“A Rabbit as King of the Ghosts” — Wallace Stevens

“A Rabbit as King of the Ghosts”

by

Wallace Stevens


The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—

There was the cat slopping its milk all day,
Fat cat, red tongue, green mind, white milk
And August the most peaceful month.

To be, in the grass, in the peacefullest time,
Without that monument of cat,
The cat forgotten in the moon;

And to feel that the light is a rabbit-light,
In which everything is meant for you
And nothing need be explained;

Then there is nothing to think of. It comes of itself;
And east rushes west and west rushes down,
No matter. The grass is full

And full of yourself. The trees around are for you,
The whole of the wideness of night is for you,
A self that touches all edges,

You become a self that fills the four corners of night.
The red cat hides away in the fur-light
And there you are humped high, humped up,

You are humped higher and higher, black as stone—
You sit with your head like a carving in space
And the little green cat is a bug in the grass.

“Herman Melville” — Jorge Luis Borges

“Herman Melville”

by

Jorge Luis Borges


 

He was always surrounded by the sea of his elders,

The Saxons, who named the ocean

The Whale-Road, thereby uniting

The two immense things, the whale

And the seas it endlessly ploughs.

The sea was always his. By the time his eyes

First took in the great waters of the high seas

He had already longed for and possessed it

On that other ocean, which is Writing,

And in the outline of the archetypes.

A man, he gave himself to the earth’s oceans

And to the exhausting days at sea

And he came to know the harpoon reddened

By Leviathan and he rippled sand

And the smells of nights and mornings

And chance on the horizon waiting in ambush

And the happiness of being brave

And the pleasure, at last, of spying Ithaca.

The ocean’s conqueror, he strode the solid

Earth out of which mountains grow

And on which he charts an imprecise course

As with a sleeping compass, motionless in time.

In the inherited shadows of the gardens

Melville moves through New England evenings,

But the sea possesses him. It is the shame

Of the Pequod’s mutilated captain,

The unreadable ocean with its furious squalls

And the abomination of the whiteness.

It is the great book. It is blue Proteus.

(English translation by Stephen Kessler)

“Evening Song” — Jean Toomer

“Evening Song”

by

Jean Toomer


Full moon rising on the waters of my heart,
Lakes and moon and fires,
Cloine tires,
Holding her lips apart.

Promises of slumber leaving shore to charm the moon,
Miracle made vesper-keeps,
Cloine sleeps,
And I’ll be sleeping soon.

Cloine, curled like the sleepy waters where the
moon-waves start,
Radiant, resplendently she gleams,
Cloine dreams,
Lips pressed against my heart.

“Baseball and Classicism” — Tom Clark

“Baseball and Classicism”

by

Tom Clark


Every day I peruse the box scores for hours
Sometimes I wonder why I do it
Since I am not going to take a test on it
And no one is going to give me money

The pleasure’s something like that of codes
Of deciphering an ancient alphabet say
So as brightly to picturize Eurydice
In the Elysian Fields on her perfect day

The day she went 5 for 5 against Vic Raschi

“4th of July” — William Carlos Williams

“4th of July”

by

William Carlos Williams


I

The ship moves
but its smoke
moves with the wind
faster than the ship

— thick coils of it
through leafy trees
pressing
upon the river

II

The heat makes
this place of the woods
a room
in which two robins pain

crying
distractedly
over the plight of
their unhappy young

III

During the explosions
at dawn, the celebrations
I could hear
a native cuckoo

in the distance
as at dusk, before
I’d heard
a night hawk calling

“Beehive” — Jean Toomer

“Beehive”

by

Jean Toomer


Within this black hive to-night
There swarm a million bees;
Bees passing in and out the moon,
Bees escaping out the moon,
Bees returning through the moon,
Silver bees intently buzzing,
Silver honey dripping from the swarm of bees
Earth is a waxen cell of the world comb,
And I, a drone,
Lying on my back,
Lipping honey,
Getting drunk with that silver honey,
Wish that I might fly out past the moon
And curl forever in some far-off farmyard flower.

“Haymaking” — William Carlos Williams

“Haymaking”

by

William Carlos Williams


The living quality of
the man’s mind
stands out

and its covert assertions
for art, art, art!
painting

that the Renaissance
tried to absorb
but

it remained a wheat field
over which the
wind played

men with scythes tumbling
the wheat in
rows

the gleaners already busy
it was his own—
magpies

the patient horses no one
could take that
from him

 

die_heuernte
Haymaking (July), 
1565 by Pieter Bruegel the Elder (c. 1525-1569)

 

“A Postcard from the Volcano” — Wallace Stevens

“A Postcard from the Volcano”

by

Wallace Stevens


Children picking up our bones
Will never know that these were once
As quick as foxes on the hill;

And that in autumn, when the grapes
Made sharp air sharper by their smell
These had a being, breathing frost;

And least will guess that with our bones
We left much more, left what still is
The look of things, left what we felt

At what we saw. The spring clouds blow
Above the shuttered mansion-house,
Beyond our gate and the windy sky

Cries out a literate despair.
We knew for long the mansion’s look
And what we said of it became

A part of what it is … Children,
Still weaving budded aureoles,
Will speak our speech and never know,

Will say of the mansion that it seems
As if he that lived there left behind
A spirit storming in blank walls,

A dirty house in a gutted world,
A tatter of shadows peaked to white,
Smeared with the gold of the opulent sun.

