:

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Penguin by Design is essential for anyone who drools over beautiful modern book covers.

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My pics are lousy—sorry—but just a few editions I’d love to pick up one day:

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Next week, we’ll look at some of the comic books inside the cabinet.

Book Shelves #4, 1.22.2012

Book shelves series #4, fourth Sunday of 2012: In which we finally leave the master bedroom and check out the books in my children’s rooms.

In the previous weeks, I illustrated that my kids — a girl and a boy, 4 and 1, respectively (tack on a “half” to each of those numbers if you care to) — my kids leave books all over the house. Their books are everywhere. They are as bad as I am. I indicated at the beginning of this year-long series that the documentation would never be stable or absolute; that books float through my house, come and go like bad house guests or silly ghosts—this is probably more true of the children’s books in this house than any other kind of book.

This week, I photograph the book shelves in my kids’ rooms, starting with my daughter’s. This is her big bookshelf:

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I did not photograph the big pile of books that set to the left. A close up of any of these shelves would reveal a mix of classics—stuff that my wife and I read and cherished as kids—and newer stuff as well. Here’s a shelf, sort of at random—it’s unusually well-organized:

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There’s a lot of Studio Ghibli books here; most narrativize Hayao Miyazaki’s films (we’re big fans in this house). My daughter loves these. The bible was my bible; the blue-spined book is this:

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You might also note a book version of Jim Henson’s creepy classic The Dark Crystal; this was mine as a kid and it disturbed the hell out of me, so I gave it to my daughter, of course:

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The Studio Ghibli books combine beautiful stills of the film with narrative prose and comic book speech bubbles. From the standpoint of a fan of the films, they’re really interesting because they explicate some of the ambiguity. Our daughter loves them and asks for them (too much!):

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Another shelf from another book shelf—the only shelf with books on it in this piece of furniture, actually. Not interesting, but I said I’d photograph all book shelves as part of this project:

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Before my wife and I married, we lived in Tokyo for a while; we bought a bunch of these board books at a 100 yen shop. Here’s one:

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Night stand: always a place of shelving instability:

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The book shelf in my son’s room—lots of board books, Eric Carle, stuff like that. He likes trains and dogs:

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So, I covered both of the kid’s rooms in one post in the hopes of getting to more interesting volumes in the next few weeks. On deck: the den/kitchen space, featuring cookbooks, art books, and travel volumes.

Book Shelves #3, 1.15.2012

Book shelves series #3, third Sunday of 2012: In which we revisit the master bedroom corner piece bookshelf in the southwest corner; two tiers + top shelf.

So, in last week’s engrossing installment our hero photographed and discussed some of the books in this bookshelf:

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The post optimistically concluded: “So we’ve made it out of my bedroom” — but not so, dear reader, as post-Christmas/New Year cleaning up type activities led to a box of books, still in a storage room in the back of my house, needing to finally be shelved or ejected from the house. Said box:

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Most of the volumes herein are aesthetically-challenged/of a certain sentimental value: lots of books from my youth and the youth of my wife; lots of books that taught me how to read, books that weirded me out, books that I hope my kids will want to read in a few years. The corner piece bookshelf had the most (only, really) free space for shelving; it’s also tucked away from public view where an eyesore like my crumbling copy of Vonnegut’s Cat’s Cradle won’t sore eyes:

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I actually read Goines’s Swamp Man. It’s not the Deliverance knock off you might expect, although it is singularly horrific.

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Some beloved childhood classics. Arthur Ransome, S.E. Hinton, various myths and legends, Roald Dahl, etc.:

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Two books I hated. Hated. I keep them as badges of a strange honor, a sort of “I did it, okay?”:

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Melville stories held together with duct tape. This was the copy my 11th grade teacher assigned; I stole it of course. I used it in numerous subsequent courses and the annotations I made are somehow (unduly) precious to me. I can’t part with it even though I have at least two other volumes of Melville stories;

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Never sure where to shelve this RAW volume:

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Not sure if you can make out the title of this one, but it’s Alcoholic Anonymous’s Big Book. I found it on the beach one night when I was maybe 17 or 18. It’s full of highlighted passages and annotations and I’ve always been intrigued at what led the former owner to cast it away into cattailed dunes, as if the person couldn’t wait to be rid of it but couldn’t bear to bury it in a garbage can. Anyway, I picked it up because I pick up any discarded book, but I’ve kept it because I don’t know why I’ve kept it. Maybe it helped inform my reading of Infinite Jest, I don’t know:

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And here’s the “after” shot. I’ll try not to fret over re-shooting shelves again. But moving the box of books yesterday, knowing I was going to do the book shelf post today, I couldn’t help but photograph some of these as I went.

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Book Shelves #2, 1.08.2012

. . . it’s not too difficult, very obviously, to keep ten or twenty or let’s say even a hundred books; but once you start to have 361, or a thousand, or three thousand, and especially when the total starts to increase every day or thereabouts, the problem arises, first of all of arranging all these books somewhere and then of being able to lay your hand on them one day when, for whatever reason, you either  want or need to read them at last or even to reread them.

Thus the problem of a library is twofold: a problem of space, first of all, then a problem of order.

—Georges Perec, from “Brief Notes on the Art and Manner of Arranging One’s Books” (1978)

Book shelves series #2, second Sunday of 2012. Master bedroom: Corner piece bookshelf in the southwest corner; two tiers + top shelf.

I didn’t take a picture of the entire bookshelf, a humble little two-tier piece that abuts the corner of any room with corners. Actually, I did take a picture—a few—but they just looked awful. Like I said in the first installment of this series, it’s not my goal to present aesthetically pleasing portraits of bookshelves.

