Read “The Great Simoleon Caper,” a short story by Neal Stephenson

“The Great Simoleon Caper”

by

Neal Stephenson


Hard to imagine a less attractive life-style for a young man just out of college than going back to Bismarck to live with his parents — unless it’s living with his brother in the suburbs of Chicago, which, naturally, is what I did. Mom at least bakes a mean cherry pie. Joe, on the other hand, got me into a permanent emotional headlock and found some way, every day, to give me psychic noogies. For example, there was the day he gave me the job of figuring out how many jelly beans it would take to fill up Soldier Field.

Let us stipulate that it’s all my fault; Joe would want me to be clear on that point. Just as he was always good with people, I was always good with numbers. As Joe tells me at least once a week, I should have studied engineering. Drifted between majors instead, ended up with a major in math and a minor in art — just about the worst thing you can put on a job app.

Joe, on the other hand, went into the ad game. When the Internet and optical fiber and HDTV and digital cash all came together and turned into what we now call the Metaverse, most of the big ad agencies got hammered — because in the Metaverse, you can actually whip out a gun and blow the Energizer Bunny’s head off, and a lot of people did. Joe borrowed 10,000 bucks from Mom and Dad and started this clever young ad agency. If you’ve spent any time crawling the Metaverse, you’ve seen his work — and it’s seen you, and talked to you, and followed you around.

Mom and Dad stayed in their same little house in Bismarck, North Dakota. None of their neighbors guessed that if they cashed in their stock in Joe’s agency, they’d be worth about $20 million. I nagged them to diversify their portfolio — you know, buy a bushel basket of Krugerrands and bury them in the backyard, or maybe put a few million into a mutual fund. But Mom and Dad felt this would be a no-confidence vote in Joe. It'd be,'' Dad said,like showing up for your kid’s piano recital with a Walkman.”

Joe comes home one January evening with a magnum of champagne. After giving me the obligatory hazing about whether I’m old enough to drink, he pours me a glass. He’s already banished his two sons to the Home Theater. They have cranked up the set-top box they got for Christmas. Patch this baby into your HDTV, and you can cruise the Metaverse, wander the Web and choose from among several user-friendly operating systems, each one rife with automatic help systems, customer-service hot lines and intelligent agents. The theater’s subwoofer causes our silverware to buzz around like sheet-metal hockey players, and amplified explosions knock swirling nebulas of tiny bubbles loose from the insides of our champagne glasses. Those low frequencies must penetrate the young brain somehow, coming in under kids’ media-hip radar and injecting the edfotainucational muchomedia bitstream direct into their cerebral cortices.

“Hauled down a mother of an account today,” Joe explains. “We hype cars. We hype computers. We hype athletic shoes. But as of three hours ago, we are hyping a currency.”

“What?” says his wife Anne.

“Y’know, like dollars or yen. Except this is a new currency.”

“From which country?” I ask. This is like offering lox to a dog: I’ve given Joe the chance to enlighten his feckless bro. He hammers back half a flute of Dom Perignon and shifts into full-on Pitch Mode.

Read the rest of “The Great Simoleon Caper.”

51 still frames from Slava Tsukerman’s Liquid Sky

Liquid-Sky-001Liquid-Sky-006Liquid-Sky-014Liquid-Sky-016Liquid-Sky-022Liquid-Sky-025Liquid-Sky-026Liquid-Sky-028Liquid-Sky-029Liquid-Sky-032Liquid-Sky-036Liquid-Sky-040 Continue reading “51 still frames from Slava Tsukerman’s Liquid Sky”

“A Poem to Read in August” — Gilbert Sorrentino

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Three Books (Books acquired, 31 July 2020)

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The Dead Father by Donald Barthelme. Mass market paperback from Pocket Books (S&S), 1976. Cover art and design uncredited.

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Unspeakable Practices, Unnatural Acts by Donald Barthelme. Mass market paperback from Bantam, 1969. Cover art and design uncredited.

I found a lovely copy of Donald Barthelme’s story collection Come Back, Dr. Caligari! a few weeks ago, and I’m pretty sure these two guys are twin triplets with that guy. (I found Caligari under “Classic Literature” in my local favorite sweetass bookstore; found these two in “General Fiction.”) No artist credited, which is a shame. I already own a copy of The Dead Father—maybe Barthelme’s best “novel”?—but I couldn’t pass up the mass market edition. I live with myself, but. I’ve read everything in Unspeakable —think — but again, great edition. This is probably the best starting point for Barthelme, with no fewer than five perfect or near-perfect short stories: “The Indian Uprising,” “The Balloon,” “Robert Kennedy Saved from Drowning,” “Game,” and “See the Moon?”

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Epitaph of a Small Winner by Machado de Assis. English translation by William L. Grossman. Mass market paperback from Avon-Bard, 1978. Cover art and design uncredited.

I’m a huge fan of these Bard-Avon Latin American editions, and although this cover isn’t one of their weirdest, it’s not bad. I’m not sure if Grossman’s translation is the one to tackle, but I’m up for it.

“August” — Mary Oliver

“August”

by

Mary Oliver


Our neighbor, tall and blonde and vigorous, the mother
of many children, is sick. We did not know she was sick,
but she has come to the fence, walking like a woman
who is balancing a sword inside of her body, and besides
that her long hair is gone, it is short and, suddenly, gray.
I don’t recognize her. It even occurs to me that it might
be her mother. But it’s her own laughter-edged voice,
we have heard it for years over the hedges.

All summer the children, grown now and some of them
with children of their own, come to visit. They swim,
they go for long walks at the harbor, they make
dinner for twelve, for fifteen, for twenty. In the early
morning two daughters come to the garden and slowly
go through the precise and silent gestures of T’ai Chi.

They all smile. Their father smiles too, and builds
castles on the shore with the children, and drives back to
the city, and drives back to the country. A carpenter is
hired—a roof repaired, a porch rebuilt. Everything that
can be fixed.

June, July, August. Every day, we hear their laughter. I
think of the painting by van Gogh, the man in the chair.
Everything wrong, and nowhere to go. His hands over
his eyes.


 

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