if . . . . — Lindsay Anderson (Full Film)

(Read my review).

Pond Pass — Neil Welliver

Slow Century (2002 Pavement Documentary)

“New Year’s Eve” / “New Year’s Night” — D.H.Lawrence

Two poems by D.H. Lawrence:

“New Year’s Eve”—

There are only two things now,
The great black night scooped out
And this fire-glow.

This fire-glow, the core,
And we the two ripe pips
That are held in store.

Listen, the darkness rings
As it circulates round our fire.
Take off your things.

Your shoulders, your bruised throat!
Your breasts, your nakedness!
This fiery coat!

As the darkness flickers and dips,
As the firelight falls and leaps
From your feet to your lips!

“New Year’s Night”—

Now you are mine, to-night at last I say it;
You’re a dove I have bought for sacrifice,
And to-night I slay it.

Here in my arms my naked sacrifice!
Death, do you hear, in my arms I am bringing
My offering, bought at great price.

She’s a silvery dove worth more than all I’ve got.
Now I offer her up to the ancient, inexorable God,
Who knows me not.

Look, she’s a wonderful dove, without blemish or spot!
I sacrifice all in her, my last of the world,
Pride, strength, all the lot.

All, all on the altar! And death swooping down
Like a falcon. ’Tis God has taken the victim;
I have won my renown.

 

Book Shelves #53, 12.30.2012 (Final Entry)

Book shelves series #53, fifty-third—and final!—Sunday of 2012: In which I take a few photos at random.

I somehow managed to squeeze 52 weeks of shots out of all the book-bearing surfaces of my home (—oh—I did one week from my office).

For the last in this series (yay!) I simply walked through the rooms of the house, took a few shots, and then put them in digital frames.

For the most part, my method was thoughtless, although I did grab a pic of a bookcase new to our house (second pic, top left) that dominates my son’s room.

I also took a pic of Perec’s essay collection because one of his essays inspired this (awful, awful) project.

From that essay, “The Art and Manner of Arranging One’s Books”:

We should first of all distinguish stable classifications from provisional ones. Stable classifications are those which, in principle, you continue to respect; provisional classifications are those supposed to last only a few days, the time it takes for a book to discover, or rediscover, its definitive place. This may be a book recently acquired and not read yet, or else a book recently read that you don’t quite know where to place and which you have promised to yourself you will put away on the occasion of a forthcoming ‘great arranging’, or else a book whose reading has been interrupted and that you don’t to classify before taking it up again and finishing it, or else a book you have used constantly over a given period, or else a book you have taken down to look up a piece of information or a reference and which you haven’t yet put back in its place, or else a book that you can’t put back in its place, or else a book that you can’t put back in its rightful place because it doesn’t belong to you and you’ve several times promised to give it back, etc.

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So, what did I get out of doing this project?

1. Photographing books is difficult—I mean physically. They all reflect light differently.

2. Doing a regularly-scheduled project is difficult.

3. I have too many books.

Okay. That’s it. Finis.

Garden Hose — Edith Vonnegut

“The Whale Tooth” — Jack London

“The Whale Tooth” by Jack London

It was in the early days in Fiji, when John Starhurst arose in the mission house at Rewa Village and announced his intention of carrying the gospel throughout all Viti Levu. Now Viti Levu means the “Great Land,” it being the largest island in a group composed of many large islands, to say nothing of hundreds of small ones. Here and there on the coasts, living by most precarious tenure, was a sprinkling of missionaries, traders, bêche-de-mer fishers, and whaleship deserters. The smoke of the hot ovens arose under their windows, and the bodies of the slain were dragged by their doors on the way to the feasting.

The Lotu, or the Worship, was progressing slowly, and, often, in crablike fashion. Chiefs, who announced themselves Christians and were welcomed into the body of the chapel, had a distressing habit of backsliding in order to partake of the flesh of some favorite enemy. Eat or be eaten had been the law of the land; and eat or be eaten promised to remain the law of the land for a long time to come. There were chiefs, such as Tanoa, Tuiveikoso, and Tuikilakila, who had literally eaten hundreds of their fellow men. But among these gluttons Ra Undreundre ranked highest. Ra Undreundre lived at Takiraki. He kept a register of his gustatory exploits. A row of stones outside his house marked the bodies he had eaten. This row was two hundred and thirty paces long, and the stones in it numbered eight hundred and seventy-two. Each stone represented a body. The row of stones might have been longer, had not Ra Undreundre unfortunately received a spear in the small of his back in a bush skirmish on Somo Somo and been served up on the table of Naungavuli, whose mediocre string of stones numbered only forty-eight.

The hard-worked, fever-stricken missionaries stuck doggedly to their task, at times despairing, and looking forward for some special manifestation, some outburst of Pentecostal fire that would bring a glorious harvest of souls. But cannibal Fiji had remained obdurate. The frizzle-headed man-eaters were loath to leave their fleshpots so long as the harvest of human carcases was plentiful. Sometimes, when the harvest was too plentiful, they imposed on the missionaries by letting the word slip out that on such a day there would be a killing and a barbecue. Promptly the missionaries would buy the lives of the victims with stick tobacco, fathoms of calico, and quarts of trade beads. Natheless the chiefs drove a handsome trade in thus disposing of their surplus live meat. Also, they could always go out and catch more. Continue reading ““The Whale Tooth” — Jack London”

Duke of Alba — Francisco Goya