This corner bookshelf was my grandmother’s and I’ve had it for at least 10 years. The top shelf holds five books that rest there for entirely aesthetic purposes; looking at them now I realize that, with the exception of the Audubon volume in the middle and the Lewis Carroll on the end, I’ve never even bothered to flick through them. They look strange photographed here without the framed photographs, plants, and tchotchkes that attend most shelves in the house:

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At one point, this entire piece of furniture was double shelved (is this a term? Do you know what I mean here?) with cheap mass market paperbacks, the kind of books that I bought and received for years. I rarely buy mass markets anymore; nor do I like hardbacks. I’m a trade paperback man. Still, some of the sci-fi/dystopian lit here was fundamental to my early reading habits, to the point where I even pick up newer volumes (like Philip Pullman’s books) in mass market paperback.

We also see here the first of many cameras scattered throughout the books in this house. This particular Polaroid is likely the least antiquated; I think it’s from 1999 or 2000. I took all these photos with an iPhone:

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The shot is blurry, so you might not make out the cracked spines, but there are many Huxley books there (although it occurs to me now how odd it is that only one Vonnegut volume is there, when I know that I have so many more somewhere). Two noteworthy Huxleys:

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We have children. There are children’s books everywhere in the house, organized in no particular fashion. The drawing and painting books belonged to my grandmother, who was an amateur painter. I am fairly familiar with these books.

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More kids books. They were probably stuffed here after piling up on the floor one night. The box is full of homemade dice and preserved insects:

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And more mass markets—sci-fi and fantasy. Many of these were, uh, “borrowed” and never returned, either from a school that I used to work for (The Left Hand of Darkness; Alas Babylon, the aforementioned Pullman volumes), or from dear friends (I’m looking at you, William Gibson books). There are probably 50 more books like this in a secret stash in the back of the house, out of sight:

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The Lord of the Rings trilogy is an early paperback edition, sporting Tolkien’s original illustrations. My aunt gave me these. I’ve probably read The Lord of the Rings more than any other book, and I’m almost certain that I’ve owned it in more editions than any other book:

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 A dear friend lent me Gibson’s Neuromancer years ago; I know Gibson’s other early books (the first two trilogies) must be somewhere around the house, unless I passed them on, but I’ve always been fond of this book, which taught me how to read in some ways:

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So we’ve made it out of my bedroom—I chose not to take a picture of my wife’s night stand, for her privacy, I suppose, although she might not have cared. (She doesn’t read this blog and is likely unaware of this weird project). There was a Hayao Miyazaki adaptation she was reading to our daughter there, and Hemingway’s novel The Garden of Eden, which I think she finished just the other night.

Book Shelves #1, 1.01.2012

Every library answers a twofold need, which is often also a twofold obsession: that of conserving certain objects (books) and that of organizing them in certain ways.

—Georges Perec, from “Brief Notes on the Art and Manner of Arranging One’s Books” (1978)

For all of 2011 and half of 2010, I ran a death mask on this blog every Sunday. I liked the idea of having a regular, uniform post on the blog, and I enjoyed searching for death masks (and life masks) and learning about them. However, my interest is waning; it’s time to move on.

Still wanting to run a regular post each Sunday, I’ve elected to photograph the bookshelves, or the surfaces that hold books in my house. These will not be beautiful, arranged pictures, but rather simple pics from my iPhone documenting the spaces that books occupy. I will photograph each space “as is” and then remove a book or two, photograph it, and then comment on it.

I didn’t know where to start, so I started with what may be the most plain book shelves in my home, the nightstand next to my bed. (Right now it is unusually tidy, having been cleaned out and partially restocked for the new year; in a week or two it will be crammed to its wooden gills). Here is what it looks like:

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Not very exciting, I know! This is perhaps the only photo in this book shelf series that will not feature shots of spines. Like I said, I don’t plan to arrange any of the shots in this series. I talked about a lot of what’s in here in yesterday’s riff on recent reading and a post last week on stuff I plan to read in 2012.

Stuff on the top tier tends to be stuff I’m currently reading; the second shelf is filled with books I’m always rereading, or picking at slowly. The third shelf is where stuff goes to marinate or get dusty or cry to be shelved.

There’s also a bunch of kids book on the floor. More kids books are in this giant magazine stand, along with some notebooks, art pads, and probably an actual magazine or two (Anthony Browne’s book Changes is a surrealist masterpiece for kids, by the way):

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The Perec quote above comes from an essay collected in Species of Spaces and Other Pieces. “Brief Notes on the Art and Manner of Arranging One’s Books” will be in some ways the guiding inspiration for the Biblioklept book shelf series; my aim is not so much to present beautiful pictures that show off my books (I’m not equipped to do that, and other people do it very well already), but to comment on how my books are arranged and how they move and flow throughout the house; it will also give me a good opportunity to pick up books that might have been lingering (do books linger?) on a shelf for sometime.

I pulled these three books, not quite at random, from the shelves. The Perec book is one of those volumes I like to read scattershot-style. The latest issue of Paris Review still has a few pieces I haven’t read. Nausicaa: I meant to start it the other night. It will migrate to another room, a day-reading room, not a night-reading room:

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I don’t anticipate future book shelf posts being quite this long; my intention here is to kind of set the ground rules (for myself) or delineate both spirit and letter to this project. As such, a final note on movement: I will move “outward” from this nightstand, photographing any place where books are set. I will photograph every kind of book in this house in its natural habitat; this includes children’s books and cookbooks, but does not include personal photograph albums, instruction manuals, or anything else of that nature. I plan to do 53 total book shelf posts, including this one (there are 53 Sundays in 2012).

My hope is that readers will respond to these posts by sharing their own bookshelving habits.