Excess — Albert Anker

I was filling in the holes | Charles Burns discusses Tintin’s influence

cb

Charles Burns talked to The New Yorker about the influence Herge’s Tintin had on his X’ed Out trilogy:

The format of the three hardcovers is based on Tintin in its Franco-Belgian comics album format… Luckily, I had those books growing up. When I was five years old—I couldn’t even read yet—my Dad, who went to bookstores and libraries all the time, brought back one of those early Tintin books for me. It felt like the first book that was just my own…

Eventually, when they started being imported to the U.S., I found the British translations, but it took a long time. So as a kid looking at the books, I was filling in the holes, the missing pieces—kind of making up my own stories, I guess—looking at the back cover and seeing images that didn’t appear in the stories I knew. Now, the book I made—all three books—feels complete to me. I had a pretty firm idea of what the story was going to be when I started, but many things changed while I was working. In the end, all the pieces fit together the way I wanted, or as close as I could get. I feel like I’ve said everything I need to say.

I should have a review of Sugar Skull up next week (surprise: it’s good!—but I loved X’ed Out and The Hive, so).

Mystic Scene — Henri Martin

Three of a Perfect Pair — 90 Minutes of King Crimson in Japan, 1984

https://www.youtube.com/watch?v=dWZmBSJwY1Y

1 Three Of A Perfect Pair 0:00:27
1a backstage 0:04:36
2 No Warning 0:07:00
3 Larks’ Tongues In Aspic Part III 0:10:56
4 Thela Hun Ginjeet 0:16:05
5 Frame By Frame 0:22:07
6 Matte Kudasai 0:26:07
7 Industry 0:29:37
8 Dig Me 0:36:32
9 Indiscipline 0:40:15
10 Sartori In Tangier 0:50:37
11 Man With An Open Heart 0:54:51
12 Waiting Man 0:58:37
13 Sleepless 1:05:17
14 Larks’ Tongues In Aspic Part II 1:11:34
15 Elephant Talk 1:17:38
16 Heartbeat 1:22:45

Wouldn’t It Be Deadly? (Book Acquired, Like Last Week or the Week Before)

IMG_3228

Wouldn’t It Be Deadly by D.E. Ireland. PW’s write up:

Set in London in 1913, this tongue-in-cheek series kickoff from the pseudonymous Ireland picks up where the musical My Fair Lady left off. Eliza Doolittle has left her irascible mentor, Henry Higgins, to work for a rival elocution teacher, Emil Nepommuck. Nepommuck features her transformation from street flower-seller to someone who passed for a duchess prominently in his advertising, and manages to steal some of Higgins’s students. When someone fatally stabs Nepommuck in the back outside his apartment, Higgins, who confronted the man earlier, becomes Scotland Yard’s prime suspect. Higgins turns out to be hiding a secret, which is out of character with his stage and film personae. Some readers may find character names like Harrison and Shaw a bit heavy-handed, though others may smile when Higgins describes Eliza as a “fair lady” or wonders why anyone would care about the “rain in Spain.” A

Snake — Leonora Carrington

Snake 1969 gouache, ink, pastel and wax crayon on board 29.875 x 26.5 in

The Reader — Wyndham Lewis