July 31st.–Nothing remarkable to record. A child asleep in a young lady’s arms,–a little baby, two or three months old. Whenever anything partially disturbed the child, as, for instance, when the young lady or a by-stander patted its cheek or rubbed its chin, the child would smile; then all its dreams seemed to be of pleasure and happiness. At first the smile was so faint, that I doubted whether it were really a smile or no; but, on further efforts, it brightened forth very decidedly. This, without opening its eyes.–A constable, a homely, good-natured, business-looking man, with a warrant against an Irishman’s wife for throwing a brick-bat at a fellow. He gave good advice to the Irishman about the best method of coming easiest through the affair. Finally settled,–the justice agreeing to relinquish his fees, on condition that the Irishman would pay for the mending of his old boots!
I went with Monsieur S—- yesterday to pick raspberries. He fell through an old log bridge thrown over a hollow; looking back, only his head and shoulders appeared through the rotten logs and among the bushes.–A shower coming on, the rapid running of a little barefooted boy, coming up unheard, and dashing swiftly past us, and showing the soles of his naked feet as he ran adown the path, and up the opposite rise.
September 18th.–How the summer-time flits away, even while it seems to be loitering onward, arm in arm with autumn! Of late I have walked but little over the hills and through the woods, my leisure being chiefly occupied with my boat, which I have now learned to manage with tolerable skill. Yesterday afternoon I made a voyage alone up the North Branch of Concord River. There was a strong west-wind blowing dead against me, which, together with the current, increased by the height of the water, made the first part of the passage pretty toilsome. The black river was all dimpled over with little eddies and whirlpools; and the breeze, moreover, caused the billows to beat against the bow of the boat, with a sound like the flapping of a bird’s wing. The water-weeds,where they were discernible through the tawny water, were straight outstretched by the force of the current, looking as if they were forced to hold on to their roots with all their might. If for a moment I desisted from paddling, the head of the boat was swept round by the combined might of wind and tide. However, I toiled onward stoutly, and, entering the North Branch, soon found myself floating quietly along a tranquil stream, sheltered from the breeze by the woods and a lofty hill. The current, likewise, lingered along so gently that it was merely a pleasure to propel the boat against it. I never could have conceived that there was so beautiful a river-scene in Concord as this of the North Branch. The stream flows through the midmost privacy and deepest heart of a wood, which, as if but half satisfied with its presence, calm, gentle, and unobtrusive as it is, seems to crowd upon it, and barely to allow it passage; for the trees are rooted on the very verge of the water, and dip their pendent branches into it. On one side there is a high bank, forming the side of a hill, the Indian name of which I have forgotten, though Mr. Thoreau told it to me; and here, in some instances, the trees stand leaning over the river, stretching out their arms as if about to plunge in headlong. On the other side, the bank is almost on a level with the water; and there the quiet congregation of trees stood with feet in the flood, and fringed with foliage down to its very surface. Vines here and there twine themselves about bushes or aspens or alder-trees, and hang their clusters (though scanty and infrequent this season) so that I can reach them from my boat. I scarcely remember a scene of more complete and lovely seclusion than the passage of the river through this wood. Even an Indian canoe, in oldentimes, could not have floated onward in deeper solitude than my boat. I have never elsewhere had such an opportunity to observe how much more beautiful reflection is than what we call reality. The sky, and the clustering foliage on either hand, and the effect of sunlight as it found its way through the shade, giving lightsome hues in contrast with the quiet depth of the prevailing tints,–all these seemed unsurpassably beautiful when beheld in upper air. But on gazing downward, there they were, the same even to the minutest particular, yet arrayed in ideal beauty, which satisfied the spirit incomparably more than the actual scene. I am half convinced that the reflection is indeed the reality, the real thing which Nature imperfectly images to our grosser sense. At any rate, the disembodied shadow is nearest to the soul.
There were many tokens of autumn in this beautiful picture. Two or three of the trees were actually dressed in their coats of many colors,–the real scarlet and gold which they wear before they put on mourning. These stood on low, marshy spots, where a frost has probably touched them already. Others were of a light, fresh green, resembling the hues of spring, though this, likewise, is a token of decay. The great mass of the foliage, however, appears unchanged; but ever and anon down came a yellow leaf, half flitting upon the air, half falling through it, and finally settling upon the water. A multitude of these were floating here and there along the river, many of them curling upward, so as to form little boats, fit for fairies to voyage in. They looked strangely pretty, with yet a melancholy prettiness, as they floated along. The general aspect of the river, however, differed but little from that of summer,–at least the differencedefies expression. It is more in the character of the rich yellow sunlight than in aught else. The water of the stream has now a thrill of autumnal coolness; yet whenever a broad gleam fell across it, through an interstice of the foliage, multitudes of insects were darting to and fro upon its surface. The sunshine, thus falling across the dark river, has a most beautiful effect. It burnishes it, as it were, and yet leaves it as dark as ever.
On my return, I suffered the boat to float almost of its own will down the stream, and caught fish enough for this morning’s breakfast. But, partly from a qualm of conscience, I finally put them all into the water again, and saw them swim away as if nothing had happened.
