
Tag: Poetry
RIP Seamus Heaney

RIP Seamus Heaney, 1939-2013
“Funeral Rites”
I shouldered a kind of manhood
stepping in to lift the coffins
of dead relations.
They had been laid out
in tainted rooms,
their eyelids glistening,
their dough-white hands
shackled in rosary beads.
Their puffed knuckles
had unwrinkled, the nails
were darkened, the wrists
obediently sloped.
The dulse-brown shroud,
the quilted satin cribs:
I knelt courteously
admiting it all
as wax melted down
and veined the candles,
the flames hovering
to the women hovering
behind me.
And always, in a corner,
the coffin lid,
its nail-heads dressed
with little gleaming crosses.
Dear soapstone masks,
kissing their igloo brows
had to suffice
before the nails were sunk
and the black glacier
of each funeral
pushed away.
II
Now as news comes in
of each neighbourly murder
we pine for ceremony,
customary rhythms:
the temperate footsteps
of a cortège, winding past
each blinded home.
I would restore
the great chambers of Boyne,
prepare a sepulchre
under the cupmarked stones.
Out of side-streets and bye-roads
purring family cars
nose into line,
the whole country tunes
to the muffled drumming
of ten thousand engines.
Somnambulant women,
left behind, move
through emptied kitchens
imagining our slow triumph
towards the mounds.
Quiet as a serpent
in its grassy boulevard
the procession drags its tail
out of the Gap of the North
as its head already enters
the megalithic doorway.
III
When they have put the stone
back in its mouth
we will drive north again
past Strang and Carling fjords
the cud of memory
allayed for once, arbitration
of the feud placated,
imagining those under the hill
disposed like Gunnar
who lay beautiful
inside his burial mound,
though dead by violence
and unavenged.
men said that he was chanting
verses about honour
and that four lights burned
in corners of the chamber:
which opened then, as he turned
with a joyful face
to look at the moon.
“For the Love of Dying” — Malcolm Lowry

How to Be a Sensitive Poet (Life in Hell)
“Just Once” — Anne Sexton

“Portrait of a Lady” — William Carlos Williams

“Foreigner” – Olga Broumas
House
Two floors
Down is stove
Down is bath kitchen music
Down is stove and the stack of logs
Up is bed and the climate the tropical
Down is desk next to stove
Around and around floors windows uncurtained
Outside is snow
Unmarked northern profound white snow
Up small woman alone
Icicles
Naked
“Heat” — Denis Johnson
“Heat” by Denis Johnson—
Here in the electric dusk your naked lover
tips the glass high and the ice cubes fall against her teeth.
It’s beautiful Susan, her hair sticky with gin,
Our Lady of Wet Glass-Rings on the Album Cover,
streaming with hatred in the heat
as the record falls and the snake-band chords begin
to break like terrible news from the Rolling Stones,
and such a last light—full of spheres and zones.
August,
you’re just an erotic hallucination,
just so much feverishly produced kazoo music,
are you serious?—this large oven impersonating night,
this exhaustion mutilated to resemble passion,
the bogus moon of tenderness and magic
you hold out to each prisoner like a cup of light?
“I too beneath your moon, almighty Sex” — Edna St. Vincent Millay

“Desire” — Langston Hughes

“The Apparition” — John Donne

“Helen” — H.D.
“Helen” by H.D.—
All Greece hates
the still eyes in the white face,
the lustre as of olives
where she stands,
and the white hands.All Greece reviles
the wan face when she smiles,
hating it deeper still
when it grows wan and white,
remembering past enchantments
and past ills.Greece sees, unmoved,
God’s daughter, born of love,
the beauty of cool feet
and slenderest knees,
could love indeed the maid,
only if she were laid,
white ash amid funereal cypresses.
I confess (Sappho)

“The Old Men” — William Carlos Williams

John Keats’s Handwritten Manuscript for “To Autumn”
“Elegy” — Jorge Luis Borges

“One Certainty” — Christina Rossetti


