Blind Nut Seekers, Dumb Cake, True-Lover Test, and Other Games for Halloween

From Mary F. Blain’s Games for Hallowe’en (1912):

BLIND NUT SEEKERS

Let several guests be blindfolded. Then hide nuts or apples in various parts of room or house. One finding most nuts or apples wins prize.

DUMB CAKE

Each one places handful of wheat flour on sheet of white paper and sprinkles it over with a pinch of salt. Some one makes it into dough, being careful not to use spring water. Each rolls up a piece of dough, spreads it out thin and flat, and marks initials on it with a new pin. The cakes are placed before fire, and all take seats as far from it as possible. This is done before eleven p.m., and between that time and midnight each one must turn cake once. When clock strikes twelve future wife or husband of one who is to be married first will enter and lay hand on cake marked with name. Throughout whole proceeding not a word is spoken. Hence the name “Dumb Cake.” (If supper is served before 11:30, “Dumb Cake” should be reserved for one of the After- Supper Tests.)

TRUE-LOVER TEST

Two hazel-nuts are thrown into hot coals by maiden, who secretly gives a lover’s name to each. If one nut bursts, then that lover is unfaithful; but if it burns with steady glow until it becomes ashes, she knows that her lover is true. Sometimes it happens, but not often, that both nuts burn steadily, and then the maiden’s heart is sore perplexed.

WEB OF FATE

Long bright colored strings, of equal length are twined and intertwined to form a web.

Use half as many strings as there are guests.

Remove furniture from center of a large room—stretch a rope around the room, from corner to corner, about four feet from the floor. Tie one end of each string to the rope, half at one end and half at one side of the room; weave the strings across to the opposite end and side of the room and attach to rope. Or leave furniture in room and twine the strings around it.

Each guest is stationed at the end of a string and at a signal they begin to wind up the string until they meet their fate at the other end of it.

The lady and gentleman winding the same string will marry each other, conditions being favorable; otherwise they will marry someone else. Those who meet one of their own sex at the other end of the string will be old maids or bachelors.

The couple finishing first will be wedded first.

A prize may be given the lucky couple, also to the pair of old maids and the pair of bachelors finishing first.

THREADING A NEEDLE

Sit on round bottle laid lengthwise on floor, and try to thread a needle. First to succeed will be first married.

(More).

“The Hag” — Robert Herrick

the hag

Run for Your Life, Charlie Brown

run_for_your_life__charlie_b_by_citizenwolfie-d4dtb6j

Run for Your Life, Charlie Brown by Dennis Davies.

Suburban Terror — Casey Weldon

suburbanterror

The Great He-Goat (Witches’ Sabbath) — Goya

The Blood on Satan’s Claw (Full Film)

Mischief Night — Jamie Wyeth

Werewolf — Andre Masson

To Repel Ghosts — Jean-Michel Basquiat

Warm Halloween — Jamie Wyeth

Ghostly Gourds — Norman Rockwell

Halloween Mixtape

Halloween Links

I suggest Count Dracula plays an uncredited cameo in Roberto Bolaño’s novel 2666

Seven horror stories masquerading in other genres

Death (and life) masks.

You can’t do better than From Hell (Alan Moore & Eddie Campbell)

Seven more horror stories masquerading in other genres

Roberto Bolaño’s powers of horror (I read 2666 through a Kristevan lens)

Jonathan Littell’s The Kindly Ones: lurid, horrific, abject

Bolaño’s werewolves

28 Weeks Later is a good film, but it hates children

I hated Justin Cronin’s The Passage, which I suppose counts as a horror novel

Yoko Ogawa’s novel Hotel Iris is subtle, Lynchian horror

David Lynch’s film INLAND EMPIRE is subtle Lynchian horror

Playing online bingo games: Horrific?

Bedknobs and Broomsticks: not scary but who cares

Cormac McCarthy’s Child of God is scary, obscene, etc.

What I liked about that Zodiac movie (spoiler: everyone in the comments section tells me I’m wrong!)

“How Jack O’Lanterns Came To Be” — Zora Neale Hurston

From Zora Neale Hurston’s novelization of folklore, Mules and Men:

It was slavery time, Zora, when Big Sixteen was a man. They called ‘im Sixteen  cause dat was de number of de shoe he wore. He was big and strong and Ole Massa looked to him to do everything.

One day Ole Massa said, “Big Sixteen, Ah b’lieve Ah want you to move dem sills Ah had hewed out down in de swamp.

“I yassuh, Massa.”

Big Sixteen went down in de swamp and picked up dem 12 X 12’s and brought ’em on up to de house and stack ,em. No one man ain’t never toted a 12 X 12 befo’ nor since.

So Ole Massa said one day, “Go fetch in de mules. Ah want to look ’em over.”

Big Sixteen went on down to, de pasture and caught dem mules by de bridle but they was contrary and balky and he tore de bridles to pieces pullin’ on ’em, so he picked one of ’em up under each arm and brought ’em up to Old Massa.

He says, “Big Sixteen, if you kin tote a pair of balky mules, you kin do anything. You kin ketch de Devil.”

“Yassuh, Ah kin, if you git me a nine-pound hammer and a pick and shovel!”

Ole Massa got Sixteen de things he ast for and tole ‘im to go ahead and bring him de Devil.

Big Sixteen went out in front of de house and went to diggin’. He was diggin’ nearly a month befo’ he got where he wanted. Then he took his hammer and went and knocked on de Devil’s door. Devil answered de door hisself.

“Who dat out dere?”

“It’s Big Sixteen.”

“What you want?”

“Wanta have a word wid you for a minute.”

Soon as de Devil poked his head out de door, Sixteen him over de head wid dat hammer and picked ‘im  up and carried ‘im back to Old Massa.

Ole Massa looked at de dead Devil and hollered, “Take dat ugly thing ‘way from here, quick! Ah didn’t think you’d, ketch de Devil sho ’nuff.”

So Sixteen picked up de Devil and throwed ‘im back down de hole.

Way after while, Big Sixteen died and went up to Heben. But Peter looked at him and tole ‘im to g’wan ‘way from dere. He was too powerful. He might git outa order and there wouldn’t be nobody to handle ‘im. But he had to, go somewhere so he went on to hell.

Soon as he got to de gate de Devil’s children was playin’ in de yard and they seen ‘im and run to de house, says, “Mama, mama! Dat man’s out dere dat kilt papa!”

So she called ‘im in de house and shet de door. When Sixteen got dere she handed ‘im a li’l piece of fire and said, “You ain’t comin’ in here. Here, take dis hot coal and g’wan off and start you a hell uh yo’ own.”

So when you see a Jack O’Lantern in de woods at night you know it’s Big Sixteen wid his piece of fire lookin’ for a  place to go.

The Diabolical Diagram of Movie Monsters

Werner Herzog Talks About Filming Nosferatu the Vampyre

Two Witches — Hans Baldung