Nathaniel Hawthorne’s journal entry of September 18th, 1842
July 29th.–Remarkable characters:–A disagreeable figure, waning from middle age, clad in a pair of tow homespun pantaloons, and a very soiled shirt, barefoot, and with one of his feet maimed by an axe; also an arm amputated two or three inches below the elbow. His beard of a week’s growth, grim and grisly, with a general effect of black; altogether a disgusting object. Yet he has the signs of having been a handsome man in his idea, though now such a beastly figure that probably no living thing but his great dog would touch him without an effort. Coming to the stoop, where several persons were sitting, “Good morning, gentlemen,” said the wretch. Nobodyanswered for a time, till at last one said, “I don’t know whom you speak to: not to me, I’m sure” (meaning that he did not claim to be a gentleman). “Why I thought I spoke to you all at once,” replied the figure, laughing. So he sat himself down on the lower step of the stoop, and began to talk; and, the conversation being turned upon his bare feet by one of the company, he related the story of his losing his toes by the glancing aside of an axe, and with what great fortitude he bore it. Then he made a transition to the loss of his arm, and, setting his teeth and drawing in his breath, said that the pain was dreadful; but this, too, he seems to have borne like an Indian; and a person testified to his fortitude by saying that he did not suppose there was any feeling in him, from observing how he bore it. The man spoke of the pain of cutting the muscles, and the particular agony at one moment, while the bone was being sawed asunder; and there was a strange expression of remembered anguish, as he shrugged his half-limb, and described the matter. Afterwards, in a reply to a question of mine, whether he still seemed to feel the hand that had been amputated, he answered that he did always; and, baring the stump, he moved the severed muscles, saying, “There is the thumb, there the forefinger,” and so on. Then he talked to me about phrenology, of which he seems a firm believer and skilful practitioner, telling how he had hit upon the true character of many people. There was a great deal of sense and acuteness in his talk, and something of elevation in his expressions,–perhaps a studied elevation, and a sort of courtesy in his manner; but his sense had something out of the way in it; there was something wild and ruined and desperate in his talk, though I can hardlysay what it was. There was a trace of the gentleman and man of intellect through his deep degradation; and a pleasure in intellectual pursuits, and an acuteness and trained judgment, which bespoke a mind once strong and cultivated. “My study is man,” said he. And, looking at me, “I do not know your name,” he said, “but there is something of the hawk-eye about you, too.” Continue reading ““Remarkable Characters” (Nathaniel Hawthorne’s July 29th, 1838 journal entry)”
8 April. Yesterday incapable of writing even one word. Today no better. Who will save me? And the turmoil in me, deep down, scarcely visible; I am like a living lattice-work, a lattice that is solidly planted and would like to tumble down.
Today in the coffee-house with Werfel. How he looked from the distance, seated at the coffee-house table. Stooped, half reclining even in the wooden chair, the beautiful profile of his face pressed against his chest, his face almost wheezing in its fullness (not really fat); entirely indifferent to the surroundings, impudent, and without flaw. His dangling glasses by contrast make it easier to trace the delicate outlines of his face.
From the diaries of Franz Kafka. The entry is from 8 April 1914. English translation by Martin Greenberg.
30 October. In the afternoon to the theatre, Pallenberg.
The possibilities within me, I won’t say to act or write The Miser, but to be the miser himself. It would need only a sudden determined movement of my hands, the entire orchestra gazes in fascination at the spot above the conductor’s stand where the baton will rise.
Feeling of complete helplessness.
What is it that binds you more intimately to these impenetrable, talking, eye-blinking bodies than to any other thing, the penholder in your hand, for example? Because you belong to the same species? But you don’t belong to the same species, that’s the very reason why you raised this question.
The impenetrable outline of human bodies is horrible.
The wonder, the riddle of my not having perished already, of the silent power guiding me. It forces one to this absurdity: ‘Left to my own resources, I should have long ago been lost.’ My own resources.
From Franz Kafka’s diary entry of October 30, 1921.
Picked up books last week, not needing them, but hey.
A digest of Kafka’s diaries; good stuff, great random reading.
This is a great little anecdote:
Austerlitz is of course the name of a W.G. Sebald novel. From that novel:
I also picked up the sixth issue of Swords of Cerebus by Dave Sim. It’s a second printing and in terrible shape and I already have the issues in other forms (reprint and graphic novel) but it’s still a pretty rare find. And I am a nerd.
The book also includes a short little excellent wordless comic, “A Night on the Town,” where Cerebus parties with a corpse. I have the reprint somewhere else, but still:
(From Kafka’s Diaries).
(From Kafka’s Diaries).
(From Kafka’s Diaries).
(From Kafka’s diaries).
From Kafka’s Diaries.
From Kafka’s unfinished and very strange story “Memoirs of the Kalda Railway.” Collected in Diaries.
(From a 1910 diary entry).
The New York Times reports that “what appears to be the document on which Faulkner modeled that ledger [detailing the genealogy that haunts Go Down, Moses] as well as the source for myriad names, incidents and details that populate his fictionalized Yoknapatawpha County has been discovered.” The article continues:
The original manuscript, a diary from the mid-1800s, was written by Francis Terry Leak, a wealthy plantation owner in Mississippi whose great-grandson Edgar Wiggin Francisco Jr. was a friend of Faulkner’s since childhood. Mr. Francisco’s son, Edgar Wiggin Francisco III, now 79, recalls the writer’s frequent visits to the family homestead in Holly Springs, Miss., throughout the 1930s, saying Faulkner was fascinated with the diary’s several volumes. Mr. Francisco said he saw them in Faulker’s hands and remembers that he “was always taking copious notes.”
History, particularly the strange, paradoxical, and taboo history of the plantation underwrites almost all of Faulkner’s significant fiction, so any historical document that served to inform his writing will be of particular note to enthusiasts and scholars alike.