Saul Steinberg’s The Labyrinth (Book acquired 27 Oct. 2018)

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Saul Steinberg’s The Labyrinth is new in print again from NYRB, this time with a new introduction by novelist Nicholson Baker. The book is simply gorgeous.

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My eight-year-old son immediately asked if he might read it (he has been on a sort of comix probation since I caught him reading a R. Crumb collection), and he shuttled through the thing two or three times over half an hour.

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The Labryinth is 280 or so pages of illustrations with no story or plot, and he was a bit bewildered when I told him I planned to review the thing. “How?” I’ll figure out a way.

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For now, here’s NYRB’s blurb:

Saul Steinberg’s The Labyrinth, first published in 1960 and long out of print, is more than a simple catalog or collection of drawings— these carefully arranged pages record a brilliant, constantly evolving imagination confronting modern life. Here is Steinberg, as he put it at the time, “discovering and inventing a great variety of events: Illusion, talks, music, women, cats, dogs, birds, the cube, the crocodile, the museum, Moscow and Samarkand (winter, 1956), other Eastern countries, America, motels, baseball, horse racing, bullfights, art, frozen music, words, geometry, heroes, harpies, etc.” This edition, featuring a new introduction by Nicholson Baker, an afterword by Harold Rosenberg, and new notes on the artwork, will allow readers to discover this unique and wondrous book all over again.

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Portrait of the Physician Ludwig Adler — Oskar Kokoschka

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Portrait of the Physician Ludwig Adler, 1914 by Oskar Kokoschka (1886-1980)

The Owl’s Nest — Hieronymus Bosch

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The Owl’s Nest, c. 1505-16 by Hieronymus Bosch (c. 1450-1516)

Nineteen still frames from Tarkovsky’s Solaris

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From Solaris, 1972. Directed by Andrei Tarkovsky with cinematography by Vadim Yusov. Via Screenmusings.

Inherent Vice (William Gaddis’s The Recognitions)

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From page 182 of my copy of William Gaddis’s The Recognitions. (See also and also).

Robby Müller on shooting Down By Law

The Tree of Paradise — Séraphine Louis

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The Tree of Paradise, 1930 by Séraphine Louis (1864–1942)

Saul Steinberg Talks

Reclining Woman with Red Blouse — Egon Schiele

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Reclining Woman with Red Blouse, 1908 by Egon Schiele (1890-1918)

Cover Girl — Frank Bowling

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Cover Girl, 1964 by Frank Bowling (b. 1934)

Head of a Peasant (Study for the Potato Eaters) — Vincent van Gogh

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Head of a Peasant (Study for the Potato Eaters), 1885 by Vincent van Gogh (1853-1890)

 

Waves of November — Miles Cleveland Goodwin

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Waves of November, 2016 by Miles Cleveland Goodwin (b. 1980)

November — Alex Colville

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November, 1979 by Alex Colville (1920-2013)

Halloween — Julio Larraz

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Halloween, 1973 by Julio Larraz (b. 1944)

Untitled (Mask) — William Eggleston

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Untitled (from Los Alamos), 1966-74 by William Eggleston (b. 1939)

Halloween Carnival — Henrik Martin Mayer

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Halloween Carnival, 1938 by Henrik Martin Mayer (1909-1972)

Paul Kirchner’s Hieronymus & Bosch (Book acquired, 17 Oct. 2018)

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This afternoon, I started putting together a review of Biblioklept fave Paul Kirchner’s latest, Hieronymus & Bosch, and I realized that although I’d written a bit about it recently, I hadn’t put together one of these book acquired posts for it. So this is that post.

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I really dig the book. It’s goofy and funny and has a lot of soul to it. Kirchner’s hapless hero Hieronymus seems like an extension—with difference—of the commuter, the hero of Kirchner’s bus strips. I hope to have a review up at The Comics Journal soon (where I reviewed Kirchner’s last collection, Awaiting the Collapse), but for now,  here’s publisher Tanibis’s blurb:

Meet the medieval miscreant Hieronymus and his wooden duck Bosch. When Hieronymus commits yet another petty crime, things go badly wrong and both are catapulted into a cartoonish version of Hell. There, lakes are made of lava (or, more often, poop) and an army of mischievous spiky-tailed devils bully the inmates and play impish pranks. Despite many gag-filled attempts at escaping this literal hell, Hieronymus and Bosch always end up being the butt of their trident-wielding guards’ most humiliating and painful jokes.

This book puts together about a hundred one-pagers filled with hilariously surrealistic and scatological gags by American comic book artist Paul Kirchner. Kirchner drew his inspiration from the medieval depictions of Hell by Dante and Hieronymus Bosch (duh!) as well as from the zany, almost sadistic humor of Warner Bros. cartoons like the Road Runner Show. Some of the stories published in this book originally appeared on the Adult Swim website.

Hieronymus & Bosch also evokes Kirchner’s famous comic strip series the bus. However, the bus‘ main character always got out from the practical jokes played on him unharmed, even if a bit confused. Hieronymus & Bosch‘s two heroes get burnt by lava, stabbed with tridents, used as a Q-tip by Satan himself, or just covered in a torrent of poop gushing down from above. Yet they carry on, finding fun where they can and refusing to abandon all hope.