Walt Whitman’s Leaves of Grass, Illustrated by Rockwell Kent (Book acquired, 3 Feb. 2018)

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I couldn’t pass up on this illustrated Heritage Press copy of Leaves of Grass. I’m not sure of the exact date of publication, but this nice long post on the book suggests it was likely published in 1950 and designed in the mid-thirties.

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My daughter and I were browsing the poetry section of our favorite used bookshop—quite randomly actually—and she pulled this volume of Leaves of Grass downward like a lever, pretending it might open a secret passage. It didn’t open a secret passage, but when she pushed it back again, I saw Kent’s name on the spine. I love Kent’s work, and I’m a huge Whitman fan, and my copy of Leaves of Grass is literally falling apart. Plus only $10 and I had plenty of store credit…so…

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I’ll share some of the illustrations and verses over the next few months—a nice excuse to go through Leaves of Grass again.

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Head of a Tramp — Laszlo Mednyanszky

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Head of a Tramp, 1896 by Laszlo Mednyanszky (1852-1919)

Thomas S. Klise’s The Last Western (Book acquired, 3 Jan. 2018)

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So after maybe one tumbler of scotch too many, I finally broke down and just ordered a copy of Thomas S. Klise’s out-of-print cult novel The Last Western (1974) online. I’d been looking for it in used bookshops for awhile after reading it as a pirate ebook earlier this year. I’ll admit I’m a bit disappointed in the quality of this mass market paperback I paid fifteen U.S. dollars for, but it’s nice to have the novel to check against the ebook (like, if I ever get off my ass to really write about it). The Last Western is a prescient, zany, often sad political/religious thriller set in a kinda-sorta future—a dystopia just a shade off from our own current dystopia. The central figure, Willie, is a multiracial baseball phenom who eventually becomes the Pope. Despite its clean, lucid, straightforward prose style, Klise’s novel definitely has a heavy 70s vibe to it; fans of Vonnegut and Ishmael Reed would likely dig The Last Western. Its later cult fame seems to stem from its resonance with Infinite Jest, a novel that resembles it in several ways (although Wallace said he’d never heard of it). Anyway, I’ve said this before, but I think that some brave indie should reprint The Last Western so folks like me could buy nice new crisp well-bound copies.

Vignette — Kerry James Marshall

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Vignette, 2003  by Kerry James Marshall (b. 1955)

“To America” — James Weldon Johnson

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You lingering sparse leaves of me | Walt Whitman

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Loyal Retainer: Final Chapter —  Mu Pan

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Loyal Retainer: Final Chapter, 2018 by Mu Pan (b. 1976)

 

Civics and selfishness (David Foster Wallace)

Chapter 19 David Foster Wallace’s The Pale King (or, §19, if you prefer the book’s conceit) begins with this paragraph—

‘There’s something very interesting about civics and selfishness, and we get to ride the crest of it. Here in the US, we expect government and law to be our conscience. Our superego, you could say. It has something to do with liberal individualism, and something to do with capitalism, but I don’t understand much of the theoretical aspect—what I see is what I live in. Americans are in a way crazy. We infantilize ourselves. We don’t think of ourselves as citizens—parts of something larger to which we have profound responsibilities. We think of ourselves as citizens when it comes to our rights and privileges, but not our responsibilities. We abdicate our civic responsibilities to the government and expect the government, in effect, to legislate morality. I’m talking mostly about economics and business, because that’s my area.’

‘What do we do to stop the decline?’

I riffed on §19 of The Pale King here and here.

Portrait of Ursula K. Le Guin — Bill Sienkiewicz

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Portrait of Ursula K. Le Guin by Bill Sienkiewicz, via his Twitter

The Nipple I Never Knew — Katherine Kuharic

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The Nipple I Never Knew, 2015 by Katherine Kuharic (b. 1962)

Minnie Cunningham at the Old Bedford — Walter Richard Sickert

Minnie Cunningham at the Old Bedford 1892 by Walter Richard Sickert 1860-1942

Minnie Cunningham at the Old Bedford, 1892 by Walter Richard Sickert (1860–1942)

“Living in a Simulation” — Tom Clark

Luděk Maňásek’s illustration for “The Melon Child”

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Luděk Maňásek’s illustration for “The Melon Child.” From Jaroslav Tichý’s Persian Fairy Tales, Hamlyn, 1970. (English translations in the collection are by Jane Carruth).

Peeping — Ikenaga Yasunari

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「覗く・恵美子」(Peeping, Emiko) by Ikenaga Yasunari

Meditation — Eugene Carriere

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Meditation, 1890 by Eugene Carriere (1849-1906)

The Elphinston Children (After Sir Henry Raeburn) — Jake Wood-Evans

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The Elphinston Children (After Sir Henry Raeburn), 2016 by Jake Wood-Evans (b. 1980)

Portrait of Simonetta Vespucci — Piero di Cosimo

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Portrait of Simonetta Vespucci, c. 1480 by Piero di Cosimo (1462–1522)