A Wonderful Day — Mu Pan

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A Wonderful Day, 2018 by Mu Pan (b. 1976)

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Detail from Saint Michael and the Devil — Raphael

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Saint Michael and the Devil (detail), c. 1503-04 by Raphael (1483-1520)

Seven still frames from Jarmusch’s Only Lovers Left Alive

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From Only Lovers Left Alive, 2013. Directed by Jim Jarmsuch with cinematography by Yorick Le Saux. Via Screenmusings.

Read the Biblioklept review of Only Lovers Left Alive.

Detail from Saint Michael and the Devil — Raphael

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Saint Michael and the Devil (detail), c. 1503-04 by Raphael (1483-1520)

Detail from Saint Michael and the Devil — Raphael

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Saint Michael and the Devil (detail), c. 1503-04 by Raphael (1483-1520)

Detail from Saint Michael and the Devil — Raphael

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Saint Michael and the Devil (detail), c. 1503-04 by Raphael (1483-1520)

Saul Steinberg’s The Labyrinth (Book acquired 27 Oct. 2018)

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Saul Steinberg’s The Labyrinth is new in print again from NYRB, this time with a new introduction by novelist Nicholson Baker. The book is simply gorgeous.

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My eight-year-old son immediately asked if he might read it (he has been on a sort of comix probation since I caught him reading a R. Crumb collection), and he shuttled through the thing two or three times over half an hour.

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The Labryinth is 280 or so pages of illustrations with no story or plot, and he was a bit bewildered when I told him I planned to review the thing. “How?” I’ll figure out a way.

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For now, here’s NYRB’s blurb:

Saul Steinberg’s The Labyrinth, first published in 1960 and long out of print, is more than a simple catalog or collection of drawings— these carefully arranged pages record a brilliant, constantly evolving imagination confronting modern life. Here is Steinberg, as he put it at the time, “discovering and inventing a great variety of events: Illusion, talks, music, women, cats, dogs, birds, the cube, the crocodile, the museum, Moscow and Samarkand (winter, 1956), other Eastern countries, America, motels, baseball, horse racing, bullfights, art, frozen music, words, geometry, heroes, harpies, etc.” This edition, featuring a new introduction by Nicholson Baker, an afterword by Harold Rosenberg, and new notes on the artwork, will allow readers to discover this unique and wondrous book all over again.

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Portrait of the Physician Ludwig Adler — Oskar Kokoschka

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Portrait of the Physician Ludwig Adler, 1914 by Oskar Kokoschka (1886-1980)

The Owl’s Nest — Hieronymus Bosch

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The Owl’s Nest, c. 1505-16 by Hieronymus Bosch (c. 1450-1516)

Nineteen still frames from Tarkovsky’s Solaris

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From Solaris, 1972. Directed by Andrei Tarkovsky with cinematography by Vadim Yusov. Via Screenmusings.

Inherent Vice (William Gaddis’s The Recognitions)

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From page 182 of my copy of William Gaddis’s The Recognitions. (See also and also).

Robby Müller on shooting Down By Law

The Tree of Paradise — Séraphine Louis

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The Tree of Paradise, 1930 by Séraphine Louis (1864–1942)

Saul Steinberg Talks

Reclining Woman with Red Blouse — Egon Schiele

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Reclining Woman with Red Blouse, 1908 by Egon Schiele (1890-1918)

Cover Girl — Frank Bowling

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Cover Girl, 1964 by Frank Bowling (b. 1934)

Head of a Peasant (Study for the Potato Eaters) — Vincent van Gogh

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Head of a Peasant (Study for the Potato Eaters), 1885 by Vincent van Gogh (1853-1890)