Book Shelves #34, 8.19.2012

 

20120819-113046.jpg

Book shelves series #34, thirty-fourth Sunday of 2012

A little end table next to the couch in our family room.

The books on top are little art books we keep out for the kids to look at, including People

20120819-113052.jpg

20120819-113058.jpg

On the second shelf, along with a cooking magazine: The People Could Fly and Lynda Barry’s One Hundred Demons:

20120819-113104.jpg

20120819-113112.jpg

20120819-113121.jpg

There are two drawers; one holds electronic manuals. The second holds McSweeney’s #33, the newspaper issue, which was pretty damn unwieldy:

20120819-113127.jpg

A comic from the McSweeney’s by Michael Kupperman:

20120819-113136.jpg

The Nereids — Joaquín Sorolla

“Enlightened” — Lydia Davis

Phi (Very Beautiful Book Acquired, 8.08.2012)

20120818-173817.jpg

 

Giulio Tononi’s Phi—remarkable, beautiful, strange. Sort of a novel, sort of philosophical text, sort of a history, sort of a science book . . . I don’t know. Here’s the blurb:

From one of the most original and influential neuroscientists at work today, here is an exploration of consciousness unlike any other—as told by Galileo, who opened the way for the objectivity of science and is now intent on making subjective experience a part of science as well.

Galileo’s journey has three parts, each with a different guide. In the first, accompanied by a scientist who resembles Francis Crick, he learns why certain parts of the brain are important and not others, and why consciousness fades with sleep. In the second part, when his companion seems to be named Alturi (Galileo is hard of hearing; his companion’s name is actually Alan Turing), he sees how the facts assembled in the first part can be unified and understood through a scientific theory—a theory that links consciousness to the notion of integrated information (also known as phi). In the third part, accompanied by a bearded man who can only be Charles Darwin, he meditates on how consciousness is an evolving, developing, ever-deepening awareness of ourselves in history and culture—that it is everything we have and everything we are.

Not since Gödel, Escher, Bach has there been a book that interweaves science, art, and the imagination with such originality. This beautiful and arresting narrative will transform the way we think of ourselves and the world.

The comparison to Hofstadter’s Gödel, Escher, Bach might be apt. The book also recalls The Rings of Saturn to me. I’ve put it in a “read this” pile.

More to come, but here are some shots at random from its interior:

20120818-173834.jpg

20120818-173840.jpg

20120818-173847.jpg

 

Nude with Book — Zinaida Serebriakova