
Category: Art
Rococo Borg vs The Association of Modernist Architects — Mattias Adolfsson
I’m just an animal looking for a home
Old Woman Reading — Pieter van den Bos

Boudou Saved from Drowning — Jean Renoir (Full Film)
The Sensational News — René Magritte

Depth — M.C. Escher

Watch Kashtanka, A 1952 Animated Adaptation of Anton Chekhov’s Short Story
Encyclo — Robert Smithson

Little Hostess — Emmy Lincoln
Man Reading — Paul Wunderlich

Lake Bride — Vangel Naumovski

See the Trailer for Slavoj Žižek’s New Film, The Pervert’s Guide to Ideology
Raymond Pettibon: “I read as I write, write as I read”

Read a 1999 interview with Raymond Pettibon in BOMB. Excerpt:
I read as I write, write as I read. If it used to take me five minutes to read the whole newspaper, now, my mind wanders, and then five minutes later I wonder, Gee, did I read that? I used to take notes, and I have notebooks full of drawings and notes that were partly quotations, and I’ve done a lot of marginalia, writing in books. I’m usually reading a number of books at a time, and whether I get through an individual one is probably unlikely. I’ve lost interest in narrative. (sigh) At least in the sense of seeing how a story comes out at the end. There’s a type of reading where you get lost in the narrative and you become part of the story and you’re compelled to finish. I don’t really have any interest in that. For me, reading has become more microscopic, more about dissecting the work. It may start on the level of the novel, then go down to theme or style, then to a paragraph, and finally a sentence. Or the sentence itself becomes about structure, or the words in it. Probably the most obvious example of that kind of reading is James Joyce. It becomes a kind of disease. Every text becomes related to another one, even in a different language, down to each individual word, which then becomes a clue into the etymology of the word, and then that etymological tree. A different context, a different language…you’re just making these associations from one thing to another. I used to start out with a simple drawing that would begin as an idea, and then my writing would make some associations with something else. And then, you know, a day later, or a year later, or whenever, the whole page would be covered with small, finely written text. And it would become a lot of things that were meant to be just in one drawing, expanded into this while still part of my notes. Voluminous notes. You do actually get lost in that morass of associations.
Tree of Hope, Remain Strong — Frida Kahlo

Reader in Green — Pierre-Auguste Renoir

Evening and Sorrow — Gustave Moreau