“Tree and Sky” — William Carlos Williams

Screenshot 2019-06-19 at 3.06.06 PM

“Poem Beginning with a Line of Wittgenstein” — Donald Hall

Screenshot 2019-06-07 at 4.52.42 PM

I have perceiv’d that to be with those I like is enough (Walt Whitman)

img_2888

From Leaves of Grass, illustrated by Rockwell Kent.

“Himself let him unknown contain” — Tom Clark

“Himself let him unknown contain”

by

Tom Clark


Wyatt, with no insurance on his own head,
watching the execution of Anne Boleyn
from his cell in the Tower, while beyond
on Tower Hill her lovers also are executed,

reflects upon his wasted virtue and now
redundant innocence, rueful he ever did
let his name be known beyond the door of
his soul or hung his star from fate thrones.

(see also)

“next to of course god america i” — e.e. cummings

“next to of course god america i”

by

e.e. cummings


“next to of course god america i
love you land of the pilgrims’ and so forth oh
say can you see by the dawn’s early my
country ’tis of centuries come and go
and are no more what of it we should worry
in every language even deafanddumb
thy sons acclaim your glorious name by gorry
by jingo by gee by gosh by gum
why talk of beauty what could be more beaut-
iful than these heroic happy dead
who rushed like lions to the roaring slaughter
they did not stop to think they died instead
then shall the voice of liberty be mute?”

He spoke. And drank rapidly a glass of water.

“Lament” — Edna St. Vincent Millay

“Lament”

by

Edna St. Vincent Millay


Listen, children:
Your father is dead.
From his old coats
I’ll make you little jackets;
I’ll make you little trousers
From his old pants.
There’ll be in his pockets
Things he used to put there,
Keys and pennies
Covered with tobacco;
Dan shall have the pennies
To save in his bank;
Anne shall have the keys
To make a pretty noise with.
Life must go on,
And the dead be forgotten;
Life must go on,
Though good men die;
Anne, eat your breakfast;
Dan, take your medicine;
Life must go on;
I forget just why.

“War Is Kind” — Stephen Crane

“War Is Kind”

by

Stephen Crane


Do not weep, maiden, for war is kind.
Because your lover threw wild hands toward the sky
And the affrighted steed ran on alone,
Do not weep.
War is kind.

Hoarse, booming drums of the regiment,
Little souls who thirst for fight,
These men were born to drill and die.
The unexplained glory flies above them,
Great is the battle-god, great, and his kingdom—
A field where a thousand corpses lie.

Do not weep, babe, for war is kind.
Because your father tumbled in the yellow trenches,
Raged at his breast, gulped and died,
Do not weep.
War is kind.

Swift, blazing flag of the regiment,
Eagle with crest of red and gold,
These men were born to drill and die.
Point for them the virtue of slaughter,
Make plain to them the excellence of killing
And a field where a thousand corpses lie.

Mother whose heart hung humble as a button
On the bright splendid shroud of your son,
Do not weep.
War is kind.

“American Airlines Sutra” — Ishmael Reed

“American Airlines Sutra”

by

Ishmael Reed


put yr cup on my tray
the stewardess said 40,000
feet up. (well i’ve
never done it that way. what
have i got to lose.)

i climb into a cab & the
woman driver is singing
along with Frank Sinatra
“how was your flight coming in?”

(another one. these americans,
only one thing on their
minds).

“Axe Handles” — Gary Snyder

“Axe Handles”
by
Gary Snyder

One afternoon the last week in April
Showing Kai how to throw a hatchet
One-half turn and it sticks in a stump.
He recalls the hatchet-head
Without a handle, in the shop
And go gets it, and wants it for his own.
A broken-off axe handle behind the door
Is long enough for a hatchet,
We cut it to length and take it
With the hatchet head
And working hatchet, to the wood block.
There I begin to shape the old handle
With the hatchet, and the phrase
First learned from Ezra Pound
Rings in my ears!
“When making an axe handle
                 the pattern is not far off.”
And I say this to Kai
“Look: We’ll shape the handle
By checking the handle
Of the axe we cut with—”
And he sees. And I hear it again:
It’s in Lu Ji’s Wên Fu, fourth century
A.D. “Essay on Literature”-—in the
Preface: “In making the handle
Of an axe
By cutting wood with an axe
The model is indeed near at hand.”
My teacher Shih-hsiang Chen
Translated that and taught it years ago
And I see: Pound was an axe,
Chen was an axe, I am an axe
And my son a handle, soon
To be shaping again, model
And tool, craft of culture,
How we go on.